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Gerald Alva Miller Jr. - Understanding William Gibson

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Gerald Alva Miller Jr. Understanding William Gibson
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Gerald Alva Miller Jr.s Understanding William Gibson is a thoughtful examination of the life and work of William Gibson, author of eleven novels and twenty short stories. Gibson is the recipient of many notable awards for science fiction writing including the Nebula, Hugo, and Philip K. Dick awards. Gibsons iconic novel, Neuromancer, popularized the concept of cyberspace. With his early stories and his first trilogy of novels, Gibson became the father figure for a new genre of science fiction calledcyberpunkthat brought a gritty realism to its cerebral plots involving hackers and artificial intelligences.This study situates Gibson as a major figure in both science fiction history and contemporary American fiction, and it traces how his aesthetic affected both areas of literature. Miller follows a brief biographical sketch and a survey of the works that influenced him with an examination that divides Gibsons body of work into early stories, his three major novel trilogies, and his standalone works. Miller does not confine his study to major works but instead also delves into Gibsons obscure stories, published and unpublished screenplays, major essays, and collaborations with other authors.Millers exploration starts by connecting Gibson to the major countercultural movements that influenced him (the Beat Generation, the hippies, and the punk rock movement) while also placing him within the history of science fiction and examining how his early works reacted against contemporaneous trends in the genre. These early works also exhibit the development of his unique aesthetic that would influence science fiction and literature more generally. Next a lengthy chapter explicates his groundbreaking Sprawl Trilogy, which began with Neuromancer. Miller then traces Gibsons aesthetic transformations across his two subsequent novel trilogies that increasingly eschew distant futures either to focus on our contemporary historical moment as a kind of science fiction itself or to imagine technological singularities that might lie just around the corner. These chapters detail how Gibsons aesthetic has morphed along with social, cultural, and technological changes in the real world. The study also looks at such standalone works as his collaborative steampunk novel, his attempts at screenwriting, his major essays, and even his experimental hypertext poetry. The study concludes with a discussion of Gibsons lasting influence and a brief examination of his most recent novel, The Peripheral, which signals yet another radical change in Gibsons aesthetic.

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UNDERSTANDING WILLIAM GIBSON UNDERSTANDING CONTEMPORARY AMERICAN LITERATURE - photo 1

UNDERSTANDING WILLIAM GIBSON

UNDERSTANDING CONTEMPORARY AMERICAN LITERATURE

Matthew J. Bruccoli, Founding Editor

Linda Wagner-Martin, Series Editor

Volumes on

Edward Albee | Sherman Alexie | Nelson Algren | Paul Auster

Nicholson Baker | John Barth | Donald Barthelme | The Beats

Thomas Berger | The Black Mountain Poets | Robert Bly | T. C. Boyle

Truman Capote | Raymond Carver | Michael Chabon | Fred Chappell

Chicano Literature | Contemporary American Drama

Contemporary American Horror Fiction

Contemporary American Literary Theory

Contemporary American Science Fiction, 19261970

Contemporary American Science Fiction, 19702000

Contemporary Chicana Literature | Robert Coover | Philip K. Dick | James Dickey

E. L. Doctorow | Rita Dove | Don DeLillo | Dave Eggers | John Gardner

George Garrett | Tim Gautreaux | William Gibson | John Hawkes | Joseph Heller

Lillian Hellman | Beth Henley | James Leo Herlihy | David Henry Hwang

John Irving | Randall Jarrell | Charles Johnson | Diane Johnson | Adrienne Kennedy

William Kennedy | Jack Kerouac | Jamaica Kincaid | Etheridge Knight

Tony Kushner | Ursula K. Le Guin | Jonathan Letham | Denise Levertov

Bernard Malamud | David Mamet | Bobbie Ann Mason | Colum McCann

Cormac McCarthy | Jill McCorkle | Carson McCullers | W. S. Merwin

Arthur Miller | Steven Millhauser | Lorrie Moore | Toni Morrisons Fiction

Vladimir Nabokov | Gloria Naylor | Joyce Carol Oates | Tim OBrien

Flannery OConnor | Cynthia Ozick | Suzan-Lori Parks | Walker Percy

Katherine Anne Porter | Richard Powers | Reynolds Price | Annie Proulx

Thomas Pynchon | Theodore Roethke | Philip Roth | Richard Russo | May Sarton

Hubert Selby, Jr. | Mary Lee Settle | Sam Shepard | Neil Simon | Isaac Bashevis Singer

Jane Smiley | Gary Snyder | William Stafford | Robert Stone | Anne Tyler

Gerald Vizenor | Kurt Vonnegut | David Foster Wallace | Robert Penn Warren

James Welch | Eudora Welty | Colson Whitehead | Tennessee Williams

August Wilson | Charles Wright

UNDERSTANDING

WILLIAM GIBSON

Gerald Alva Miller, Jr.

Picture 2

The University of South Carolina Press

2016 University of South Carolina

Published by the University of South Carolina Press

Columbia, South Carolina 29208

www.sc.edu/uscpress

25 24 23 22 21 20 19 18 17 16

10 9 8 7 6 5 4 3 2 1

Library of Congress Cataloging-in-Publication Data

can be found at http://catalog.loc.gov/

ISBN 978-1-61117-633-9 (cloth)

ISBN 978-1-61117-634-6 (ebook)

Front cover photograph by Ulf Andersen

http://ulfandersen.photoshelter.com

To the memory of my father, Jerry Miller,

Who taught me to love science fiction.

For my mother, Debbie Miller,

Who has always supported me no matter what.

For Jane, my daughter,

Who has brought new inspiration into my life.

And, finally, for Leigh,

Without whom none of this would have been possible.

CONTENTS

Chapter 1
Understanding William Gibson

Chapter 2
A Cyborg Apprenticeship: The Early Stories and the Retrofitting of Genres

Chapter 3
Beneath the Televisual Sky: The Sprawl Trilogy and the Rise of Cyberpunk

Chapter 4
Nodal Points: Singularities, Heterotopias, and Organic Spaces in the Bridge Trilogy

Chapter 5
Twenty-First-Century Singularities: The Futures End in Gibsons Bigend Trilogy

Chapter 6
Engaging with Difference: William Gibsons Genre and Media Explorations

Conclusion:
Retrofitting CyberpunkGibsons Lasting Influence

SERIES EDITORS PREFACE

The Understanding Contemporary American Literature series was founded by the estimable Matthew J. Bruccoli (19312008), who envisioned these volumes as guides or companions for students as well as good nonacademic readers, a legacy that will continue as new volumes are developed to fill in gaps among the nearly one hundred series volumes published to date and to embrace a host of new writers only now making their marks on our literature.

As Professor Bruccoli explained in his preface to the volumes he edited, because much influential contemporary literature makes special demands, the word understanding in the titles was chosen deliberately. Many willing readers lack an adequate understanding of how contemporary literature works; that is, of what the author is attempting to express and the means by which it is conveyed. Aimed at fostering this understanding of good literature and good writers, the criticism and analysis in the series provide instruction in how to read certain contemporary writersexplicating their material, language, structures, themes, and perspectives and facilitate a more profitable experience of the works under discussion.

In the twenty-first century Professor Bruccolis prescience gives us an avenue to publish expert critiques of significant contemporary American writing. The series continues to map the literary landscape and to provide both instruction and enjoyment. Future volumes will seek to introduce new voices alongside canonized favorites, to chronicle the changing literature of our times, and to remain, as Professor Bruccoli conceived, contemporary in the best sense of the word.

Linda Wagner-Martin, Series Editor

ABBREVIATIONS

Works by William Gibson

BC

Burning Chrome

CZ

Count Zero

DTPF

Distrust That Particular Flavor

N

Neuromancer

PR

Pattern Recognition

Other Frequently Cited Works

WGLC

Tom Henthornes William Gibson: A Literary Companion

WGO

Lance Olsens William Gibson

WGW

Gary Westfahls William Gibson

CHAPTER 1

Understanding William Gibson

Born on March 17, 1948, William Ford Gibson is often given the moniker father of cyberpunk, the subgenre of science fiction (or sci-fi or SF) that focuses on computer information systems, corporate control, and hyperurbanized spaces. Ironically, Gibsons early years were not spent in an urban environment or in an area known for technological advancement. Born in the coastal town of Conway, South Carolina, he spent the bulk of his childhood in Wytheville, a small Virginia town in the Appalachian Mountains (Dellinger 1). As Andrew Ross and Scott Bukatman discuss, many of the major cyberpunk authors also hailed unexpectedly from southern locales instead of from the major northern cities one might expect. Bruce Sterling, John Shirley, and Rudy Rucker, for example, were born in Brownsville, Texas; Houston, Texas; and Louisville, Kentucky, respectively. Despite his rural upbringing, Gibson became a dual citizen of Canada and the United States and a critic and visionary of the digital age.

From the Rural to the Virtual: A Brief Chronology of Gibsons Life

Gibson spent his first eight years in various parts of the South. His father, William Ford Gibson, Jr., managed a construction company that did plumbing work at Oak Ridge, where the first atomic bomb was built (Feller). Gibsons father died when the boy was eight, after which he and his mother, Elizabeth Otey, moved back to her hometown of Wytheville, Virginia (Feller). Because his mother was the town librarian, Gibson developed an early passion for books, and his writing style was influenced equally by sources as diverse as hard-boiled crime authors such as Raymond Chandler and postmodern novelists such as Thomas Pynchon (Dellinger 1). But it was the Classics Illustrated comic book version of

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