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Thomas J. Brown - Civil War Canon: Sites of Confederate Memory in South Carolina

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In this expansive history of South Carolinas commemoration of the Civil War era, Thomas Brown uses the lens of place to examine the ways that landmarks of Confederate memory have helped white southerners negotiate their shifting political, social, and economic positions. By looking at prominent sites such as Fort Sumter, Charlestons Magnolia Cemetery, and the South Carolina statehouse, Brown reveals a dynamic pattern of contestation and change. He highlights transformations of gender norms and establishes a fresh perspective on race in Civil War remembrance by emphasizing the fluidity of racial identity within the politics of white supremacy. Despite the conservative ideology that connects these sites, Brown argues that the Confederate canon of memory has adapted to address varied challenges of modernity from the wars end to the present, when enthusiasts turn to fantasy to renew a faded myth while children of the civil rights era look for a usable Confederate past. In surveying a rich, controversial, and sometimes even comical cultural landscape, Brown illuminates the workings of collective memory sustained by engagement with the particularity of place.

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Civil War Canon
CIVIL WAR AMERICA
Peter S. Carmichael, Caroline E. Janney, and Aaron Sheehan-Dean, editors
This landmark series interprets broadly the history and culture of the Civil War era through the long nineteenth century and beyond. Drawing on diverse approaches and methods, the series publishes historical works that explore all aspects of the war, biographies of leading commanders, and tactical and campaign studies, along with select editions of primary sources. Together, these books shed new light on an era that remains central to our understanding of American and world history.
2015 The University of North Carolina Press
All rights reserved
Designed and composed by Tseng Information Systems, Inc.
Set in Miller and Clarendon Bold types.
Manufactured in the United States of America
The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources.
The University of North Carolina Press has been a member of the Green Press Initiative since 2003.
Jacket illustrations: Front: vintage postcards showing Fort Sumter (top), the Confederate Monument in Magnolia Cemetery (bottom left), and ruins at Millwood (bottom right). Back: the Calhoun Monument in Marion Square. Authors collection.
Complete cataloging information for this title is available from the Library of Congress.
ISBN 978-1-4696-2095-4 (cloth: alk. paper)
ISBN 978-1-4696-2096-1 (ebook)
A previous version of chapter 2 was published as The Monumental Legacy of Calhoun, in The Memory of the Civil War in American Culture, ed. Alice Fahs and Joan Waugh (Chapel Hill: University of North Carolina Press, 2004), 13056; a previous version of chapter 3 was published as The Confederate Retreat to Mars and Venus, in Battle Scars: Gender and Sexuality in the American Civil War, ed. Catherine Clinton and Nina Silber (New York: Oxford University Press, 2006), 189213, 2006 Oxford University Press, reprinted by permission of Oxford University Press, USA; and a previous version of chapter 6 was published as The Confederate Battle Flag and the Desertion of the Lost Cause Tradition, in Remixing the Civil War: Meditations on the Sesquicentennial, ed. Thomas J. Brown (Baltimore: Johns Hopkins University Press, 2011), 3772, reprinted by permission of Johns Hopkins University Press.
For Carol, who showed me the direction home
Contents
Illustrations
Map of Columbia, South Carolina
Map of Charleston, South Carolina
Henry Timrods grave
Henry Timrod
Moss Oaks Lake and Confederate Monument, Magnolia Cemetery
John Massey Rhind, Calhoun Monument, Charleston
Hiram Powers, Calhoun Statue
Edward C. Jones and Francis D. Lee, design for Calhoun monument
Confederate currency with Matthew Brady portrait of Calhoun
Calhouns tomb
Confederate Home and College, Charleston
Albert E. Harnisch, model for Calhoun Monument
Calhoun Monument, 1895
Calhoun Monument through Holocaust Memorial
South Carolina Monument to Women of the Confederacy
Confederate Relic Room
Confederate Infirmary, or Soldiers Home
F. Wellington Ruckstuhl, model for South Carolina Monument to Women of the Confederacy
Mulberry Plantation
Millwood ruins
Oakley Park
House-Tops in Charleston during the Bombardment of Fort Sumter
Edward Hopper, The Battery, Charleston, S.C.
Hermon Atkins MacNeil, Fort Sumter Memorial
Fort Sumter, 1948
Fort Sumter, 1991
Confederate Memorial Day at Elmwood Cemetery
Strom Thurmond at Confederate States Centennial Conference
Flags over the South Carolina statehouse
Conrad Wise Chapman, Submarine Torpedo Boat H. L. Hunley
Facial reconstructions of Hunley crew members
Burial of final Hunley crew
Mort Knstler, The Final Mission
Civil War Canon
Map
Jasper Johns described his Map series of the early 1960s as the reconstruction of an everyday form seen and not looked at, not examined. This book revisits a set of public monuments, historic buildings, and other memorials that attract little scrutiny for some of the same reasons as the map of the United States. These familiar places define the didactic landscape of a would-be nation, the Confederate States of America. As Johnss collage-paintings exposed the arbitrariness and contingency of the map that his home state of South Carolina had led the effort to alter one hundred years earlier, Civil War Canon excavates the foundations of Confederate landmarks to reveal a shifting, contested collective memory. Beneath a continuity in racial politics, white southerners negotiated disruptive modernity by revising presentations of the past. My topography draws on Johnss view of the relationship between a study and its topic. His Map paintings are maps. This book charts a commemorative genealogy and also extends that lineage of local reflection.
The book focuses on South Carolina for three sets of reasons grounded in political, social, and intellectual history. First, the state was the core of the Confederacy.
Collective memory does not originate directly in experience, even for an experience as profound as the Civil War. The first four chapters of this book emphasize that Confederate commemoration began with antebellum models such as the rural cemetery, the nationalist hero, the gender ideology of evangelical domesticity, and the historical romance. White southerners struggled over the implementation of those frameworks and the development of replacements. The resulting commemorative structures linked the legacy of the Civil War to wide-ranging social and economic transformations of the region and the country. The final four chapters focus on Confederate memory since the 1920s, when the scarcity of surviving Civil War veterans symbolized the end of a living memory. These chapters take up commemoration in mid-twentieth-century mass culture and the subsequent fragmentation of that market.
The construction of modernity across South Carolina history consequently provides a second reason to focus on the state. My analytic narrative begins chronologically in the second chapter with Charleston secessionists campaign to honor John C. Calhoun in one of the liveliest cities of the slaveholding South. The next two chapters highlight the growth of industrial manufacturing and collapse of plantation agriculture as context for monuments to the Confederacy and novels about Reconstruction as a crisis in home rule. The fifth chapter describes the renovation of Fort Sumter within the recentering of the Charleston economy on tourism. The market in leisure and recreation is also the setting for the chapter on controversies over state display of the Confederate battle flag. The chapter on the Hunley submarine revolves around technological change, including the prominence of nuclear weapons facilities in South Carolina. The state canon of Civil War memory illuminates encounters with urban life, factory labor, rural stagnation, consumer society, and the military-industrial technological complex that are fundamental to the history of modernity in America.
Map of Columbia South Carolina This organization of the book underscores my - photo 1
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