The historical dictionaries present essential information on a broad range of subjects, including American and world history, art, business, cities, countries, cultures, customs, film, global conflicts, international relations, literature, music, philosophy, religion, sports, and theater. Written by experts, all contain highly informative introductory essays of the topic and detailed chronologies that, in some cases, cover vast historical time periods but still manage to heavily feature more recent events.
Brief AZ entries describe the main people, events, politics, social issues, institutions, and policies that make the topic unique, and entries are cross-referenced for ease of browsing. Extensive bibliographies are divided into several general subject areas, providing excellent access points for students, researchers, and anyone wanting to know more. Additionally, maps, photographs, and appendixes of supplemental information aid high school and college students doing term papers or introductory research projects. In short, the historical dictionaries are the perfect starting point for anyone looking to research in these fields.
Historical Dictionaries of Literature and the Arts
Jon Woronoff, Series Editor
Science Fiction Literature , by Brian Stableford, 2004.
Hong Kong Cinema , by Lisa Odham Stokes, 2007.
American Radio Soap Operas , by Jim Cox, 2005.
Japanese Traditional Theatre , by Samuel L. Leiter, 2006.
Fantasy Literature , by Brian Stableford, 2005.
Australian and New Zealand Cinema , by Albert Moran and Errol Vieth, 2006.
African-American Television , by Kathleen Fearn-Banks, 2006.
Lesbian Literature , by Meredith Miller, 2006.
Scandinavian Literature and Theater , by Jan Sjvik, 2006.
British Radio , by Sen Street, 2006.
German Theater , by William Grange, 2006.
African American Cinema , by S. Torriano Berry and Venise Berry, 2006.
Sacred Music , by Joseph P. Swain, 2006.
Russian Theater , by Laurence Senelick, 2007.
French Cinema , by Dayna Oscherwitz and MaryEllen Higgins, 2007.
Postmodernist Literature and Theater , by Fran Mason, 2007.
Irish Cinema , by Roderick Flynn and Pat Brereton, 2007.
Australian Radio and Television , by Albert Moran and Chris Keating, 2007.
Polish Cinema , by Marek Haltof, 2007.
Old Time Radio , by Robert C. Reinehr and Jon D. Swartz, 2008.
Renaissance Art , by Lilian H. Zirpolo, 2008.
Broadway Musical , by William A. Everett and Paul R. Laird, 2008.
American Theater: Modernism , by James Fisher and Felicia Hardison Londr, 2008.
German Cinema , by Robert C. Reimer and Carol J. Reimer, 2008.
Horror Cinema , by Peter Hutchings, 2008.
Westerns in Cinema , by Paul Varner, 2008.
Chinese Theater , by Tan Ye, 2008.
Italian Cinema , by Gino Moliterno, 2008.
Architecture , by Allison Lee Palmer, 2008.
Russian and Soviet Cinema , by Peter Rollberg, 2008.
African American Theater , by Anthony D. Hill, 2009.
Postwar German Literature , by William Grange, 2009.
Modern Japanese Literature and Theater , by J. Scott Miller, 2009.
Animation and Cartoons , by Nichola Dobson, 2009.
Modern Chinese Literature , by Li-hua Ying, 2010.
Middle Eastern Cinema , by Terri Ginsberg and Chris Lippard, 2010.
Spanish Cinema , by Alberto Mira, 2010.
Film Noir , by Andrew Spicer, 2010.
French Theater , by Edward Forman, 2010.
Choral Music , by Melvin P. Unger, 2010.
Westerns in Literature , by Paul Varner, 2010.
Baroque Art and Architecture , by Lilian H. Zirpolo, 2010.
Surrealism , by Keith Aspley, 2010.
Science Fiction Cinema , by M. Keith Booker, 2010.
Latin American Literature and Theater , by Richard A. Young and Odile Cisneros, 2011.
Childrens Literature , by Emer OSullivan, 2010.
German Literature to 1945 , by William Grange, 2011.
Neoclassical Art and Architecture , by Allison Lee Palmer, 2011.
American Cinema , by M. Keith Booker, 2011.
American Theater: Contemporary , by James Fisher, 2011.
English Music: ca. 14001958 , by Charles Edward McGuire and Steven E. Plank, 2011.
Rococo Art , by Jennifer D. Milam, 2011.
Romantic Art and Architecture , by Allison Lee Palmer, 2011.
Japanese Cinema , by Jasper Sharp, 2011.
Modern and Contemporary Classical Music , by Nicole V. Gagn, 2012.
Russian Music , by Daniel Jaff, 2012.
Historical Dictionary of Russian Music
Daniel Jaff
Historical Dictionaries of Literature and the Arts
The Scarecrow Press, Inc.
Lanham Toronto Plymouth, UK
2012
Published by Scarecrow Press, Inc.
A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc.
4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706
www.rowman.com
Estover Road, Plymouth PL6 7PY, United Kingdom
Copyright 2012 by Daniel Jaff
All rights reserved . No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review.
British Library Cataloguing in Publication Information Available
Library of Congress Cataloging-in-Publication Data
Jaff, Daniel.
Historical dictionary of Russian music / Daniel Jaff.
p. cm. (Historical dictionaries of literature and the arts)
Includes bibliographical references.
ISBN 978-0-8108-5311-9 (cloth : alk. paper) ISBN 978-0-8108-7980-5 (ebook)
1. MusicRussiaDictionaries. 2. MusicRussiaHistory and criticism. I. Title.
ML101.R8J34 2012
780.947'03dc23
2011040619
The paper used in this publication meets the minimum requirements of American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992.
Printed in the United States of America
Editors Foreword
Long on the periphery of European culture, it did not take long for Russiaand even the Soviet Unionto become a major constituent of European romantic, modern, and contemporary music. This did not arise out of nowhere, since there were sources in the form of church music and folk music dating at least back to the 10th century. But this hardly prepared us for the extraordinary production in the 19th century of such master composers as Glinka, Musorgsky, Tchaikovsky, Rimsky-Korsakov, and Rachmaninov and, even in the turbulent 20th century, the modernist works of Stravinsky andagainst sometimes tremendous odds under Stalins tyrannythe masterpieces of Prokofiev and Shostakovich. And these are just a few examples, for there have been dozens of composers, conductors, and soloists on piano or violin, as well as singers and dancers who have become an integral part of our current musical tradition. Consider the career of Serge Koussevitzky, legendary conductor of the Boston Symphony Orchestra, or the bass Feodor Chaliapin, one of operas greatest singer-actors. Indeed, when it comes to opera and even more so balletnotably the achievements of Serge Diaghilev and George Balanchineit would be hard to conceive of either genre without the Russian contribution. Today as well, when freedom has again returned to music and dance, Russians are active in all areas, albeit sometimes more abroad than at home.
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