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Josh Robinson - Adornos Poetics of Form

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Josh Robinson Adornos Poetics of Form
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A critical study of the concept of form in Adornos writings on art and literature.Adornos Poetics of Form is the first book-length examination of the elusive deployment of the concept of form in Adornos writings on art and literature, and the first monograph to offer a comprehensive account of the relation of these writings to his broader philosophical project. It examines form within the constellation of concepts that exist around it, considering how it appears when seen in conjunction with and in opposition to content, expression, genre, and material. Illuminated from these angles, form is revealed as the site of a complex web of dynamic conceptual interactions. The book thus offers a resolution to a problem in Adornos work that has remained unsolved for several decades, and in doing so sets out the consequences of Adornos poetics for literary and critical theory today.Josh Robinson is Lecturer in English Literature at Cardiff University in the United Kingdom.

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Adornos Poetics of Form

SUNY Series in Contemporary Continental Philosophy

Dennis J. Schmidt, editor

Adornos Poetics of Form

JOSH ROBINSON

Adornos Poetics of Form - image 2

Published by State University of New York Press, Albany

2018 State University of New York

All rights reserved

Printed in the United States of America

No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher.

For information, contact State University of New York Press, Albany, NY

www.sunypress.edu

Library of Congress Cataloging-in-Publication Data

Names: Robinson, Josh (Lecturer in English Literature), author.

Title: Adornos poetics of form / Josh Robinson.

Description: Albany, NY : State University of New York, 2018. | Series: SUNY series in contemporary Continental philosophy | Includes bibliographical references and index.

Identifiers: LCCN 2017030300 | ISBN 9781438469836 (hardcover : alk. paper) | ISBN 9781438469850 (ebook)

Subjects: LCSH: Adorno, Theodor W., 19031969. | Form (Aesthetics)

Classification: LCC B3199.A34 R63 2018 | DDC 193dc23

LC record available at https://lccn.loc.gov/2017030300

10 9 8 7 6 5 4 3 2 1

Contents
Abbreviations of Works by Adorno

References to the Gesammelte Schriften , the Nachgelassene Schriften , and the English edition of the Notes to Literature consist of the relevant abbreviation followed by a volume number, a colon, and then the page number; references to other works consist of the abbreviation followed by the page number. Unless otherwise stated, all translations are my own; where possible I have also provided references to the corresponding pages of the English translations.

GSGesammelte Schriften , ed. by Rolf Tiedemann et al., 20 vols (Frankfurt am Main: Suhrkamp, 197286)
NSNachgelassene Schriften , ed. by Theodor W. Adorno Archiv (Frankfurt am Main: Suhrkamp, 1993 )
3SHDrei Studien zu Hegel , Gesammelte Schriften 5 (Frankfurt am Main: Suhrkamp, 1971), 247381
Tsthetische Theorie , Gesammelte Schriften 7 (Frankfurt am Main: Suhrkamp, 1970)
BBerg. Der Meister des kleinsten bergangs , Gesammelte Schriften 13 (Frankfurt am Main: Suhrkamp, 1977), pp. 321494
BPdMBeethoven. Philosophie der Musik. Fragmente und Texte , ed. by Rolf Tiedemann, Nachgelassene Schriften 1.1 (Frankfurt/Main: Suhrkamp, 1993)
DDissonanzen. Musik in der verwalteten Welt , Gesammelte Schriften 14 (Frankfurt am Main: Suhrkamp, 1973), pp. 7167
DA(with Max Horkheimer) Dialektik der Aufklrung. Philosophische Fragmente , Gesammelte Schriften 3 (Frankfurt am Main: Suhrkamp, 1981)
EEingriffe. Neun kritische Modelle , Gesammelte Schriften 10.2 (Frankfurt am Main: Suhrkamp, 1977), pp. 455594
EMEinleitung in die Musiksoziologie. Zwlf theoretische Vorlesungen , Gesammelte Schriften 14 (Frankfurt am Main: Suhrkamp, 1973), pp. 169433
MMahler. Eine musikalische Physiognomik , Gesammelte Schriften 13 (Frankfurt am Main: Suhrkamp, 1977), pp. 149319
MEZur Metakritik der Erkenntnistheorie , Gesammelte Schriften 5 (Frankfurt am Main: Suhrkamp, 1971), pp. 7245
MMMinima Moralia. Reflexionen aus dem beschdigten Leben , Gesammelte Schriften 4 (Frankfurt am Main: Suhrkamp, 1980)
NDNegative Dialektik (Frankfurt am Main: Suhrkamp, 1967)
NzLNoten zur Literatur , Gesammelte Schriften 11 (Frankfurt am Main: Suhrkamp, 1974)
OLOhne Leitbild , Gesammelte Schriften 10.1 (Frankfurt am Main: Suhrkamp, 1977), pp. 289453
PPrismen , Gesammelte Schriften 10.1 (Frankfurt am Main: Suhrkamp, 1977), pp. 9287
PnMPhilosophie der neuen Musik , Gesammelte Schriften 12 (Frankfurt am Main: Suhrkamp, 1975)
QFQuasi una fantasia , Gesammelte Schriften 16 (Frankfurt am Main: Suhrkamp, 1978), pp. 249540
SStichworte. Kritische Modelle 2, Gesammelte Schriften 10.2 (Frankfurt am Main: Suhrkamp, 1977), pp. 595798
VWVersuch ber Wagner , Gesammelte Schriften 13 (Frankfurt am Main: Suhrkamp, 1977), pp. 7148

Translations

ABAlban Berg: Master of the Smallest Link , trans. by Christopher Hailey and Juliane Brand (Cambridge: Cambridge University Press, 1994)
AEAgainst Epistemology: A Metacritique , trans. by Willis Domingo (Cambridge: Polity, 2013)
AshtonNegative Dialectics , trans. by E. B. Ashton (London; New York: Routledge, 1973)
ATAesthetic Theory , trans. by Robert Hullot-Kentor (London: Continuum, 1997)
BTPoMBeethoven: The Philosophy of Music , trans. by Edmund Jephcott (Cambridge, UK: Polity, 2002)
CF(with Hans Eisler), Composing for the Films (London and New York: Continuum, 2005)
CIThe Culture Industry: Selected Essays on Mass Culture , ed. by J. M. Bernstein (London: Routledge, 1973)
CMCritical Models: Interventions and Catchwords , trans. by Henry W. Pickford (New York: Columbia University Press, 2005)
COLCan One Live after Auschwitz? A Philosophical Reader , ed. by Rolf Tiedemann, trans. by Rodney Livingstone et al. (Stanford, CA: Stanford University Press, 2003)
DE(with Max Horkheimer) Dialectic of Enlightenment: Philosophical Fragments , ed. by Gunzelin Schmid Noerr, trans. by Edmund Jephcott (Stanford, CA: Stanford University Press, 2002)
EoMEssays on Music , ed. by Richard Leppert, trans. by Susan H. Gillespie et al. (Berkeley; Los Angeles; London: University of California Press, 2002)
H3SHegel: Three Studies , trans. by Shierry Weber Nicholsen (Cambridge, MA; London: MIT Press, 1993)
ISMIntroduction to the Sociology of Music , trans. by E. B. Ashton (New York: Seabury, 1976)
JephcottMinima Moralia: Reflections from Damaged Life , trans. by E. F. N. Jephcott (London: Verso, 1978)
LivingstoneQuasi una Fantasia: Essays on Modern Music , trans. by Rodney Livingstone (London; New York: Verso, 1998)
MMPMahler: A Musical Physiognomy , trans. by Edmund Jephcott (Chicago; London: University of Chicago Press, 1992)
NMNight Music: Essays on Music, 19281962 , ed. by Rolf Tiedemann, trans. by Wieland Hoban (London; New York; Calcutta: Seagull, 2009)
NtLNotes to Literature , ed. by Rolf Tiedemann, trans. by Shierry Weber Nicholsen, 2 vols. (New York; Chichester, UK: Columbia University Press, 1991)
PMMPhilosophy of Modern Music , trans. by Anne G. Mitchell and Wesley V. Blomster (New York; London: Continuum: 2004)
SWIn Search of Wagner , trans. by Rodney Livingstone (London: New Left Books, 1981)
WWNPrisms , trans. by Samuel and Shierry Weber [Samuel Weber and Shierry Weber Nicholsen] (Cambridge, MA: MIT Press, 1983)
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