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Kerry Young - Pao

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Kerry Young Pao
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    Pao
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Pao: summary, description and annotation

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As a young boy, Pao comes to Jamaica in the wake of the Chinese Civil War and rises to become the Godfather of Kingstons bustling Chinatown. Pao needs to take care of some dirty business, but he is no Don Corleone. The rackets he runs are small-time, and the protection he provides necessary, given the minority status of the Chinese in Jamaica. Pao, in fact, is a sensitive guy in a wise guy role that doesnt quite fit. Often mystified by all that he must take care of, Pao invariably turns to Sun Tzus Art of War. The juxtaposition of the weighty, aphoristic words of the ancient Chinese sage, with the tricky criminal and romantic predicaments Pao must negotiate builds the basis of the novels great charm. A tale of post-colonial Jamaica from a unique and politically potent perspective, Pao moves from the last days of British rule through periods of unrest at social and economic inequality, through tides of change that will bring about Rastafarianism and the Back to Africa Movement. Pao is an utterly beguiling, unforgettable novel of race, class and creed, love and ambition, and a country in the throes of tumultuous change. Kerry Young was born in Kingston, Jamaica, to a Chinese-African mother and a Chinese father-a businessman in Kingstons shadow economy who provided inspiration for Pao. Young moved to England in 1965 at the age of ten. She earned her MA in creative writing at Nottingham Trent University. This is her first novel.

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When this book was submitted to Bloomsbury, Helen Garnons-Williams remarked that it had the potential to be truly wonderful. If it has achieved that potential, it is because of her. Thanks also to Sarah-Jane Forder for her meticulous and sensitive work. I had no idea copy-editing would be so much fun. Erica Jarnes for taking charge of the things I found scary and for keeping me on track through the process. My agent, Susan Yearwood, without whom Pao would not have found his way to Helen. And to Amanda and Charlie, and all those who helped to make the impossible possible, and who cheered me on over the years, thank you.

Han Suyin once wrote that we Chinese are history-minded. And as the world knows, we Jamaicans are politics-minded. Perhaps it is no surprise, therefore, that this book, my first work of fiction, should turn out to be a political history. Not only because every story has a context, but also because context creates the possibilities of what might be, fashioning the circumstances of peoples lives so that they decide to do one thing rather than another, making their story unfold in this way rather than that.

So whilst Paos story is completely fictional, I have tried my best to get the context right. This has involved a huge amount of research including books, films, the internet, as well as several trips to Jamaica and endless questions and queries to my mother and other members of my family. The key documentary sources are listed on page 275.

In the end though, in true Taoist style, Pao is a book about Jamaicas history, and it is not a book about Jamaicas history. It is a book about Jamaican people and it is not a book about Jamaican people. What it is, is a book about the world, and the universe and the ten thousand things.

Kerry Young, June 2010

The Art of Youth Work

Me and the boys was sitting in the shop talking bout how good business was and how we need to go hire up some help and that is when she show up. She just appear in the doorway like she come outta nowhere. She was standing there with the sun shining on her showing off this hat, well it was more a kind of turban, like the Indians wear, only it look ten times better than that. Or maybe it just look ten times better on her.

She got on this blue dress that look like it must sew up with her already inside of it, it so tight, and a pair of high-heel shoes I never before seen the like of. I almost feel embarrassed that she come here and find me like this, sitting on a empty orange crate, in my vest with the beer bottle in my hand.

So we all three of us quickly jump up and ask her how we can help. And what she want is for me to go visit her sister in the hospital so I can see what some white sailor boy do to her.

What he do to her? Hampton ask.

He beat her. He beat her so bad I can hardly recognise her, my own sister.

So what he beat her for?

Just go see her. That is all I am asking of you. And then she look directly at me and say, Can you do that?

And I just say yes even though I dont know why.

Then she say, Thank you, and hand me a piece of paper with the details of the hospital where the sister at. The sister name Marcia Campbell. Then she say, Marcia will tell you how you can contact me if you decide you want to help. And she turn and walk outta the shop.

No sooner than she gone Hampton start, The sister a whore, man.

How you know that?

Sure, man, sure. What you think she doing with the sailor boy? They most likely arguing over money. And this one, she probably a whore as well even though she look so good and I bet she taste good too, but she a whore, man, sure.

So what you saying, if she a whore it dont matter if she get beat?

It come with the territory. Like should I get vex if somebody try my patience? No, man, it come with the territory.

I ask Judge Finley, You think she just a whore as well?

Yes. I think most likely Hampton right. But if this white boy really beat her like the sister say then you have to ask yourself what kinda man this is and if it OK for a white man to beat a Jamaican woman and it pass just like that.

Cho, man, white men been beating Jamaican women for three hundred years.

That is true, I say to Hampton, but this is the first time anybody come ask us to do something bout it.

The next day I go up the hospital to see Marcia Campbell, and she is in a state. The boy break her arm and two ribs and he mash up her face so bad her own mother wouldnt recognise her. Then she show me the bruises and fingerprints he leave all over her body, and her back where him kick her. Is a wonder the girl still alive.

I ask her, You know the name of the man who do this to you? And she tell me, and I say, How can I get hold of your sister? I didnt ask her nothing bout what happen because I reckon no kind of argument could justify the condition this woman was in.

When I catch up with the sister she tell me her name Gloria and she ask me what I going to do. So I say to her, You dont need bother yourself bout that. You just leave it with me. And afterwards I tell Hampton to go sort it out.

A week later Gloria Campbell come down the shop with money to pay me. She hear bout what happen to the sailor boy and how him in the naval hospital. I say to her, I dont need no money for that. The bwoy had it coming. So she put the money back in her purse.

Then she say to me, You know what happen with all of that?

And I say, No, and I dont need to neither.

But you know the business we in?

I can have a damn good guess.

We have a house in East Kingston. We got four girls living there. Men think that just because we a house of women they can come there and do whatever they want. Thats how come what happen to Marcia.

So I tell her, This got nothing to do with me. Yu ask me to help yu and now it done. Yu dont need to come here to talk bout it or explain nothing to me.

I wanted to ask you if you would keep an eye on us. You know like you watch over Chinatown.

This is the first time I look at this woman properly. Look her in the face because it suddenly strike me that she is a serious businesswoman. And when I look at her she catch me the same way she did that first day. And even though my head is telling me not to get involved with her, my mouth is moving and I hear myself saying, What do you have in mind?

When I tell Zhang he say, They have a name for that.

I am not pimping these girls. They running their own business. All I am doing is trying to make sure what happen to Marcia Campbell dont happen again. They paying me the same as Mr Chin and Mr Lee and all the rest of them.

Chin and Lee run honourable business. What these girls do not honourable.

They making a living. You want me not do it?

Is your business now, I tell you that the day I retire. You must run it way you see fit.

The first time I go over to the East Kingston house Gloria invite me to dinner to celebrate Marcia coming home from the hospital. They make a traditional Jamaican dinner, stew chicken and rice and peas with coleslaw and cho-cho that Gloria cook herself. The only people that is there is me and these four women. And what I discover is that these women are just ordinary people who talk bout everything from the price of rice to how Bustamante come outta jail and go set up his own political party and win the election from Manley. And that was after a year and a half detention at Up Park Camp because his union call so much strike him nearly bring the country to a standstill and Governor Richards couldnt take it no more.

To me the whole thing was a joke because after three hundred years of British rule the Queen decide she going let us go vote but the House of Representatives we elect didnt have no power to do nothing. All it could do was talk, and make decisions that the Governor have the last say over anyway. They call it a partnership between the Colonial Office and the ministers. I call it a stupid waste of time.

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