Thomas Merton - The Intimate Merton
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The Seven Storey Mountain
The Sign of Jonas
New Seeds of Contemplation
Conjectures of a Guilty Bystander
Zen and the Birds of Appetite
The Collected Poems of Thomas Merton
The Literary Essays of Thomas Merton
Mystics and Zen Masters
The Hidden Ground of Love (Letters I)
The Road to Joy (Letters II)
The School of Charity (Letters III)
The Courage for Truth (Letters IV)
Witness to Freedom (Letters V)
Love and Living
The Monastic Journey
The Asian Journal
Run to the Mountain (Journals I)
Entering the Silence (Journals II)
A Search for Solitude (Journals III)
Turning Toward the World (Journals IV)
Dancing in the Water of Life (Journals V)
Learning to Love (Journals VI)
The Other Side of the Mountain (Journals VII)
Thomas Merton (1915-1968) was a Trappist monk, writer, and peace activist. His autobiography, The Seven Storey Mountain (1948), was a major bestseller, and he also wrote a number of other spiritual classics, including New Seeds of Contemplation, The Sign of Jonas, and Mystics and Zen Masters. Bro. Patrick Hart, O.C.S.O., general editor of Journals, was Merton's last secretary and has acted as the Abbey of Gethsemani's representative on Merton affairs since his death. Hart edited volumes 1 and 7 of the Journals, Love and Living, The Monastic Journey, and a number of other Merton books. Jonathan Montaldo, director of the Thomas Merton Center at Bellarmine College, edited volume 2 of the Journals.
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Grateful acknowledgment is made to the following for permission to reprint previously published material:
Excerpt from Silence in Heaven by Thomas Merton. Copyright 1956 by The Studio Publishers, Inc. Excerpts by Thomas Merton from The Courage for Truth, copyright 1993, The Road to Joy, copyright 1989, The School of Charity, copyright 1990, A Vow of Conversation, copyright 1988, and Witness to Freedom, copyright 1994. Used by permission of Farrar, Straus & Giroux. From Conjectures of a Guilty Bystander by Thomas Merton. Copyright 1966 by the Abbey of Gethsemani. Used by permission of Doubleday, a division of Random House, Inc. Excerpt from The Sign of Jonas by Thomas Merton. Copyright 1953 by the Abbey of Gethsemani and renewed in 1981 by the Trustees of the Merton Legacy Trust, reprinted by permission of Harcourt, Inc. Excerpt from The Seven Storey Mountain by Thomas Merton. Copyright 1948 by Harcourt, Inc., and renewed in 1976 by the Trustees of the Merton Legacy Trust, reprinted by permission of the publisher. From The Collected Poems of Thomas Merton. Copyright 1963 by the Abbey of Gethsemani, Inc., 1977 by the Trustees of the Merton Legacy Trust. Reprinted by permission of New Directions Publishing Corp. From The Way of Chuang Tzu. Copyright 1965 by the Abbey of Gethsemani. Reprinted by permission of New Directions Publishing Corp.
Photo credit to Brendan Egan for the photograph of Mertons Hermitage. Photographs by John Howard Griffin, copyright 1999 by Elizabeth Griffin-Bonazzi, executor for the Estate of John Howard Griffin. Photograph by Ralph Eugene Meatyard, copyright by Ralph Eugene Meatyard/Courtesy of Christopher Meatyard.
THE INTIMATE MERTON: His Life from His Journals . Copyright 1999 by the Merton Legacy Trust. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
EPub Edition MAY 2007 ISBN: 9780061983573
10 9 8 7 6 5 4 3 2 1
The Intimate Merton is dedicated to
Naomi Burton Stone, Robert Giroux,
James Laughlin, Anne McCormick,
and Tommie OCallaghan
Either you look at the universe as a very poor creation out of which no one can make anything, or you look at your own life and your own part in the universe as infinitely rich, full of inexhaustible interest, opening out into the infinite further possibilities for study and contemplation and interest and praise. Beyond all and in all is God.
Perhaps the Book of Life, in the end, is the book one has lived. If one has lived nothing, one is not in the Book of Life.
I have always wanted to write about everything. That does not mean to write a book that covers everythingwhich would be impossible, but a book in which everything can go. A book with a little of everything that creates itself out of everything. That has its own life. A faithful book. I no longer look at it as a book.
July 17, 1956
H E KEPT A JOURNAL AS EARLY AS 1931 WHEN HE WAS ONLY SIXTEEN. F ROM boyhood he apprenticed himself to the notion that his life would be inexhaustibly rich if he wrote about it. Writing would make him a main celebrant at Lifes infinite creation.
Writing became Thomas Mertons second nature: his mode of breathing from the diaphragm to take everything in. Writing was his way to taste and see. A smell became perfume when he had captured it on a page. To write, he noted in his journal, is to think and to liveeven to pray (September 27, 1958 ). By writing, life lived itself through him (April 14, 1966 ). He found himself a place to be within a written word. He wrote his heart out as if his hearts next beat depended upon his writing about it.
Blessed with an inclusive imagination, he wanted to write a book into which everything in his life was able to go. Lifes very self would live through him as he explored a path through the worlds ten thousand things by writing down their names. Life would remember itself through him as he compiled almanacs of the changes in his hearts inner weather. By creating within his journals a book of everything, Merton was writing his paragraph into Lifes autobiography.
Writing a journal was Mertons way of doing a poets heart work, a scholars inner work, a monks work of the cell. Writing a journal was the birth canal through which the myriad inner responses of his spirit to the world became enfleshed and took on a life of their own. Once born to the page, his words formed sentences with their own truth in them.
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