Critical Explorations in Science Fiction and Fantasy
(a series edited by Donald E. Palumbo and C.W. Sullivan III)
Earlier Works: www.mcfarlandpub.com
Recent Works : Michael Moorcock: Fiction, Fantasy and the Worlds Pain (Mark Scroggins, 2016)
The Last Midnight: Essays on Apocalyptic Narratives in Millennial Media (ed. Leisa A. Clark, Amanda Firestone, Mary F. Pharr, 2016)
The Science Fiction Mythmakers: Religion, Science and Philosophy in Wells, Clarke, Dick and Herbert (Jennifer Simkins, 2016)
Gender and the Quest in British Science Fiction Television: An Analysis of Doctor Who, Blakes 7, Red Dwarf and Torchwood (Tom Powers, 2016)
Saving the World Through Science Fiction: James Gunn, Writer, Teacher and Scholar (Michael R. Page, 2017)
Wells Meets Deleuze: The Scientific Romances Reconsidered (Michael Starr, 2017)
Science Fiction and Futurism: Their Terms and Ideas (Ace G. Pilkington, 2017)
Science Fiction in Classic Rock: Musical Explorations of Space, Technology and the Imagination, 19671982 (Robert McParland, 2017)
Patricia A. McKillip and the Art of Fantasy World-Building (Audrey Isabel Taylor, 2017)
The Fabulous Journeys of Alice and Pinocchio: Exploring Their Parallel Worlds (Laura Tosi with Peter Hunt, 2018)
A Dune Companion: Characters, Places and Terms in Frank Herberts Original Six Novels (Donald E. Palumbo, 2018)
Fantasy Literature and Christianity: A Study of the Mistborn, Coldfire, Fionavar Tapestry and Chronicles of Thomas Covenant Series (Weronika aszkiewicz, 2018)
The British Comic Invasion: Alan Moore, Warren Ellis, Grant Morrison and the Evolution of the American Style (Jochen Ecke, 2019)
The Archive Incarnate: The Embodiment and Transmission of Knowledge in Science Fiction (Joseph Hurtgen, 2018)
Womens Space: Essays on Female Characters in the 21st Century Science Fiction Western (ed. Melanie A. Marotta, 2019)
Hailing frequencies open: Communication in Star Trek : The Next Generation (Thomas D. Parham III, 2019)
The Global Vampire: Essays on the Undead in Popular Culture Around the World (ed. Cait Coker, 2019)
Philip K. Dick: Essays of the Here and Now (ed. David Sandner, 2019)
Michael Bishop and the Persistence of Wonder: A Critical Study of the Writings (Joe Sanders, 2020)
Caitln R. Kiernan: A Critical Study of Her Dark Fiction (James Goho, 2020)
In Frankenstein s Wake: Mary Shelley, Morality and Science Fiction (Alison Bedford, 2020)
The Fortean Influence on Science Fiction: Charles Fort and the Evolution of the Genre (Tanner F. Boyle, 2020)
Arab and Muslim Science Fiction ( Hosan Elzembely and Emad El-Din Aysha, 2020)
Caitln R. Kiernan
A Critical Study of Her Dark Fiction
James Goho
Critical Explorations in Science Fiction and Fantasy, 71
Series Editors Donald E. Palumbo and C.W. Sullivan III
McFarland & Company, Inc., Publishers
Jefferson, North Carolina
This book has undergone peer review.
Library of Congress Cataloguing-in-Publication Data
Names: Goho, James, 1946 author.
Title: Caitlin R. Kiernan : a critical study of her dark fiction /
James Goho.
Description: Jefferson, North Carolina : McFarland & Company, Inc.,
Publishers, 2020 | Series: Critical explorations in science fiction
and fantasy ; 71 | Includes bibliographical references and index.
Identifiers: LCCN 2020032648 | ISBN 9781476680897 (paperback : acid free paper)
ISBN 9781476640730 (ebook)
Subjects: LCSH: Kiernan, Caitlin R.Criticism and interpretation. |
Light and darkness in literature.
Classification: LCC PS3561.I358 Z67 2020 | DDC 813/.54dc23
LC record available at https://lccn.loc.gov/2020032648
British Library cataloguing data are available
ISBN (print) 978-1-4766-8089-7
ISBN (ebook) 978-1-4766-4073-0
2020 James Goho. All rights reserved
No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher.
Front cover image 2020 Tithi Luadthong/Shutterstock
Printed in the United States of America
McFarland & Company, Inc., Publishers
Box 611, Jefferson, North Carolina 28640
www.mcfarlandpub.com
For Pam
Who ever lovd, that lovd not at first sight?
Christopher Marlowe, Hero and Leander, l. 176
Table of Contents
Acknowledgments
Several of the chapters in this book are revised versions of essays published in journals. Chapter One originally appeared in a different form as The Call of the S : Irish Supernatural Literature and Folklore in the Fiction of Caitln R. Kiernan in The Green Book , 9 (2017), Swan River Press, Dublin, ire. Chapter Two is a significantly revised version of The best Vitality/Cannot excel Decay: Echoes of Literary Decadence in the Fiction of Caitln R. Kiernan, which appeared in Wormwood , 30 (2018), Tartarus Press, Leyburn, UK. Chapter Three is a revised version of The Figure of the Gothic Body in the Fiction of Caitln R. Kiernan, which first appeared in Studies in the Fantastic , 5 (Winter 2017/Spring 2018) from the University of Tampa Press. Chapter Four is an extensively revised version of Caitln R. Kiernan and the Folklore of Awe and Terror, which was published in Weird Fiction Review, 5 (2014), from Centipede Press. Chapter Five is a much-revised version of Science and Mystery in the Works of Caitln R. Kiernan from Weird Fiction Review , 7 (2016). Chapter Six is a revised version of Haunted Perceptions: Fear and Trembling in the Works of Caitln R. Kiernan from Weird Fiction Review, 6 (2015). Chapter Nine: Retruthing Steampunk: Caitln R. Kiernan Rewrites American West Steampunk appeared in Extrapolation 59.2 (2018). It is reprinted here with the kind permission of Liverpool University Press, the publisher of the original article.
Many people contributed to this book. First, I am grateful to S.T. Joshi. He has encouraged me for some time to undertake and complete this book. He is an enduring source of wisdom on literature. I cannot say thanks enough for all of his suggestions, help, encouragement and advice over the years. Three of the chapters in this book are revised from articles published in Weird Fiction Review , edited by Mr. Joshi. Thanks also go to Jared Waters, of the wonderful Centipede Press, for publishing those three essays. I also want to thank Dr. David Reamer, editor, Studies in the Fantastic , and the unnamed reviewer for their suggestions and editorial directions that vastly improved my essay published in that journal. The editors, including Dr. Andrew M. Butler of Canterbury Christ Church University, and the anonymous reviewers at Extrapolation were also generous in their help and suggestions to develop my article. I give a special thanks to Dr. Gerry Canavan of Marquette University for his advice and suggestions. And I want to mention the late Dr. Michael M. Levy of the University of WisconsinStout, a scholar of science fiction, a fine and caring person, and a former managing editor at Extrapolation . Dr. Levy was generous with his helpful and encouraging communications with me during my articles review. I thank Brian Showers at Swan River Press in Dublin for publishing my piece in The Green Book . As well, I thank the unidentified reviewer and editor for their editorial improvements. Mark Valentine was kind enough to print my article on the Decadence and Kiernan in Wormwood, which is published by Tartarus Press of Carlton, Leyburn, North Yorkshire. The Winnipeg Millennium Library was instrumental in obtaining copies of difficult to access references through interlibrary loans. Rose Flickner at the University of Rochester Rush Rhees Library tracked down a number of especially critical articles for this book. For many years Shaun Goho and Jill Pascoe have listened to me talk about all things gothic and afforded much advice on my research directions. Their comments and suggestions improved this book. My good friend, Dave Williamson, the Canadian author, and I talked about the gothic and Kiernan at many of our routine Book Chat Brunches. Dave knows more about writing and authors than anyone else. I wish to thank the editors at McFarland for their care and consideration during the preparation of the book. As well, I thank the McFarland readers of the original manuscript for their thoughtful comments and suggestions to improve the book. It is a much better book due to all of their help. Any errors or flaws in the book are mine alone. Of course, the real source of any inspiration there might be in this book is due to Caitln R. Kiernan; she is the creative source. And deepest thanks to Pam, who is always wonderful, for her countless hours reading and editing the manuscript.