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Jules Chametzky (editor) - Black Writers Redefine the Struggle: A Tribute to James Baldwin

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Jules Chametzky (editor) Black Writers Redefine the Struggle: A Tribute to James Baldwin
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    Black Writers Redefine the Struggle: A Tribute to James Baldwin
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Page 10
tion in the hostile West African environment, wrote up new high-minded policies to meet the emergency. Henceforth, it proclaimed, the Africans themselves and people of African descent must bear the burden of the civilizing mission among their own people. The "progress" made under this new policy included the incredible fact that a Black man was actually appointed governor of Freetown in the 1850s. This period also saw the consecration of a Yoruba ex-slave, Adjayi Crowther, at St. Paul's Cathedral in London in 1864 as Bishop of the sprawling diocese of West Equatorial Africa. It also saw the recruitment of Caribbean Blacks as missionaries and artisans in West Africa. Meanwhile, the British, believing like one of their songs that you should pray to God but keep your powder dry, intensified their search for the enemy, malaria. The search was soon rewarded when an English medical scientist, Dr. Ross, working in India, tracked the scourge of malaria to the mosquito. In a few years, the situation changed. Malaria could now be controlled. West Africa ceased to be The White Man's Grave, and all of a sudden the need for the high-minded policies of Africanization no longer existed. You would think that the old policy might be slowly and gracefully changed. But no! The old Bishop Crowder was literally hounded out of his episcopal see and replaced by a white bishop. Africans in high places in government or commerce were removed or superceded. The West Indians were sent packing. Things stayed that way for the next three quarters of a century, until independence came to British West African colonies in the wake of the general collapse of the British Empire at the end of the second world war.
The anti-Black period in modern colonial West African history was accompanied by a virulently racist literature. The frankness of those days was nowhere better demonstrated than in an editorial in The Times of London when Durham University agreed to affiliate with Fourab College in Freetown, Sierra Leone. The Times asked Durham quite pointedly if it might consider affiliating to the zoo!
Apart from the vast quantity of offensive and trashy writing about Africa in Victorian England and later, a more serious colonial genre, as John Meyers calls it, also developed at this time, beginning with Kipling in the 1880s, proceeding through Conrad to its apogee in E.M. Forster, and down again to Joyce Cary and Graham Greene.
John Buchen was in the middle ground between the vulgar and the serious. He was also interesting for combining a very senior career in colonial administration with novel writing. What he says about natives in his novels takes on therefore the additional significance of coming out of the horse's mouth. Here is what an approved character in one of his novels, Prester John says: "That is the difference between White and Black, the gift of responsibility. As long as we know and practice it, we will rule not in Africa
Page 11
alone, but wherever there are dark men who live only for their bellies." White racism, then, is a matter of politics and also economics. The history and the truth of the black man, told by the white man, has generally been done to serve political and economic ends.
Baldwin says, "Take no-one's word for anything, including mine.... Know whence you came. If you know whence you came, there is really no limit to where you can go. The details and symbols of your life have been deliberately constructed to make you believe what White people say about you.... It was intended that you should perish in the ghetto, perish by... never being allowed to spell your proper name."
Let us now look briefly at the "fearful conundrum" of Africans selling their brothers and sisters and children for a bauble. Was that truly what happened? Has anyone told us the sad, sad story of that King of Bukongo who reigned as a Christian king, having changed his name to Dom Alfonso I, from 1506 to 1543? Dom Alfonso, who built schools and churches and renamed his capital San Salvador, whose son was bishop of Utica in Tunisia and from 1521 bishop of the Congo, who sent embassies to Lisbon and to Rome. This man thought he had allies and friends in the Portuguese Jesuits he had encouraged to come and live in his kingdom and convert his subjects. Unfortunately for him, Brazil was opening up and needing labor to work the vast plantations. So the Portuguese missionaries switched professions. They abandoned their preaching and became slave raiders. Dom Alfonso, in bewilderment, wrote letters in 1526 to King John III of Portugal complaining about the behavior of his subjects in the Congo. The letter was unanswered. In the end, the Portuguese succeeded in arming rebellious chiefs to wage war on the king. They defeated him. Thereafter, the Portuguese imposed the payment of tribute in slaves on the kingdom.
You will not find this story in our conventional history books. So for a start, we must change our reading lists. Such books as Chancellor Williams' Destruction of Black Civilization; Chinweizu's The West and the Rest of Us; and especially Cheik Anta Diop's The African Origin of Civilization should be standard fare for us and our children.
These are not fanciful books. In 1966, at the First World Festival of Black and African Arts held in Dakar, Dr. Diop, who had then been working for twenty years on rediscovering African history, shared with W.E.B. Dubois an award as the writer who had exerted the greatest influence on Negro thought in the 20th century. Dr. Diop, an African Renaissance manphysicist, historian, poetwas until his death recently Director of the Radiocarbon Laboratory at the University of Dakar. His revolutionary work, enormous in scope and quality and pursued with zeal and intelligence over a period of forty years, has given Black people a foundation on which to begin a reconstruction of their history.
Page 12
Who created the world's first and longest lasting civilization on the banks of the Nile? White people, of course. Wrong. Black people, who, as if they knew what was coming, had called their country Kemit, which means "black," long before the Greeks called it Egypt.
But even that ancient precaution was not going to be enough. European scholars and encyclopedia tell us that ancient Egypt was called Kemit because the soil of the Nile valley was black! I suppose they took the analogy of White Russia, which was presumably so named because of the snow on the ground! We won't go into this now, but I strongly recommend Cheik Anta Diop's books as we redefine our struggle. If you did no more than look at the photographs of the Negro faces of the early pharaohs, the first Pharaoh, Menes the Ethiopian prince who united Upper and Lower Egypt, his face like the face of a Nigerian chief, or the clear Bantu profile of the great Sphinx as the French scientific expedition saw it in the last century; or the god Osiris with his clear Negro featuresif you saw only that, you would have started something which is guaranteed to grow on you, the reclaiming of our history.
Good writers have a good nose for this kind of thing. I was not surprised therefore to see in John Wideman's last novel, Reuben, the beginnings of an adventure with Egypt; or Alice Walker dispatching one-half of the story of
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