Television and Culture in Putins Russia
This book examines television culture in Russia under the government of Vladimir Putin. In recent years, the growing influx into Russian television of globally mediated genres and formats has coincided with a decline in media freedom and an increase in government control over the content and style of television programmes. All three national channels (First, Russia and NTV) have fallen victim to Putins power-obsessed regime. Journalists critical of his Chechnya policy have been subject to harassment and arrest; programmes courting political controversy, such as Savik Shusters Freedom of Speech (Svoboda slova) have been taken off the air; coverage of national holidays like Victory Day has witnessed a return of Soviet-style bombast; and reporting on crises, such as the Beslan tragedy, is severely curtailed.
The book demonstrates how broadcasters have been enlisted in support of a transparent effort to install a latter-day version of imperial pride in Russian military achievements at the centre of a national identity project over which, from the depths of the Kremlin, Putins government exerts a form of remote control. However, central to the books argument is the notion that because of the changes wrought upon Russian society after 1985, a blanket return to the totalitarianism of the Soviet media has, notwithstanding the tenor of much western reporting on the issue, not occurred. Despite the fact that television is nominally under state control, that control remains remote and less than wholly effective, as amply demonstrated in the audience research conducted for the book, and in analysis of contradictions at the textual level. Overall, this book provides a fascinating account of the role of television under President Putin, and will be of interest to all those wishing to understand contemporary Russian society.
Stephen Hutchings is Chair in Russian Studies at the Department of Russian Studies, University of Manchester, UK. He is the author of Russian Literary Culture in the Camera Age: The World as Image (2004), and co-editor of Soviet and Post-Soviet Screen Adaptations of Literature: Screening the World (co-edited with Anat Vernistki, 2004), both published by Routledge.
Natalia Rulyova is Lecturer in Russian at the Centre for Russian and East European Studies, University of Birmingham, UK.
BASEES/Routledge Series on Russian and East European Studies
Series editor: Richard Sakwa
Department of Politics and International Relations, University of Kent
Editorial Committee:
Julian Cooper, Centre for Russian and East European Studies, University of Birmingham
Terry Cox, Department of Central and East European Studies, University of Glasgow
Rosalind Marsh, Department of European Studies and Modern Languages, University of Bath
David Moon, Department of History, University of Durham
Hilary Pilkington, Department of Sociology, University of Warwick
Stephen White, Department of Politics, University of Glasgow
Founding Editorial Committee Member:
George Blazyca, Centre for Contemporary European Studies, University of Paisley
This series is published on behalf of BASEES (the British Association for Slavonic and East European Studies). The series comprises original, high-quality, research-level work by both new and established scholars on all aspects of Russian, Soviet, post-Soviet and East European Studies in humanities and social science subjects.
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