Joseph Peter Swain - Historical Dictionary of Baroque Music
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The historical dictionaries present essential information on a broad range of subjects, including American and world history, art, business, cities, countries, cultures, customs, film, global conflicts, international relations, literature, music, philosophy, religion, sports, and theater. Written by experts, all contain highly informative introductory essays of the topic and detailed chronologies that, in some cases, cover vast historical time periods but still manage to heavily feature more recent events.
Brief AZ entries describe the main people, events, politics, social issues, institutions, and policies that make the topic unique, and entries are cross-referenced for ease of browsing. Extensive bibliographies are divided into several general subject areas, providing excellent access points for students, researchers, and anyone wanting to know more. Additionally, maps, photographs, and appendixes of supplemental information aid high school and college students doing term papers or introductory research projects. In short, the historical dictionaries are the perfect starting point for anyone looking to research in these fields.
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Baroque Music , Joseph P. Swain, 2013.
Historical Dictionary of Baroque Music
Joseph P. Swain
The Scarecrow Press, Inc.
Lanham Toronto Plymouth, UK
2013
Published by Scarecrow Press, Inc.
A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc.
4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706
www.rowman.com
10 Thornbury Road, Plymouth PL6 7PP, United Kingdom
Copyright 2013 by Joseph P. Swain
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review.
British Library Cataloguing in Publication Information Available
Library of Congress Cataloging-in-Publication Data
Swain, Joseph Peter.
Historical dictionary of baroque music / Joseph P. Swain.
pages cm. (Historical dictionaries of literature and the arts)
Includes bibliographical references.
ISBN 978-0-8108-7824-2 (cloth : alk. paper) ISBN 978-0-8108-7825-9 (electronic) 1. Music18th centuryDictionaries. 2. Music17th centuryDictionaries. I. Title.
ML100.S88 2013
780.9'03203dc23
2013005104
The paper used in this publication meets the minimum requirements of American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992.
Printed in the United States of America
Contents
Editors Foreword
In music, as indeed in all the arts, fashions change, and what once appealed becomes dull and uninteresting and passes. This, indeed, is what happened to Baroque music, which reigned supreme from about 1600 to about 1750these dates being very fuzzy. At any rate, about that latter date, new fashions gained ground, and Baroque music not only ceased being composed but also even being played by and large. Then, in the late 19th century and ever stronger during the early 20th, it was rediscovered and brought back to life, not only as an oddity but also as one of the strongest strands of what is usually called classical music. If anything really needs explaining here, it is not so much why Baroque music has made a comeback but how the glorious music of Bach, Handel, Vivaldi, and many others could have been forgotten and some of it actually lost forever. Now that it is indeed back and being performed frequently and enjoyed enormously by many, we still do need to consider the period that produced it more closely to see, among other things, what the basic rules were then and how they were constantly revised and improved to the extent that one could already speak of a stile antico and a stile moderno .
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