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Joanne Miyang Cho - Musical Entanglements between Germany and East Asia: Transnational Affinity in the 20th and 21st Centuries

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Joanne Miyang Cho Musical Entanglements between Germany and East Asia: Transnational Affinity in the 20th and 21st Centuries
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This edited volume explores musical encounters and entanglements between Germany and East Asian nations from 1900 to the present. In so doing, it speaks to their dynamic and multi-faceted musical relations in multiple ways. Despite East Asia and Germany being located at opposite ends of the globe, German music has found remarkably fertile soil in East Asia. East Asians have enthusiastically adopted it, while at the same time adding their own musical interpretations. These musical encounters have produced compositions that reflect this mutual influence, stimulating and enriching each other through their entanglement. After more than a century of entanglement, Germany and East Asia have become kindred musical spirits.

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Book cover of Musical Entanglements between Germany and East Asia Palgrave - photo 1
Book cover of Musical Entanglements between Germany and East Asia
Palgrave Series in Asian German Studies
Series Editors
Joanne Miyang Cho
William Paterson University of New Jersey, Wayne, NJ, USA
Douglas T. McGetchin
Florida Atlantic University, Boca Raton, FL, USA

This series contributes to the emerging field of Asian-German Studies by bringing together cutting-edge scholarship from international scholars in a variety of fields. It encourages the publication of works by specialists globally on the multi-faceted dimensions of ties between the German-speaking world (Germany, Austria, Switzerland, and German-speaking enclaves in Eastern Europe) and Asian countries over the past two centuries. Rejecting traditional notions of West and East as seeming polar opposites (e.g., colonizer and colonized), the volumes in this series attempt to reconstruct the ways in which Germans and Asians have cooperated and negotiated the challenge of modernity in various fields. The volumes cover a range of topics that combine the perspectives of anthropology, comparative religion, economics, geography, history, human rights, literature, philosophy, politics, and more. For the first time, such publications offer readers a unique look at the role that the German-speaking world and Asia have played in developing what is today a unique relationship between two of the worlds currently most vibrant political and economic regions.

ADVISORY BOARD:

Prof. Sebastian Conrad, Freie University of Berlin

Prof. Dorothy Figueira, University of Georgia

Prof. Doris Fischer, Wrzburg University

Prof. Suzanne Marchand, Lousiana State University

Prof. Lee M. Roberts, Purdue University, Fort Wayne

Prof. Franziska Seraphim, Boston College

More information about this series at http://www.palgrave.com/gp/series/14664

Editor
Joanne Miyang Cho
Musical Entanglements between Germany and East Asia
Transnational Affinity in the 20th and 21st Centuries
1st ed. 2021
Logo of the publisher Editor Joanne Miyang Cho William Paterson University - photo 2
Logo of the publisher
Editor
Joanne Miyang Cho
William Paterson University of New Jersey, Wayne, NJ, USA
Palgrave Series in Asian German Studies
ISBN 978-3-030-78208-5 e-ISBN 978-3-030-78209-2
https://doi.org/10.1007/978-3-030-78209-2
The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2021
This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

Cover illustration: English: Gertud Eysoldt as Turandot; Alexander Moissi as Calaf. Photos from the program book for Max Reinhardts 1911 production of Gozzis Turandot with incidental music by Ferruccio Busoni.

This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG

The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland

To Henrik Juho

Acknowledgements

The editor would like to express her appreciation to Editor Meagan Simpson at Palgrave Macmillan for her generous assistance and accommodation. She is grateful to her fellow Asian German Studies scholars, many of whom are regular participants at the German Studies Association annual conferences, where they present their exciting new research and support each others scholarly endeavors. The contributors are especially thankful to Sarah Panzer for her tireless and invaluable assistance in editing the manuscript.

Contents
Joanne Miyang Cho
Part IGerman-Japanese/Korean Entanglements, 19001945: Wagner, Bandmasters, and Japanese Students
Toru Takenaka
Hye Eun Choi
Alison Tokita
Part IISino-German Entanglements, 19001949: Operas, Beethoven, and Jewish Cantors
Lufan Xu
John Gabriel
Sophie Fetthauer
Hao Huang
Part IIIGermanEast Asian Entanglements since 1945: Ferienkurse, Mozart, and East Asian Composers
Jinsong Chen
Fuyuko Fukunaka
Hyejin Yi
Hee Sook Oh
List of Figures
List of Tables
Notes on Contributors
Jinsong Chen

is a Professor at North Sichuan Medical College in China. She received her PhD in German literature and culture at Purdue University. Her dissertation is entitled Mozart as Intertext and Gender Discourse in Austrian Postmodernist Drama. Her masters degrees are in German Studies and Musicology and her masters thesis is titled The Impact of Richard Wagner on Werner Herzogs Film Nosferatu. She is the author of Chinas Encounter with Mozart in Two Films: From Musical Modernity to Cultural Globalization in The German-East Asian Screen (Routledge, 2021).

Joanne Miyang Cho

is Professor of History at William Paterson University of New Jersey. She received her PhD in History from the University of Chicago. She has co-edited Transcultural Encounters between Germany and India (2014), Germany and China (2014), Germany and Japan (2016), Gendered Encounters between Germany and Asia (2016), and Germany and Korea (2018). She edited Transnational Encounters between Germany and East Asia since 1900 (2018), German-East Asian Encounters and Entanglements since 1945 (2021), and Sino-German Encounters and Entanglements, 18901950 (2021). She is a series co-editor for Palgrave Studies in Asian German Studies.

Hye Eun Choi

is an Assistant Professor Faculty Fellow of Korean Language and Culture at New York University Shanghai. After receiving her PhD in History from the University of Wisconsin-Madison, she was a Korea Foundation Postdoctoral Fellow at Columbia University. Choi has taught courses at Columbia, NYU, and William Paterson University. Her book project, tentatively titled Inventing Modern Sound Culture in Colonial Korea (19101945), traces the birth of the recording industry in colonial Korea, revealing how a new sound culture was formed not only under Japanese cultural hegemony but also in and through the currents of global modernity.

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