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Graham Hutchins - Eight Days a Week: The Beatles Tour of New Zealand, 1964

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First published 2004
Exisle Publishing Limited,
P.O. Box 60-490, Titirangi, Auckland 1230.
www.exislepublishing.co.nz
Copyright Graham Hutchins 2004
Graham Hutchins asserts the moral right to be identifi ed as the author of this work.
All rights reserved. Except for short extracts for the purpose of review, no part of this book may be reproduced, stored in a retrieval system or transmitted in any form or by any means, whether electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher.
Print ISBN 978-0-908988-55-6
ePub ISBN 978-0-77559-184-9 (Version 1.0)
Text design by IslandBridge
Cover design by Dexter Fry

Photo acknowledgements While every effort has been made to contact the - photo 1

Photo acknowledgements

While every effort has been made to contact the copyright holders of photographic material contained in this book, the publisher welcomes any information in relation to missing acknowledgements.

Alexander Turnbull Library: Morrie Hill collection: Dominion Post collection: New Zealand Free Lance collection: Archives New Zealand: Auckland City Libraries: Peter Bush: Graeme Collins: Dominion Post: Shelby Grant: Jan Hedge: Alex Khouri: Perry Lennon: Jack Mathews: Lynda Mathews: Brett Nelson collection: also photographs of merchandise, memorabilia and record sleeves throughout. New Truth and TV Extra: New Zealand Herald: Otago Daily Times: Lynne Peterson: Keith Quinn: Bruce Renwick collection: also several items of memorabilia. Christine Targett: TRANZ/Corbis: front cover Chris Watson: Russell Young:

Acknowledgements

This book would not have come to fruition without the assistance of a large number of people.

I am especially grateful to Ian Watt of Exisle Publishing for his support and guidance.

Brett Nelson of Hastings, who founded the first Beatle museum in New Zealand, is also acknowledged with much respect and gratitude. His contribution to the book, in terms of memorabilia and other Beatle paraphernalia, is one of the reasons for the books pictorial scope.

Bruce Renwick of Christchurch, the creator of a groundbreaking self-published book based on the Beatles 1964 tour, provided direction and motivation. His publication was a true labour of love, the sort of artefact I have come to expect of true Beatle fans.

The input of Jim Sparey of Auckland, a member of Friends of the Beatles, the New Zealand Beatles fan club, is also gratefully acknowledged.

While most of us just kept on listening to the music, people like Brett, Bruce and Jim ensured that the Beatle heritage, a priceless treasure, would not go unrecorded in this country.

Wayne Hall of Kihikihi, a young fan who lived just up the road from me, provided the initial connection with the giants of Kiwi Beatle commemoration and collection.

As the project gained momentum, the contribution of Shelby Grant, a Wellington music teacher and Beatle buff of long standing, came into its own. Not only did Shelby provide his own trenchant recollections, he widened the net so that aficionados like Graeme Collins, Jonathon Harper and others could contribute to this permanent record of one of New Zealands most significant events.

During my research I was able to unearth some interesting Beatle associations. No one actually played with the Beatles, but Chris Thompson of Hamilton played and recorded with Keshav Sathe, who played with George Harrison on his Wonderwall album. Jan Hedge of Hamilton is a good friend of Iris Fenton, who grew up alongside and went out with both George and Paul. Jack Mathews of Hamilton and Lynda Mathews were both second cousins of John Lennon. And occasionally household names like Keith Quinn turned out to be avid Beatle fans.

And then, of course, there were the ordinary Kiwis who loved the music, mourned the Beatles break-up and the deaths of John and George, and then went to the trouble of recounting their experiences of the Beatles and that magical tour of New Zealand in 1964.

Finally, I am grateful to the New Zealand Listener for permission to reprint extracts by Bruce Mason and M.H. Holcroft.

To all these people, I am deeply indebted.

Graham Hutchins

Introduction

When George Harrison of the Beatles passed away in 2001, it was an untimely reminder that despite their godlike status, the Beatles would not last for ever. Their songs might, but the creators of the most memorable music in rock history had suddenly been reduced by half. It was tragic when John Lennon was gunned down in 1980, but with Georges passing the time had come to honour the Beatles and their contribution to music and youth culture and salute the way many of us Kiwi baby boomers viewed our very existence.

The Beatles took over the world. Even New Zealand was not immune. At the height of their powers in 1964, during the initial Beatle explosion, the British band toured New Zealand and for eight frenetic days turned the country on its ear. Those of us who were there and followed their royal progress now look back with wistful pleasure to those heady days when the Beatles burst on to the scene and left no stone unturned in redefining rock music and youthful aspirations.

It wasnt all beer and skittles. There was a certain amount of upheaval as New Zealand strengthened its conservative ramparts and reactionary forces came out of the woodwork. It was a bit like an invasion, but the Beatles came in peace and enriched many young lives. Along the way, they endeared themselves to older generations, worried parents and baffled noise-sensitive octogenarians. Even city and town fathers came to the party with civic receptions and unctuous announcements of changing times.

Then, and even to this day, the Beatles acquired adherents from younger generational groups. The music could not be denied. Beatle music has that peculiar magic of always being in fashion. The strength of the songs has passed the test of time. Indeed, John Lennon once said of I am the walrus that it would always be ahead of its time. Not for the first time, he was right.

In 1964, with the Beatles at the helm, nothing seemed impossible. The passage of forty years has reminded us that life imposes its own restrictions. When the Beatles broke up, John Lennon announced in song that the dream is over. Back then, this was true in the sense that the Beatles supernova reign had reached the end of the long and winding road. However, no one could deny the ongoing influence of the Beatles music and the very value system the Beatles had inspired. Dont dream its over, New Zealander Neil Finn implored in song several years later. It could have been a direct rebuttal of Lennons sentiments, or simply a fine Beatlesque ballad that reminded Kiwis and the world just how pervasive the Beatle hubris continued to be.

Rutherfords splitting of the atom, Hillarys ascent of Everest, the All Blacks beating the Springboks in 1956: such momentous events are part of Kiwi folklore. The 1951 waterfront strike and the 1981 Springbok tour are blips we wish could be expunged from our past. However, another tour, that famous eight days a week in 1964 when the Beatles included us in their global blitzkrieg, needs to be honoured as a special time that will never happen again in quite the same way.

For the past ten years, I have felt the time was right to celebrate the Beatles tour of New Zealand. The passing of George Harrison in 2001 added an urgent dimension. Now, in the year 2004, it is twice times twenty years ago today, as Paul McCartney so memorably put it in Sergeant Pepper.

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