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Debra Adelaide - Creative Writing Practice: Reflections on Form and Process

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Debra Adelaide Creative Writing Practice: Reflections on Form and Process
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Creative Writing Practice: reflections on form and process explores the craft of creative writing by illuminating the practices of writers and writer-educators. Demonstrating solutions to problems in different forms and genres, the contributors draw on their professional and personal experiences to examine specific and practical challenges that writers must confront and solve in order to write.

This book discusses a range of approaches to writing, such as the early working out of projects, the idea of experimentation, of narrative time, and of failure. With its strong focus on process, Creative Writing Practice is a valuable guide for students, scholars and practitioners of creative writing.

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Book cover of Creative Writing Practice Editors Debra Adelaide and Sarah - photo 1
Book cover of Creative Writing Practice
Editors
Debra Adelaide and Sarah Attfield
Creative Writing Practice
Reflections on Form and Process
1st ed. 2021
Logo of the publisher Editors Debra Adelaide University of Technology - photo 2
Logo of the publisher
Editors
Debra Adelaide
University of Technology Sydney, Ultimo, NSW, Australia
Sarah Attfield
University of Technology Sydney, Ultimo, NSW, Australia
ISBN 978-3-030-73673-6 e-ISBN 978-3-030-73674-3
https://doi.org/10.1007/978-3-030-73674-3
The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2021
This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG

The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland

Acknowledgements

The editors would like to express their sincere gratitude to all the contributors to this book. Most of them were severely disrupted due to the 2020 Covid-19 pandemic, to the extent that their working habits, places and practices all underwent radical changes. Despite the limitations on their time and ability to focus, they remained committed to this project, and we thank them for all the original and fascinating ways they approached their chapters.

Chapter , The Writers Notebook, is a reworked version of an earlier essay, which appeared as Falconer, D. 2020, The Uses and Enchantments of the Writers Notebook, TEXT Journal of Writing and Writing Courses 24, 1 (April): 1018.

Contents
Part ITheoretical Challenges: Working It Out
Debra Adelaide and Sarah Attfield
Sarah Attfield
Sunil Badami
Craig Batty and Zara Waldeback
Claire Corbett
Margot Nash
Part IIPractical Challenges: Starting, Stopping and Failing
Delia Falconer
Mark Rossiter
Andrew Pippos
Gregory Ferris
Debra Adelaide
Part IIIConsolidating the Process: Success and Resilience
Dave Drayton
Sue Joseph
Liz Giuffre
Tom Lee
Mark Isaacs
List of Figures
Notes on Contributors
Debra Adelaide

is the author or editor of 17 books including several anthologies and 4 novels; these include the critically acclaimed The Household Guide to Dying (2008), which was sold in 12 countries including the UK and the USA, and The Womens Pages (2015). Her two collections of short fiction are Letter to George Clooney and Zebra; the latter was the winner of the Steele Rudd Award for Short Fiction in the 2019 Queensland Literary Awards. Her research interests include the culture of reading and the writing life, both reflected in her edited collection The Simple Act of Reading (2015) and in her most recent book The Innocent Reader (2019). She is also the fiction editor of Southerly, Australias oldest literary journal. She is an adjunct associate professor at the University of Technology Sydney (UTS).

Sarah Attfield

is Lecturer in Creative Writing in the Faculty of Arts & Social Sciences at the University of Technology Sydney, where she has taught creative writing, film studies and cultural studies in the undergraduate programmes. She is the author of the poetry collection Hope in Hell (2000) and co-editor of The Journal of Working-Class Studies. Her most recent book is the monograph, Class on Screen: The Global Working-Class in Contemporary Cinema, about the global working class in contemporary cinema, and was published by Palgrave Macmillan in 2020. For more information, see: https://www.uts.edu.au/staff/sarah.attfield .

Sunil Badami

is an academic, broadcaster and writer. He is a mentor for the Australian Society of Authors and a past judge of the NSW Premiers Literary Awards. He has been published by every major Australian media outlet, including The Sydney Morning Herald, Good Weekend, The Australian, The Monthly, The New Daily, The Australian Literary Review, Australian Gourmet Traveller, Art and Australia, Southerly, Island, Westerly and Meanjin. He devised and presented the national ABC Local Radio show Sunday Takeaway and a number of acclaimed documentaries for Radio National, including the Priz Maruli-nominated Riddle. Mystery. Enigma. and Stones and Sticks and Suchlike, based on a story used as an HSC study text around Australia.

Craig Batty

is an award-winning educator, researcher and supervisor in the areas of screenwriting, creative writing and screen production. He has worked on a variety of screen projects as a writer and script editor and is also an expert in creative practice research methodologies. He has published over 70 books, book chapters, journal articles and creative practice research works, as well as many industry articles, book reviews and interviews. He is Chair of the Australian Screen Production Education and Research Association (ASPERA) Research Sub-Committee and leads the research portfolio for the Australasian Association of Writing Programs (AAWP). He is co-editor of the Journal of Screenwriting and is on the editorial boards of Media Practice and Education, the International Journal for Creative Media Research, and the Journal of Writing in Creative Practice. He has taught at RMIT and the University of Technology Sydney and is Dean of Research (Creative) at the University of South Australia.

Claire Corbett

is a writer of novels, short stories and creative non-fiction. Her first novel, When We Have Wings, was shortlisted for the 2012 Barbara Jefferis Award and shortlisted for the 2012 Ned Kelly Award for Best First Fiction and published overseas. Watch over Me, her second novel, was published in 2017. She teaches Creative Writing at the University of Technology Sydney, is on the Board of Varuna, the national writers house, and is the fiction editor of

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