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THE ROUTLEDGE COMPANION TO DESIGN STUDIES

Since the 1990s, in response to dramatic transformations in the worlds of technology and the economy, design a once relatively definable discipline, complete with a set of sub-disciplines has become unrecognizable. Consequently, design scholars have begun to address new issues, themes and sub-disciplines such as: sustainable design, design for well-being, empathic design, design activism, design anthropology, and many more.

The Routledge Companion to Design Studies charts this new expanded spectrum and embraces the wide range of scholarship relating to design theoretical, practice-related and historical that has emerged over the past four decades. Comprising forty-three newly commissioned chapters, the Companion is organized into the following six sections:

Defining design: discipline, process

Defining design: objects, spaces

Designing identities: gender, sexuality, age, nation

Designing society: empathy, responsibility, consumption, the everyday

Design and politics: activism, intervention, regulation

Designing the world: globalization, transnationalism, translation

Contributors include both established and emerging scholars and the chapters offer an international scope, covering work emanating from, and relating to, design in the United Kingdom, mainland Europe, North America, Asia, Australasia and Africa.

This comprehensive collection makes an original and significant contribution to the field of Design Studies.

Penny Sparke is a Professor of Design History and Director of the Modern Interiors Research Centre (MIRC) at Kingston University, London. Her publications include Elsie de Wolfe: The Birth of Modern Interior Decoration (2005), The Modern Interior (2008) and An Introduction to Design and Culture, 1900 to the present, 3rd edition (2012).

Fiona Fisher is a Researcher in Design History at the Modern Interiors Research Centre (MIRC) at Kingston University, London. Her recent publications include Designing the British Post-War Home: Kenneth Wood, 19481968 (2015) and, co-edited with Christopher Breward and Ghislaine Wood, British Design: Tradition and Modernity after 1948 (2015).

Contributors: Paul Atkinson, Jeremy Aynsley, Eeva Berglund, Prasad Boradkar, Christopher Boyko, Christopher Breward, Ming Cheung, Alison J. Clarke, Marilyn Cohen, Rachel Cooper, Penelope Dean, Kjetil Fallan, Fiona Fisher, Robert Friedel, Tony Fry, Lorraine Gamman, Rama Gheerawo, Meltem . Grel, Christine Guth, Paul Hazell, Janice Helland, Ben Highmore, Elise Hodson, Tanishka Kachru, Trevor Keeble, Victoria Kelley, Yuko Kikuchi, Yi-Chang Lee, Grace Lees-Maffei, Joseph McBrinn, Deana McDonagh, Victor Margolin, Joana Meroz, Viviana Narotzky, Amy F. Ogata, Barbara Penner, John Potvin, Alison Prendiville, Rebecca Reubens, Penny Sparke, Adam Thorpe, Jilly Traganou, Louise Valentine, Noel Waite, Stuart Walker, Lois Weinthal.

THE ROUTLEDGE COMPANION TO DESIGN STUDIES

Edited by Penny Sparke and Fiona Fisher

First published 2016
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN

and by Routledge
711 Third Avenue, New York, NY 10017

Routledge is an imprint of the Taylor & Francis Group, an informa business

2016 selection and editorial matter, Penny Sparke and Fiona Fisher; individual chapters, the contributors

The right of Penny Sparke and Fiona Fisher to be identified as authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library

Library of Congress Cataloging-in-Publication Data
Names: Sparke, Penny, editor.|Fisher, Fiona, editor.
Title: The Routledge companion to design studies/Edited by Penny Sparke and Fiona Fisher.
Description: New York: Routledge, 2016.|Includes bibliographical references and index.
Identifiers: LCCN 2015048758|ISBN 9781138780507 (hbk)|
ISBN 9781315562087 (ebk)
Subjects: LCSH: Design.
Classification: LCC NK1510.R58 2016|DDC 745.4dc23
LC record available at http://lccn.loc.gov/2015048758

ISBN: 978-1-138-78050-7 (hbk)
ISBN: 978-1-315-56208-7 (ebk)

Typeset in Goudy
by Sunrise Setting Ltd, Brixham, UK

CONTENTS

PENNY SPARKE

PART I
Defining design: discipline, process

PENELOPE DEAN

JILLY TRAGANOU

ALISON PRENDIVILLE

LOUISE VALENTINE

CHRISTOPHER BOYKO, YI-CHANG LEE AND RACHEL COOPER

LOIS WEINTHAL

JANICE HELLAND

PART II
Defining design: objects, spaces

ROBERT FRIEDEL

PAUL ATKINSON

VICTORIA KELLEY

TREVOR KEEBLE

MARILYN COHEN

VIVIANA NAROTZKY

PART III
Designing identities: gender, sexuality, age, nation

CHRISTOPHER BREWARD

PENNY SPARKE

JOHN POTVIN

AMY F. OGATA

NOEL WAITE

PAUL HAZELL

JEREMY AYNSLEY

KJETIL FALLAN

PART IV
Designing society: empathy, responsibility, consumption, the everyday

BARBARA PENNER

DEANA MCDONAGH

JOSEPH MCBRINN

RAMA GHEERAWO

ADAM THORPE AND LORRAINE GAMMAN

MING CHEUNG

PRASAD BORADKAR

BEN HIGHMORE

PART V
Design and politics: activism, intervention, regulation

TONY FRY

ALISON J. CLARKE

EEVA BERGLUND

STUART WALKER

REBECCA REUBENS

FIONA FISHER

PART VI
Designing the world: globalization, transnationalism, translation

VICTOR MARGOLIN

GRACE LEES-MAFFEI

MELTEM . GREL

JOANA MEROZ

TANISHKA KACHRU

ELISE HODSON

CHRISTINE M. E. GUTH

YUKO KIKUCHI

Figures

Tables

Paul Atkinson is an industrial designer, design historian and educator. He is Professor of Design and Design History at Sheffield Hallam University and has authored two books on the design history of computers: Computer (Reaktion 2010) and Delete: A Design History of Computer Vapourware (Bloomsbury 2013). He has also written about the future of the design profession and the impact of emerging technologies on the nature of design.

Jeremy Aynsley is Professor of History of Design at the University of Brighton and current Chair of the Design History Society. Previously he was Director of Research at the Royal College of Art in London where he was also Head of the History of Design programme run jointly with the Victoria and Albert Museum. His publications include

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