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Debora L. Silverman - Art nouveau in fin-de-siècle France: politics, psychology, and style

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Explores the shift in the locus of modernity in fin-de-siecle France from technological monument to private interior. The text examines the political, economic, social, intellectual and artistic factors specific to the French fin-de-siecle that interacted in the development of art nouveau.

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title Art Nouveau in Fin-de-sicle France Politics Psychology and Style - photo 1

title:Art Nouveau in Fin-de-sicle France : Politics, Psychology, and Style Studies On the History of Society and Culture
author:Silverman, Debora.
publisher:University of California Press
isbn10 | asin:0520080882
print isbn13:9780520080881
ebook isbn13:9780585225456
language:English
subjectArt.
publication date:1992
lcc:N6847.5.A78.S55 1989eb
ddc:709.4409034
subject:Art.
Page i
Art Nouveau in Fin-de-Sicle France
Page ii
STUDIES ON THE HISTORY OF SOCIETY AND CULTURE
Victoria E. Bonnell and Lynn Hunt, Editors
Page iii
Art Nouveau in Fin-de-Sicle France
Politics, Psycohology, and Style
Debora L. Silverman
UNIVERSITY OF CALIFORNIA PRESS
Berkeley Los Angeles Oxford
Page iv
Disclaimer:
Some images in the original hardcopy book are not available for inclusion in the netLibrary eBook.
The publisher acknowledges with gratitude the generous support given this book from the ART BOOK FUND of the Associates of the University of California Press, which is supported by a major gift from The Ahmanson Foundation.
The publisher gratefully acknowledges the Division of Research Programs, National Endowment for the Humanities, an independent federal agency, for their generous support.
University of California Press
Berkeley and Los Angeles, California
University of California Press, Ltd.
Oxford, England
First Paperback Printing 1992
1989 by
The Regents of the University of California
Printed in the United States of America
1 2 3 4 5 6 7 8 9
Library of Congress Cataloging-in-Publication Data
Silverman, Debora Leah.
Art nouveau in fin-de-sicle France: politics, psychology, and style.
p. cm.(Studies on the history of society and culture)
Bibliography: p.
ISBN 0-520-08088-2
1. Art nouveauFrance. 2. Art, Modern19th centuryFrance.
I. Title. II. Series.
N6847.5.A78S55 1989
709'.44dc19 88-14409
The paper used in this publication meets the minimum requirements of American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI Z39. 48-1984. Picture 2
Page v
For Carl Schorske
Page vii
CONTENTS
List of Illustrations
ix
Acknowledgments
xiii
Introduction:
The Transformation of Art Nouveau, 1889-1900
1
Part One
The Goncourts' Legacy
Chapter One
The Brothers de Goncourt between History and the Psyche
17
Part Two
Fluctuat nec Mergitur: Belle Epoque and Fin de Sicle
Chapter Two
Aristocratic Ralliement and Social Solidarit
43
Chapter Three
The Abdication of Technology and the Elevation of the Crafts
52
Chapter Four
Amazone, Femme Nouvelle, and the Threat to the Bourgeois Family
63
Chapter Five
Psychologie Nouvelle
75
Part Three
Rococo Revival and Craft Modernism: Third Republic Art Nouveau
Chapter Six
The Central Union of the Decorative Arts
109
Chapter Seven
Esprit Nouveau: Politicians, Amateurs, and Artisans
134
Chapter Eight
The Third Republic and the Rococo as National Patrimony
142
Chapter Nine
Rococo Revival and the Franco-Russian Alliance
159
Chapter Ten
Art Nouveau: Craft Modernism in the State
172
Chapter Eleven
Art Nouveau: Organicizing and Feminizing the Crafts in the Central Union of the Decorative Arts
186
Chapter Twelve
Art Nouveau in the Salon, I: Institutional Reform and Craft Champions
207

Page viii
Chapter Thirteen
Art Nouveau in the Salon, II: Psychologie Nouvelle in the Works of Emile Gall and Auguste Rodin
229
Chapter Fourteen
National Initiative to International Awakening: The Maison de l'Art Nouveau Bing
270
Chapter Fifteen Conclusion: The 1900 Paris Exhibition
284
Notes
315
Bibliography
377
Index
395
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