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Paraschas Sotirios - The Realist Author and Sympathetic Imagination

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Paraschas Sotirios The Realist Author and Sympathetic Imagination
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The nineteenth century realist author was a contradictory figure. He was the focus of literary criticism, but obscured his creative role by insisting on presenting his works as copies of reality. He was a celebrity who found himself subservient to publishers and the public, in a newly-industrialised literary marketplace. He was the owner of his work who was divested of his property by imperfect copyright laws, playwrights who adapted his novels for the stage, and sequel-writers. This combination of a conspicuous yet precarious status with a self-effacing attitude was expressed by an image of the author as a plural, Protean subject, possessing the faculty of sympathetic imagination - which the realists incorporated in their works in the form of a series of fictional characters who functioned as doubles of the author. Paraschas focuses on two realists, Honorede Balzac and George Eliot, and traces this authorial scenario from its origins in the late eighteenth century to its demise in the early twentieth century, examining its presence in the works of E.T.A. Hoffmann, Friedrich Schlegel, Charles Baudelaire and Andre Gide.

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THE REALIST AUTHOR AND SYMPATHETIC IMAGINATION Legenda LEGENDA founded in 1995 - photo 1

THE REALIST AUTHOR AND SYMPATHETIC IMAGINATION

Legenda

LEGENDA, founded in 1995 by the European Humanities Research Centre of the University of Oxford, is now a joint imprint of the Modern Humanities Research Association and Routledge. Titles range from medieval texts to contemporary cinema and form a widely comparative view of the modern humanities, including works on Arabic, Catalan, English, French, German, Greek, Italian, Portuguese, Russian, Spanish, and Yiddish literature. An Editorial Board of distinguished academic specialists works in collaboration with leading scholarly bodies such as the Society for French Studies and the British Comparative Literature Association.

The Modern Humanities Research Association MHRA encourages and promotes - photo 2

The Modern Humanities Research Association (MHRA) encourages and promotes advanced study and research in the field of the modern humanities, especially modern European languages and literature, including English, and also cinema. It also aims to break down the barriers between scholars working in different disciplines and to maintain the unity of humanistic scholarship in the face of increasing specialization. The Association fulfils this purpose primarily through the publication of journals, bibliographies, monographs and other aids to research.

Routledge is a global publisher of academic books journals and online - photo 3

Routledge is a global publisher of academic books, journals and online resources in the humanities and social sciences. Founded in 1836, it has published many of the greatest thinkers and scholars of the last hundred years, including adorno, einstein, Russell, Popper, Wittgenstein, Jung, Bohm, Hayek, Mcluhan, Marcuse and Sartre. Today Routledge is one of the world's leading academic publishers in the Humanities and Social Sciences. It publishes thousands of books and journals each year, serving scholars, instructors, and professional communities worldwide.

www.routledge.com

Editorial Board

Chairman
Professor Colin Davis, Royal Holloway, University of London

Professor Malcolm Cook, University of Exeter (French)
Professor Robin Fiddian, Wadham College, Oxford (Spanish)
Professor Anne Fuchs, University of Warwick (German)
Professor Paul Garner, University of Leeds (Spanish)
Professor Marian Hobson Jeanneret, Queen Mary University of London (French)
Professor Catriona Kelly, New College, Oxford (Russian)
Professor Martin McLaughlin, Magdalen College, Oxford (Italian)
Professor Martin Maiden, Trinity College, Oxford (Linguistics)
Professor Peter Matthews, St Johns College, Cambridge (Linguistics)
Dr Stephen Parkinson, Linacre College, Oxford (Portuguese)
Professor Ritchie Robertson, The Queens College, Oxford (German)
Professor Lesley Sharpe, University of Exeter (German)
Professor David Shepherd, University of Sheffield (Russian)
Professor Michael Sheringham, All Souls College, Oxford (French)
Professor Alison Sinclair, Clare College, Cambridge (Spanish)
Professor David Treece, Kings College London (Portuguese)

Managing Editor
Dr Graham Nelson
41 Wellington Square, Oxford ox1 2Jf, UK

www.legendabooks.com

STUDIES IN COMPARATIVE LITERATURE

Editorial Committee
Professor Stephen Bann, University of Bristol (Chairman)
Professor Duncan Large, University of Swansea
Dr Elinor Shaffer, School of Advanced Study, London

Studies in Comparative Literature are produced in close collaboration with the British Comparative Literature Association, and range widely across comparative and theoretical topics in literary and translation studies, accommodating research at the interface between different artistic media and between the humanities and the sciences.

Published in This Series
  1. Breeches and Metaphysics: Thackerays German Discourse , by S.S. Prawer
  2. Hlderlin and the Dynamics of Translation , by Charlie Louth
  3. Aeneas Takes the Metro , by Fiona Cox
  4. Metaphor and Materiality: German Literature and the World-View of Science, by Peter D. Smith
  5. Marguerite Yourcenar: Reading the Visual , by Nigel Saint
  6. Treny: The Laments of Kochanowski , translated by Adam Czerniawski
  7. Neither a Borrower: Forging Traditions in French, Chinese and Arabic Poetry, by Richard Serrano
  8. The Anatomy of Laughter , edited by Toby Garfitt, Edith McMorran and Jane Taylor
  9. Dilettantism and its Values: From Weimar Classicism to the fin de sicle , by Richard Hibbitt
  10. The Fantastic in France and Russia in the Nineteenth Century, by Claire Whitehead
  11. Singing Poets: Literature and Popular Music in France and Greece , by Dimitris Papanikolaou
  12. Wanderers Across Language: Exile in Irish and Polish Literature, by Kinga Olszewska
  13. Moving Scenes: The Aesthetics of German Travel Writing on England , by Alison E. Martin
  14. Henry James and the Second Empire , by Angus Wrenn
  15. Platonic Coleridge , by James Vigus
  16. Imagining Jewish Art , by Aaron Rosen
  17. Alienation and Theatricality: Diderot after Brecht , by Phoebe von Held
  18. Turning into Sterne: Viktor Shklovskii and Literary Reception , by Emily Finer
  19. Yeats and Pessoa: Parallel Poetic Styles , by Patricia Silva McNeill
  20. Aestheticism and the Philosophy of Death: Walter Pater and Post-Hegelianism , by Giles Whiteley
  21. Blake, Lavater and Physiognomy , by Sibylle Erle
  22. Rethinking the Concept of the Grotesque: Crashaw, Baudelaire, Magritte , by Shun-Liang Chao
  23. The Art of Comparison: How Novels and Critics Compare , by Catherine Brown
  24. Borges and Joyce: An Infinite Conversation , by Patricia Novillo-Corvaln
  25. Prometheus in the Nineteenth Century: From Myth to Symbol , by Caroline Corbeau-Parsons
  26. Architecture, Travellers and Writers: Constructing Histories of Perception , by Anne Hultzsch
  27. Comparative Literature in Britain: National Identities, Transnational Dynamics 1800-2000 , by Joep Leerssen with Elinor Shaffer
  28. The Realist Author and Sympathetic Imagination , by Sotirios Paraschas
  29. Iris Murdoch and Elias Canetti: Intellectual Allies , by Elaine Morley
  30. Likenesses: Translation, Illustration, Interpretation , by Matthew Reynolds
The Realist Author and Sympathetic Imagination

SOTIRIOS PARASCHAS

Studies in Comparative Literature 28 Modern Humanities Research Association and - photo 4

Studies in Comparative Literature 28
Modern Humanities Research Association and Routledge
2013

First published 2013

Published by the
Modern Humanities Research Association and Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
711 Third Avenue, New York, NY 10017, USA

LEGENDA is an imprint of the
Modern Humanities Research Association and Routledge

Routledge is an imprint of the Taylor & Francis Group, an informa business

Modern Humanities Research Association and Taylor & Francis 2013

ISBN 978-1-907975-70-7 (hbk)

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, including photocopying, recordings, fax or otherwise, without the prior written permission of the copyright owner and the publisher.

Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

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