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Stephen Hutchings - Television and Culture in Putins Russia: Remote Control

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Stephen Hutchings Television and Culture in Putins Russia: Remote Control
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This book examines television culture in Russia under the government of Vladimir Putin. In recent years, the growing influx into Russian television of globally mediated genres and formats has coincided with a decline in media freedom and a ratcheting up of government control over the content style of television programmes. All three national channels (First, Russia, NTV) have fallen victim to Putins power-obsessed regime. Journalists critical of his Chechnya policy have been subject to harassment and arrest; programmes courting political controversy, such as Savik Shusters Freedom of Speech (Svoboda slova) have been taken off the air; coverage of national holidays like Victory Day has witnessed a return of Soviet-style bombast; and reporting on crises, such as the Beslan tragedy, is severely curtailed. The book demonstrates how broadcasters have been enlisted in support of a transparent effort to install a latter-day version of imperial pride in Russian military achievements at the centre of a national identity project over which, from the depths of the Kremlin, Putins government exerts a form of remote control. However, central to the books argument is the notion that because of the changes wrought upon Russian society after 1985, a blanket return to the totalitarianism of the Soviet media has, notwithstanding the tenor of much western reporting on the issue, not occurred. Despite the fact that television is nominally under state control, that control remains remote and less than wholly effective, as amply demonstrated in the audience research conducted for the book, and in analysis of contradictions at the textual level. Overall, this book provides a fascinating account of the role of television under President Putin, and will be of interest to all those wishing to understand contemporary Russian society.

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Television and Culture in Putins Russia
This book examines television culture in Russia under the government of Vladimir Putin. In recent years, the growing influx into Russian television of globally mediated genres and formats has coincided with a decline in media freedom and an increase in government control over the content and style of television programmes. All three national channels (First, Russia and NTV) have fallen victim to Putins power-obsessed regime. Journalists critical of his Chechnya policy have been subject to harassment and arrest; programmes courting political controversy, such as Savik Shusters Freedom of Speech (Svoboda slova) have been taken off the air; coverage of national holidays like Victory Day has witnessed a return of Soviet-style bombast; and reporting on crises, such as the Beslan tragedy, is severely curtailed.
The book demonstrates how broadcasters have been enlisted in support of a transparent effort to install a latter-day version of imperial pride in Russian military achievements at the centre of a national identity project over which, from the depths of the Kremlin, Putins government exerts a form of remote control. However, central to the books argument is the notion that because of the changes wrought upon Russian society after 1985, a blanket return to the totalitarianism of the Soviet media has, notwithstanding the tenor of much western reporting on the issue, not occurred. Despite the fact that television is nominally under state control, that control remains remote and less than wholly effective, as amply demonstrated in the audience research conducted for the book, and in analysis of contradictions at the textual level. Overall, this book provides a fascinating account of the role of television under President Putin, and will be of interest to all those wishing to understand contemporary Russian society.

Stephen Hutchings is Chair in Russian Studies at the Department of Russian Studies, University of Manchester, UK. He is the author of Russian Literary Culture in the Camera Age: The World as Image (2004), and co-editor of Soviet and Post-Soviet Screen Adaptations of Literature: Screening the World (co-edited with Anat Vernistki, 2004), both published by Routledge.

Natalia Rulyova is Lecturer in Russian at the Centre for Russian and East European Studies, University of Birmingham, UK.
BASEES/Routledge Series on Russian and East European Studies
Series editor: Richard Sakwa
Department of Politics and International Relations, University of Kent
Editorial Committee:
Julian Cooper, Centre for Russian and East European Studies, University of Birmingham
Terry Cox, Department of Central and East European Studies, University of Glasgow
Rosalind Marsh, Department of European Studies and Modern Languages, University of Bath
David Moon, Department of History, University of Durham
Hilary Pilkington, Department of Sociology, University of Warwick
Stephen White, Department of Politics, University of Glasgow

Founding Editorial Committee Member:
George Blazyca, Centre for Contemporary European Studies, University of Paisley
This series is published on behalf of BASEES (the British Association for Slavonic and East European Studies). The series comprises original, high-quality, research-level work by both new and established scholars on all aspects of Russian, Soviet, post-Soviet and East European Studies in humanities and social science subjects.

  1. Ukraines Foreign and Security Policy, 19912000
    Roman Wolczuk
  2. Political Parties in the Russian Regions
    Derek S. Hutcheson
  3. Local Communities and Post-Communist Transformation
    Edited by Simon Smith
  4. Repression and Resistance in Communist Europe
    J.C. Sharman
  5. Political Elites and the New Russia
    Anton Steen
  6. Dostoevsky and the Idea of Russianness
    Sarah Hudspith
  7. Performing RussiaFolk Revival and Russian Identity
    Laura J. Olson
  8. Russian Transformations
    Edited by Leo McCann
  9. Soviet Music and Society under Lenin and Stalin
    The baton and sickle
    Edited by Neil Edmunds
  10. State Building in Ukraine
    The Ukrainian parliament, 19902003
    Sarah Whitmore
  11. Defending Human Rights in Russia
    Sergei Kovalyov, dissident and human rights commissioner, 19692003
    Emma Gilligan
  12. Small-Town Russia
    Postcommunist livelihoods and identities: a portrait of the intelligentsia in Achit, Bednodemyanovsk and Zubtsov, 19992000
    Anne White
  13. Russian Society and the Orthodox Church
    Religion in Russia after communism
    Zoe Knox
  14. Russian Literary Culture in the Camera Age
    The word as image
    Stephen Hutchings
  15. Between Stalin and Hitler
    Class war and race war on the Dvina, 194046
    Geoffrey Swain
  16. Literature in Post-Communist Russia and Eastern Europe
    The Russian, Czech and Slovak fiction of the changes 198898
    Rajendra A. Chitnis
  17. Soviet Dissent and Russias Transition to Democracy
    Dissident legacies
    Robert Horvath
  18. Russian and Soviet Film Adaptations of Literature, 19002001
    Screening the word
    Edited by Stephen Hutchings and Anat Vernitski
  19. Russia as a Great Power
    Dimensions of security under Putin
    Edited by Jakob Hedenskog, Vilhelm Konnander, Bertil Nygren, Ingmar Oldberg and Christer Pursiainen
  20. Katyn and the Soviet Massacre of 1940
    Truth, justice and memory
    George Sanford
  21. Conscience, Dissent and Reform in Soviet Russia
    Philip Boobbyer
  22. The Limits of Russian Democratisation
    Emergency powers and states of emergency
    Alexander N. Domrin
  23. The Dilemmas of Destalinisation
    A social and cultural history of reform in the Khrushchev era
    Edited by Polly Jones
  24. News Media and Power in Russia
    Olessia Koltsova
  25. Post-Soviet Civil Society
    Democratization in Russia and the Baltic States
    Anders Uhlin
  26. The Collapse of Communist Power in Poland
    Jacqueline Hayden
  27. Television, Democracy and Elections in Russia
    Sarah Oates
  28. Russian Constitutionalism
    Historical and contemporary development
    Andrey N. Medushevsky
  29. Late Stalinist Russia
    Society between reconstruction and reinvention
    Edited by Juliane Frst
  30. The Transformation of Urban Space in Post-Soviet Russia
    Konstantin Axenov, Isolde Brade and Evgenij Bondarchuk
  31. Western Intellectuals and the Soviet Union, 1920
    From Red Square to the Left Bank
    Ludmila Stern
  32. The Germans of the Soviet Union
    Irina Mukhina
  33. Re-constructing the Post-Soviet Industrial Region
    The Donbas in transition
    Edited by Adam Swain
  34. ChechnyaRussias War on Terror
    John Russell
  35. The New Right in the New Europe
    Czech transformation and right-wing politics, 19892006
    Sen Hanley
  36. Democracy and Myth in Russia and Eastern Europe
    Edited by Alexander Wll and Harald Wydra
  37. Energy Dependency, Politics and Corruption in the Former Soviet Union
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