Robert Stuart - Tolkien, Race, and Racism in Middle-Earth
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Cover illustration: AF archive / Alamy Stock Photo
Cover image caption: Peter Jacksons envisaging of Tolkiens uruks, black orcs of great strength
This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG
The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
Ive accumulated debts during the decade and more during which Ive researched Tolkien and his times. The quietly supportive work of librarians has been invaluable. Interlibrary loan staff at the University of Western Australias Reid Library have sourced hundreds of obscure publications, always with impressive enterprise and good humour. Librarians at Oxfords Bodleian Library have repeatedly aided me in accessing that awe-inspiring repository. The British Librarys personnel have, as always, been efficient and helpful. And Bill Fliss and his associates at Marquette Universitys Raynor Memorial Library have been wonderfully supportive in guiding me through their superb Tolkien collection, while providing one of the best working-environments of any library Ive encountered. I thank them all.
Over the years, Ive several times immersed myself in the places that Tolkien knew and loved: expeditions that my wife calls our Tolkien tours. Living in Oxford has always been a joy, of course, and many people have made us feel at home there. Visits to Bournemouth and Poole, the Malverns, the Vale of Evesham, Great Haywood, the Dorset coast, Tolkien sites across Birmingham and its suburbs, the countrysides of Oxfordshire, the Cotswolds, and Berkshireall have been enriched by local people who welcomed us, and often enough pointed us towards surprising Tolkien heritage. Im grateful for their kindness.
I owe a particular debt to the History Program of the University of Western Australia, which for more than forty years has provided a stimulating, affectionate, and supportive community that has enriched and empowered my endeavours. And, since my retirement, the Universitys School of Humanities has enabled my research with a Senior Honorary Research Fellowship. This book is very much an institutional as well as an individual achievement. At the same time, friends and colleagues with an interest in Middle-earth, theoretical knowledge of racism, or expertise in Tolkiens milieu have read drafts of all or parts of this book. I would like to acknowledge Richard Bosworth, Chantal Bourgault du Coudray, Giuseppe Finaldi, John Hooper, Andrew Lynch, and Jeremy Martens. Finally, the incisive suggestions offered by my publishers reviewers have supported the final evolution of my enterprise. Generous critique, whether from friend or anonymous reader, has saved me from error, enhanced my understanding, and improved my presentation. Needless to say, faults remaining are entirely my responsibility.
Finally, family has sustained me over the many years during which Ive worked on Tolkien and his legacy. My daughters Nicole and Suzanne have a deep commitment to the Fantasy genre, and have been wonderfully supportive throughout the evolution of this project. Theyve been my Fellowship as Ive adventured in Middle-earth. But, above all, I thank Viv for her patience, humour, and kindness over the years. She has lived tolerantly with my Tolkien fixation for longer than could reasonably have been expected, given her own literary tastes. This book is for the three of them.
By convention, a books introductory remarks can be personalised. Thats fortunate, as convention also ordains that those of us who write about John Ronald Reuel Tolkien locate ourselves very personally in relation to that controversial author. So I encountered The Lord of the Rings, Tolkiens masterwork, (henceforth LOTR) during my first year as a student at the University of Saskatchewan: a geeky undergraduate, uneasily observing the counter-culture from the university library, and thus being totally unrepresentative of the stereotypical hippy North-American Tolkien fan of the time. No pipe-weed for me! It was, for that recently uprooted teenager, a lonely time in a new country, and also the moment when Middle-earth gripped the global imagination, never to let go. Even now, more than half a century later, I vividly recall the impact of the Shires homeliness when I so missed home, as well as my puzzlement about the emus parading on the cover of my Ballantine paperback edition of the Fellowship volumea bemusement shared by Tolkien at much the same time, albeit in response to the similarly emu-infested cover of Ballantines Hobbit (Tolkien ). No such extremes for me. I loved, still love, Tolkiens preternatural ability to evoke historical depth beneath living landscapes. The high speech of his books later chaptersnot so much. Unlike many of LOTRs readers, I havent ritualised an annual rereading of a work that has become, for millions, virtually a sacred text. Indeed, as I was leaving Saskatoon for postgraduate study in 1969, I took a heretical pleasure in laughing along with the Harvard Lampoons Boredof the Rings. But Tolkiens classic, once read, did evoke a life-long love of high fantasy as I revelled in the burgeoning genre that hed empowered.
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