Charlotte Ashby - Art Nouveau: Art, Architecture and Design in Transformation
Here you can read online Charlotte Ashby - Art Nouveau: Art, Architecture and Design in Transformation full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2021, publisher: Bloomsbury Visual Arts, genre: Romance novel. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:
Romance novel
Science fiction
Adventure
Detective
Science
History
Home and family
Prose
Art
Politics
Computer
Non-fiction
Religion
Business
Children
Humor
Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.
- Book:Art Nouveau: Art, Architecture and Design in Transformation
- Author:
- Publisher:Bloomsbury Visual Arts
- Genre:
- Year:2021
- Rating:3 / 5
- Favourites:Add to favourites
- Your mark:
Art Nouveau: Art, Architecture and Design in Transformation: summary, description and annotation
We offer to read an annotation, description, summary or preface (depends on what the author of the book "Art Nouveau: Art, Architecture and Design in Transformation" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.
Art Nouveau presents a new overview of the international Art Nouveau movement. Art Nouveau represented the search for a new style for a new age, a sense that the conditions of modernity called for fundamentally new means of expression. Art Nouveau emerged in a world transformed by industrialisation, urbanisation and increasingly rapid means of transnational exchange, bringing about new ways of living, working and creating.
This book is structured around key themes for understanding the contexts behind Art Nouveau, including new materials and technologies, colonialism and imperialism, the rise of the modern woman, the rise of the professional designer and the role of the patron-collector. It also explores the new ideas that inspired Art Nouveau: nature and the natural sciences, world arts and world religions, psychology and new visions for the modern self. Ashby explores the movement through 41 case studies of artists and designers, buildings, interiors, paintings, graphic arts, glass, ceramics and jewellery, drawn from a wide range of countries.
Charlotte Ashby: author's other books
Who wrote Art Nouveau: Art, Architecture and Design in Transformation? Find out the surname, the name of the author of the book and a list of all author's works by series.
Art Nouveau: Art, Architecture and Design in Transformation — read online for free the complete book (whole text) full work
Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Art Nouveau: Art, Architecture and Design in Transformation" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.
Font size:
Interval:
Bookmark:
Art Nouveau
Art Nouveau
Art, Architecture and Design in Transformation
Charlotte Ashby
Contents
This book represents twenty years of study, teaching and reflection on Art Nouveau. As such, any acknowledgements really ought to include every teacher, colleague and student I have encountered along the way. In brief though, I would like to thank the particular people who have contributed to the development of this book.
It would not have happened without the stimulation of my supervisor, Jeremy Howard, whose work on Art Nouveau first illuminated me as to the breadth and depth of the movement. Colleagues at Birkbeck and the Department of Continuing Education at the University of Oxford enabled me to develop my ideas through course design on a variety of Art Nouveau topics and the students I teach continue to stimulate me with fresh perspectives and questions. My involvement with two research projects The Viennese Cafe and Fin-de-sicle Culture , led by professors Jeremy Aynsley and Simon Shaw-Miller and Dr Tag Gronberg, and International Cultural Exchange at the Fin-de-sicle , led by Drs Grace Brockington and Sarah Turner were crucial in propelling me away from a focus on national themes to a consideration of the paramount importance of transnational culture in the period.
The concrete effort of producing this book has been supported by my editor Rebecca Barden, assisted by Claire Collins and Olivia Davies and by my readers Professor Naomi Brookes and Sara sth, and by the love and support of my parents. This book is dedicated with love to Lex and Edmund.
Figures
Deane & Woodward, Oxford Museum of Natural History |
Deane & Woodward, detail of internal ironwork |
James Abbott McNeill Whistler, Rose and Silver: The Princess from the Land of Porcelain |
Antoni Gaud, Gell Palace |
Antoni Gaud, Palau Gell, detail of entrance hall |
dn Lechner and Gyula Prtos, Museum of Applied Arts |
Victor Ruprich-Robert, Flore ornementale |
Louis Sullivan, Guaranty Building |
Georges Lemmen, frontispiece |
Franz von Stuck, poster for the first Munich exhibition |
Franz von Stuck, Sin |
Hermann Obrist and Berthe Ruchet, Cyclamen embroidery |
Theodor Fischer, Richard Riemerschmid, Bernhard Pankok and August Endell, Applied Arts Section at the VII Internationale Kunstausstellung from Kunst und Handwerk |
Martinique Pavilion, illustrated in Le Petit Journal |
Dining Room by Eugne Gaillard with murals by Josep Maria Sert, Pavilion Art Nouveau Bing |
Hector Guimard, Metro Station, Paris XVth |
Ren Binet, Porte Monumentale, on the Place de la Concorde |
Serrurier-Bovy and Richard Dulong, Pavillon Bleu |
Henri Sauvage and Loe Fuller, Loe Fuller Pavilion |
Charles Robert Ashbee and the Guild of Handicrafts, loop-handled jam dish |
Archibald Knox, Cigarette Box, Libertys Cymric range |
Louis Comfort Tiffany and Samuel Colman, The Music Room of the Henry O. Havemeyer House |
Clara Wolcott Driscoll and Tiffany Studios, Poppy Filigree Table Lamp |
Advertisement, Tiffany Glass and Decorating Company. Art Interchange |
Peter Behrens, The Kiss , Pan |
Peter Behrens, Behrens House |
Peter Behrens, Behrens House, dining room |
Peter Behrens and AEG, Arc Lamp poster |
Peter Behrens, A.E.G.-Metallfadenlampe |
Odilon Redon, The Marsh Flower, a Sad Human Head , from Homage to Goya (1885, New York, Museum of Modern Art (MoMA)) |
Armand Clavaud, Flore de la Gironde |
Aubrey Beardsley, Merlin and Nimue from Morte dArthur |
Aubrey Beardsley, The Woman in the Moon from Salome |
Aubrey Beardsley, The Climax from Salome |
Henri de Toulouse-Lautrec, Moulin Rouge La Goulue |
Leon Bakst, Mir Isskustva |
Heinrich Vogeler, Deustche Kunst und Dekoration |
Ferenc Helbing, Magyar Iparmvszet |
Hans Christiansen, Deutsche Kunst und Dekoration |
Le Japon Artistique |
Henry van de Velde and Paul Ranson, dining room installation for Siegfried Bing, Maison de lart Nouveau |
Justus Brinckmann, Paris Room, Museum of Applied Art, Hamburg |
Nicholas Roerich, The Queen of Heaven |
Princess Maria Tenisheva, Candle, Bronze, enamel and ivory. Reproduced in Denis Roche, Les maux champlevs de la princesse Marie Tnichv |
Sarah Bernhardt, Fantastic Inkwell (Self-Portrait as a Sphinx) |
Sarah Bernhardt, Carte de visite, La Princesse Lointaine |
Alphonse Mucha, Gismonda Poster |
Gustav Klimt, poster for the first exhibition |
Koloman Moser, Ver Sacrum |
Joseph Maria Olbrich, Secession House |
Koloman Moser, Dance of the Wreath Makers , mural on the Secession House |
Gustav Klimt, Beethoven Frieze , XIVth Secession Exhibition |
Alfred Roller, Sinking Night , XIVth Secession Exhibition |
Bruno Paul, Munich Fountain of Youth, Simplicismus |
Victor Horta, Tassel House |
August Endell, Elvira Studio |
August Endell, Elvira Studio, entrance hall |
Ernst Haeckel, Jellyfish: Leptomedusae |
Ren-Jules Lalique, Wysteria Lognette and chain |
Charles van der Stappen, Sphinx Mystrieux |
Ivory bust of Leopold II by Thomas Vincotte with Charles van der Stappens Mysterious Sphinx in the background |
John Lockwood Kipling, Wood-carver in Simla |
Gerrit Willem Dijsselhof for Walter Crane, Kunst en samenleving |
Jan Toorop, Oh Grave, Where Is Thy Victory |
Agathe Wegerif-Gravestein, batik silk velvet, Batikatelier A. Wegerif |
Eliza Charlotte (Lies) van Zuylen, Batik, Indonesia, Java, Pekalongan |
Mary Seaton Watts, Watts Cemetery Chapel |
Annie Besant and Charles Leadbeater, Music of Gounod in Besant & Leadbeater, Thought-Forms |
Camille Claudel, Clotho |
Edvard Munch, Madonna |
Magnus Enckell, Awakening |
George Minne, The Fountain of Kneeling Youths |
Ilya Repin, Sadko |
Charles Rennie Mackintosh, music room for Fritz Waerndorfer, Vienna 1903 |
Eliel Saarinen, Hvittrsk, Kirkkonummi, Finland, 1903 |
Baldomer Gili i Roig, Baldomer Gili Roig in Barcelona's Reial Cercle Artstic ( View of the interior of the gallery of Casa Lle Morera ), Barcelona, with windows by Antoni Rigalt i Blanch |
Sigmund Freud, Study, Berggasse 19, Vienna |
Font size:
Interval:
Bookmark:
Similar books «Art Nouveau: Art, Architecture and Design in Transformation»
Look at similar books to Art Nouveau: Art, Architecture and Design in Transformation. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.
Discussion, reviews of the book Art Nouveau: Art, Architecture and Design in Transformation and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.