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Eriko Tomizawa-Kay (editor) - East Asian Art History in a Transnational Context

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Eriko Tomizawa-Kay (editor) East Asian Art History in a Transnational Context

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This is the first comprehensive English-language study of East Asian art history in a transnational context, and challenges the existing geographic, temporal, and generic paradigms that currently frame the art history of East Asia. This pioneering study proposes an important new framework that focuses on the relationship between China, Japan, and Korea. By reconsidering existing concepts of East Asia, and examining the porousness of boundaries in East Asian art history, the study proposes a new model for understanding trans-local artistic production in particular the mechanics of interactions at the turn of the 20th century.

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East Asian Art History in a Transnational Context This is the first - photo 1
East Asian Art History in a Transnational Context

This is the first comprehensive English-language study of East Asian art history in a transnational context, and challenges the existing geographic, temporal, and generic paradigms that currently frame the art history of East Asia. This pioneering study proposes an important new framework that focuses on the relationship between China, Japan, and Korea. By reconsidering existing concepts of East Asia, and examining the porousness of boundaries in East Asian art history, the study proposes a new model for understanding trans-local artistic production in particular the mechanics of interactions at the turn of the 20th century.

Eriko Tomizawa-Kay is Lecturer in Japanese, University of East Anglia and Academic Associate at the Sainsbury Institute for Japanese Arts and Cultures.

Toshio Watanabe is Professor for Japanese Arts and Cultural Heritage at the Sainsbury Institute for the Study of Japanese Arts and Cultures, University of East Anglia and Emeritus Professor of History of Art and Design, Research Centre for Transnational Art, Identity and Nation, University of the Arts London.

Routledge Research in Art History

Routledge Research in Art History is our home for the latest scholarship in the field of art history. The series publishes research monographs and edited collections, covering areas including art history, theory, and visual culture. These high-level books focus on art and artists from around the world and from a multitude of time periods. By making these studies available to the worldwide academic community, the series aims to promote quality art history research.

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Melissa Mednicov

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Edited by Beta Hock and Anu Allas

Visual Typologies from the Early Modern to the Contemporary
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Edited by Tara Zanardi and Lynda Klich

Cultural Mobility in the Interwar Avant-Garde Art Network
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Micha Wenderski

New Geographies of Abstract Art in Postwar Latin America
Edited Mariola V. Alvarez and Ana M. Franco

Ren Magritte and the Art of Thinking
Lisa Lipinski

The Paragone in Nineteenth-Century Art
Sarah Jordan Lippert

East Asian Art History in a Transnational Context
Edited by Eriko Tomizawa-Kay and Toshio Watanabe

For a full list of titles in this series, please visit www.routledge.com/Routledge-Researchin-Art-History/book-series/RRAH

East Asian Art History in a Transnational Context

Edited by Eriko Tomizawa-Kay and Toshio Watanabe

First published 2019 by Routledge 52 Vanderbilt Avenue New York NY 10017 and - photo 2

First published 2019
by Routledge
52 Vanderbilt Avenue, New York, NY 10017

and by Routledge
2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN

Routledge is an imprint of the Taylor & Francis Group, an informa business

2019 Taylor & Francis

The right of Eriko Tomizawa-Kay and Toshio Watanabe to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice : Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

Library of Congress Cataloging-in-Publication Data
Names: Tomizawa-Kay, Eriko, editor. | Watanabe, Toshio, 1945 editor.
Title: East Asian art history in a transnational context/edited by Eriko Tomizawa-Kay and Toshio Watanabe.
Description: New York : Routledge, 2019. | Series: Routledge research in art history | Includes bibliographical references and index.
Identifiers: LCCN 2018052269 | ISBN 9781138480810 (hardback : alk. paper) | ISBN 9781351061902 (e-book : alk. paper)
Subjects: LCSH: Art, East Asian19th century. | Art, East Asian20th century. I Art and transnationalism.
Classification: LCC N7337 .E27 2019 | DDC 709.509/034dc23
LC record available at https://lccn.loc.gov/2018052269

ISBN: 978-1-138-48081-0 (hbk)
ISBN: 978-1-351-06190-2 (ebk)

Typeset in Sabon
by Apex CoVantage, LLC

Every effort has been made to contact copyright-holders. Please advise the publisher of any errors or omissions, and these will be corrected in subsequent editions.

Cover: Onchi Koshiro, Hakua (Soshu shoken) [White walls (Impressions of Suzhou)], 1940, woodblock print on paper, Chiba City Museum of Art

Contents

ERIKO TOMIZAWA-KAY AND TOSHIO WATANABE

PART I
Constructing the Idea of East Asian Art

SHIMAO ARATA

ITAKURA MASAAKI

SAT DSHIN

PART II
New Ways of Looking at Others

MIURA ATSUSHI

SHIN MIN-JONG

ERIKO TOMIZAWA-KAY

KITAZAWA NORIAKI

ADACHI GEN

PART III
Translation of Art within East Asia

AIDA YUEN WONG

TAMAKI MAEDA

ROH JUNIA

LIU YU-JEN

Guide

ADACHI Gen ADACHI Gen is an art historian and critic based in Tokyo. He is a lecturer in Japanese Cultural Studies at the Department of Literature, Nishgakusha University. He published Zenei no idenshi: Anakizumu kara sengo bijutsu e [The meme of the Japanese avant-garde: from anarchism to postwar art] (Brcke, Tokyo, 2012).

ITAKURA Masaaki ITAKURA Masaaki is Professor at the Institute for Advanced Studies on Asia, University of Tokyo. His latest research interests include Higashiyama Gomotsu (as the Ashikaga shogunal collection was known); an investigation of how visual images in the East Asian cultural sphere were shared or differentiated; and an exploration of how visual images were created, transmitted, and received. His latest publications include Itakura Masaaki, ed. Nihon bijutsu zensh 6 higashi ajia no naka no nihon bijutsu [Japanese art collection vol. 6: Japanese arts in East Asia] (2015); Xia Yongs The Yueyang Tower as the Artists Portrait: Its Beginning and Development, Art Forum 21 , vol. 32 (2015); Liang Kais Shakyamuni Descending the Mountain after Asceticism: Issues and Questions, Buddhist Art 344 (2016).

KITAZAWA Noriaki KITAZAWA Noriaki is currently Visiting Professor of Fine Arts at Musashino Art University, specializing in both art criticism and art history. His principal publications include Me no shinden Bijutsu juyshi nto [Shrine of the eye: notes on the accepted history of fine art] (1989), Nihonga no teni [Transition of nihonga] (2003), Abangyrarudo igo no kgei [Craft since the avant-garde] (2003), and Rett no kaiga: nihonga no reito sutairu [Painting in the archipelago: late style of nihonga] (2015).

LIU Yu-jen LIU Yu-jen is Assistant Curator at the Department of Painting and Calligraphy, the National Palace Museum, Taipei. Her publications include Second Only to the Original: Rhetoric and Practice in the Photographic Reproduction of Art in Early Twentieth-Century China, Art History 37, no. 1 (2014), and Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of Chinese Art in the Early Twentieth Century, Archives of Asian Art 68, no. 2 (2018). She is currently researching the reception to Giuseppe Castiglione in the early 20th century.

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