Practicing Art/Science
Over the last two decades, multiple initiatives of transdisciplinary collaboration across art, science, and technology have seen the light of day. Why, by whom, and under what circumstances are such initiatives promoted? What does their experimental character look like and what can be learned, epistemologically and institutionally, from probing the multiple practices of art/science at work?
In answer to the questions raised, Practicing Art/Science contrasts topical positions and insightful case studies, ranging from the detailed investigation of art at the nanoscale to the material analysis of Leonardos Mona Lisa and its cracked smile. In so doing, this volume brings to bear the practice turn in science and technology studies (STS) on the empirical investigation of multifaceted experimentation across contemporary art, science, and technology in situ. Against the background of current discourse on artistic research, the introduction not only explains the particular relevance of the practice turn in STS to tackle the interdisciplinary task at hand, but offers also a timely survey of varying strands of artistic experimentation.
In bringing together ground-breaking studies from internationally renowned scholars and upcoming researchers in sociology, art theory and artistic practice, as well as history and philosophy of science, Practicing Art/Science will be essential reading for practitioners and professionals in said fields, as well as postgraduate students and representatives of higher education and research policy more broadly.
Philippe Sormani is Board member of the Science and Technology Studies Lab at the University of Lausanne, Switzerland, and affiliated researcher at the Institut Marcel Mauss, EHESS, in Paris, France.
Guelfo Carbone holds a PhD in Philosophy and History of Philosophy (Sapienza University of Rome), and is a member of the Editorial Board of the philosophical journal Plemos. Materiali di filosofia e critica sociale.
Priska Gisler is head of the research cluster Intermediality at University of the Arts, Bern, Switzerland, and board member of the Swiss Artistic Research Network (SARN).
Routledge Advances in Sociology
For a full list of titles in this series, please visit www.routledge.com/series/SE0511
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The Sociology of Central Asian Youth
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Marcus Woolombi Waters
Time and Temporality in Transitional and Post-Conflict Societies
Edited by Natascha Mueller-Hirth and Sandra Rios Oyola
Practicing Art/Science
Experiments in an Emerging Field
Edited by Philippe Sormani, Guelfo Carbone and Priska Gisler
The Dark Side of Podemos?
Carl Schmitts Shadow in Progressive Populism
Josh Booth and Patrick Baert
Intergenerational Family Relations
An Evolutionary Social Science Approach
Antti O. Tanskanen and Mirkka Danielsbacka
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Anastasia Seregina
The Philosophy of Homelessness
Barely Being
Pau Moran and Frances Atherton
Practicing Art/Science
Experiments in an Emerging Field
Edited by
Philippe Sormani, Guelfo Carbone and Priska Gisler
First published 2019
by Routledge
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2019 selection and editorial matter, Philippe Sormani, Guelfo Carbone & Priska Gisler; individual chapters, the contributors
The right of Philippe Sormani, Guelfo Carbone & Priska Gisler to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
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British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging in Publication Data
Names: Sormani, Philippe, editor. | Carbone, Guelfo, 1983- editor. | Gisler, Priska, editor.
Title: Practicing art/science : experiments in an emerging field / edited by Philippe Sormani, Guelfo Carbone & Priska Gisler.
Description: New York : Routledge, 2018. | Includes bibliographical references and index.
Identifiers: LCCN 2017060793 | ISBN 9781138039414 (hardback)
Subjects: LCSH: Science and the arts. | Interdisciplinary approach to knowledgeCase studies.
Classification: LCC NX180.S3 P73 2018 | DDC 700.1/05dc23
LC record available at https://lccn.loc.gov/2017060793
ISBN: 978-1-138-03941-4 (hbk)
ISBN: 978-1-315-17588-1 (ebk)
Bernhard Bhm Centre for Research on Architecture, Society & the Built Environment (ETH, Zrich) CH-8093 Zrich, Switzerland
Serena Cangiano University of Applied Sciences and Arts of Southern Switzerland (SUPSI)
Guelfo Carbone Sapienza University of Rome
Fernando Domnguez Rubio University of California, San Diego 2 Park Drive, Milton Park, San Diego, CA 95000, United States
Davide Fornari ECAL/University of Art and Design Lausanne (HES-SO), Switzerland
Priska Gisler Bern University of the Arts, Fellerstrasse 11, CH-3027 Bern, Switzerland
Nathalie Heinich French National Centre for Scientific Research (CNRS) 22 Place de la Nation, F-75012 Paris, France
Yal Kreplak Institut Marcel Mauss, Centre dtude des mouvements sociaux, School of Advanced Studies in the Social Sciences (EHESS), Paris
Michael Lynch Department of Science & Technology Studies, Cornell University, 312 Morrill Hall, Ithaca, NY 14853, United States
Johanne Mohs Bern University of the Arts Hochschule der Knste Bern, Fellerstrasse 11, CH-3027 Bern, Switzerland
Hans-Jrg Rheinberger Max Planck Institute for the History of Science, Berlin Boltzmannstr. 22, D-14195 Berlin, Germany
Azalea Seratoni University of Applied Sciences and Arts of Southern Switzerland (SUPSI)
Dirk vom Lehn Kings Business School, Kings College London, 30 Aldwych, London WC2B 4BG, United Kingdom
Mick Wilson University of Gothenburg, Box 132, Akademin Valand, S-40530 Gothenburg, Sweden
Guelfo Carbone, Priska Gisler and Philippe Sormani