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Maya Angelou - Letter to My Daughter

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Maya Angelou Letter to My Daughter
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    Letter to My Daughter
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From Publishers Weekly

From the mellifluous voice of a venerable American icon comes her first original collection of writing to be published in ten years, anecdotal vignettes drawn from a compelling life and written in Angelous erudite prose. Beginning with her childhood, Angelou acknowledges her own inauguration into daughterhood in Philanthropy, recalling the first time her mother called her my daughter. Angelou becomes a mother herself at an early age, after a meaningless first sexual experience: Nine months later I had a beautiful baby boy. The birth of my son caused me to develop enough courage to invent my life. Fearlessly sharing amusing, if somewhat embarrassing, moments in Senegal, the mature Angelou is cosmopolitan but still capable of making a mistake: invited to a dinner party while visiting the African nation, Angelou becomes irritated that none of the guests will step on a lovely carpet laid out in the center of the room, so she takes it upon herself to cross the carpet, only to discover the carpet is a table cloth that had been laid out in honor of her visit. The wisdom in this slight volume feels light and familiar, but its also earnest and offered with warmth.
Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

Its a book to give to ones daughter, mother, son or father, but definitely one to be read and savored._Baltimore Sun

Sound advice, vivid memory and strong opinion . . . What is clear is that [Maya] Angelou is, all these years later, still a charmer, still speaking her mind.Washington Post Book World

A slim volume packed with nourishing nuggets of wisdom . . . Overarching each brief chapter is the vital energy of a woman taking lifes measure with every step.Kirkus Reviews
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Written in Angelous beautiful, poetic style, the essays feel like warm advice from a beloved aunt or grandmother, whose wisdom you know was earned._Fredericksburg Free Lance_Star

Spellbinding . . . Angelou delivers with her signature passion and fire. . . . Each [essay] delivers a powerful message._Rocky Mountain News

_

From the Trade Paperback edition.

Maya Angelou: author's other books


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ALSO BY MAYA ANGELOU

AUTOBIOGRAPHY

I Know Why the Caged Bird Sings

Gather Together in My Name

Singin and Swingin and Gettin Merry Like Christmas

The Heart of a Woman

All Gods Children Need Traveling Shoes

A Song Flung Up to Heaven

ESSAYS

Wouldnt Take Nothing for My Journey Now

Even the Stars Look Lonesome

POETRY

Just Give Me a Cool Drink of Water fore I Diiie

Oh Pray My Wings Are Gonna Fit Me Well

And Still I Rise

Shaker, Why Dont You Sing?

I Shall Not Be Moved

On the Pulse of Morning

Phenomenal Woman

The Complete Collected Poems of Maya Angelou

A Brave and Startling Truth

Amazing Peace

Mother

Celebrations

CHILDRENS BOOKS

My Painted House, My Friendly Chicken, and Me

Kofi and His Magic

PICTURE BOOKS

Now Sheba Sings the Song

Life Doesnt Frighten Me

COOKBOOK

Hallelujah! The Welcome Table

ABOUT THE AUTHOR

Poet, writer, performer, teacher, and director, MAYA ANGELOU was raised in Stamps, Arkansas, then moved to San Francisco. In addition to her bestselling autobiographies, beginning with I Know Why the Caged Bird Sings, she has also written a cookbook, Hallelujah! The Welcome Table, and five poetry collections, including I Shall Not Be Moved and Shaker, Why Dont You Sing?

Home I was born in St Louis Missouri but from the age of three I grew up - photo 1

Home

I was born in St. Louis, Missouri, but from the age of three I grew up in Stamps, Arkansas, with my paternal grandmother, Annie Henderson, and my fathers brother, Uncle Willie, and my only sibling, my brother Bailey.

At thirteen I joined my mother in San Francisco. Later I studied in New York City. Throughout the years I have lived in Paris, Cairo, West Africa, and all over the United States.

Those are facts, but facts, to a child, are merely words to memorize, My name is Johnny Thomas. My address is 220 Center Street. All facts, which have little to do with the childs truth.

My real growing up world, in Stamps, was a continual struggle against a condition of surrender. Surrender first to the grown-up human beings who I saw every day, all black and all very, very large. Then submission to the idea that black people were inferior to white people, who I saw rarely.

Without knowing why exactly, I did not believe that I was inferior to anyone except maybe my brother. I knew I was smart, but I also knew that Bailey was smarter, maybe because he reminded me often and even suggested that maybe he was the smartest person in the world. He came to that decision when he was nine years old.

The South, in general, and Stamps, Arkansas, in particular had had hundreds of years experience in demoting even large adult blacks to psychological dwarfs. Poor white children had the license to address lauded and older blacks by their first names or by any names they could create.

Thomas Wolfe warned in the title of Americas great novel that You Cant Go Home Again. I enjoyed the book but I never agreed with the title. I believe that one can never leave home. I believe that one carries the shadows, the dreams, the fears and dragons of home under ones skin, at the extreme corners of ones eyes and possibly in the gristle of the ear lobe.

Home is that youthful region where a child is the only real living inhabitant. Parents, siblings, and neighbors, are mysterious apparitions, who come, go, and do strange unfathomable things in and around the child, the regions only enfranchised citizen.

Geography, as such, has little meaning to the child observer. If one grows up in the Southwest, the desert and open skies are natural. New York, with the elevators and subway rumble and millions of people, and Southeast Florida with its palm trees and sun and beaches are to the children of those regions the way the outer world is, has been, and will always be. Since the child cannot control that environment, she has to find her own place, a region where only she lives and no one else can enter.

I am convinced that most people do not grow up. We find parking spaces and honor our credit cards. We marry and dare to have children and call that growing up. I think what we do is mostly grow old. We carry accumulation of years in our bodies and on our faces, but generally our real selves, the children inside, are still innocent and shy as magnolias.

We may act sophisticated and worldly but I believe we feel safest when we go inside ourselves and find home, a place where we belong and maybe the only place we really do.

Philanthropy To write about giving to a person who is naturally generous - photo 2

Philanthropy

To write about giving to a person who is naturally generous reminds me of a preacher passionately preaching to the already committed choir. I am encouraged to write on because I remember that from time to time, the choir does need to be uplifted and thanked for its commitment. Those voices need to be encouraged to sing again and again, with even more emotion.

Each single American giver keeps alive the American Cancer Society, the Red Cross, Salvation Army, Goodwill, Sickle Cell Anemia, American Jewish Society, NAACP, and the Urban League. The list continues to include church foundations, synagogue programs, Muslim Temple associations, Buddhist shrines, groups, officials, and city and social clubs. However, the largest sums of money come from philanthropists.

The word philanthropy was taken from the two Greek words, philolover of; and anthromankind. So, philanthropists are lovers of humanity. They build imposing edifices for people to work in and to play in. They give huge sums of money to support organizations which offer better health and education to the society. They are the principal patrons of the arts.

The mention of philanthropy elicits smiles, followed by the sensation of receiving unexpected good fortune from a generous but faceless source.

There are those who would like to see themselves as philanthropists. Philanthropists often are represented by committees and delegations. They are disconnected from the recipients of their generosity. I am not a member of that gathering. Rather I like to think of myself as charitable. The charitable say in effect, I seem to have more than I need and you seem to have less than you need. I would like to share my excess with you. Fine, if my excess is tangible, money or goods, and fine if not, for I learned that to be charitable with gestures and words can bring enormous joy and repair injured feelings.

My paternal grandmother who raised me had a remarkable influence on how I saw the world and how I reckoned my place in it. She was the picture of dignity. She spoke softly and walked slowly, with her hands behind her back, fingers laced together. I imitated her so successfully that neighbors called me her shadow.

Sister Henderson, I see you got your shadow with you again.

Grandmother would look at me and smile. Well, I guess youre right. If I stop, she stops. If I go, she goes.

When I was thirteen, my grandmother took me back to California to join my mother, and she returned immediately to Arkansas. The California house was a world away from that little home in which I grew up in Arkansas. My mother wore her straight hair in a severe stylish bob. My grandmother didnt believe in hot curling womens hair, so I had grown up with a braided natural. Grandmother turned our radio on to listen to the news, religious music,

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