Table of Contents
PEERLESS MINDS
An Arc of Achievement
Edited by
PRITISH NANDY
and
TAPAN CHAKI
CONTENTS
P eerless Minds began as a discussion over a cup of tea (Darjeeling for Tapan; English Breakfast for me) at the poolside of The Oberoi Grand in Kolkata, one of those beautiful old colonial buildings that the City of Joy is best known for. We thought of putting together a book featuring interviewsQ&As as well as narrativeswith twenty of the most scintillating Indian minds; and, in some cases, people of Indian origin settled elsewhere in the world.
As the book progressed, the numbers increased a bit. We could have easily included many more, but that would have impaired the importance of the choice. We began with living legends and then added a few interesting younger people who are firmly on their way to becoming ones. You have here three Nobel Prize winners, three Bharat Ratnas, three Knights of the British Empire, a Pulitzer Prize winner, a two-time Best of the Bookers winner and many more who have been awarded the highest accolades in their areas of excellence. There is an Abel Prize winner, a Pritzker Prize winner, a Fields medallist, a Fukuoka Prize winner, a Turner Prize winner, a Praemium Imperiale winner, an Academy Award winner and many Padma Vibhushans and Padma Bhushans. But that is not why they are here. They are here because they have inspired great new ideas or set new standards of excellence that are not easy to match. That is why we are celebrating them.
We intended to have better (actually, far better) representation for women in this book. But two interviewees who we were very keen to have here refused at the last minute, referring to the current political environment, and a third who is in Princeton never answered, despite repeated requests. Also, the book was supposed to comprise interviews with living people but, unfortunately, between the closure of the manuscript and its appearance in print, two of the most interesting people here passed away. Sir Vidias interview by Roderick Matthews was possibly his last and excerpts from it were carried in several publications. The same is true for Annapurna Devi, who never ever spoke to the media after parting ways with her husband, the legendary Pandit Ravi Shankar. She never performed either, but became a reclusive teacher. Some parts of Aalif Surtis tribute to her have been reproduced in publications since her passing away.
We have not included any politiciansor political activistsin this book, in the belief that it would make the work more enduring. Politics change. People change parties, ideologies. And India, as we all know, is still a work in progress. We had to regretfully drop one interview when the person, a pioneering technologist, joined active politics. We have, however, kept intact the political views of those who may have expressed them here, barring a couple of sharp quotes bordering on the defamatory. The book is a celebration, not a platform for rage or outrage.
We hope that this book will reintroduce some of Indias most brilliant minds to the millennials and Generation Z (or the post-millennials as they are often called) who may have moved on to newer heroes and newer themes. Technology, the new God of all things big and small, has largely inspired the shift, as well as a world that continues to alter its priorities. But the great artsmusic, literature, poetry, history, sculpture, architecturewill endure even as they change, and the great sciencesmathematics, medicine, economics, probability theory and the future-anticipating technologies of todaywill keep changing the world as we go along.
Here they are, then, for you, the best minds of today sharing each others company in a book that we hope will give you exciting insights into what India and Indians think, wherever in the world they may be, whatever be the personal goals they chase. We thank the wonderful peopleauthors such as Aatish Taseer and Karan Mahajan, columnists like James Astill and Khalid Mohamed, journalists Shereen Bhan, Manimugdha Sharma and Indu Bhan, and photographer Rohit Chawlawho gave their time so generously to travel and meet them, talk to them, photograph them and make this book happen. It would not have been possible but for the grant from Sunil Kanti Roy of the Peerless Group, which enabled us to spend ten months of our lives working almost exclusively on it. We thank him for his generosity. All editor royalties earned from this book will go to his favourite charity, the Ramakrishna Missions Sister Nivedita School for Girls.
Pritish Nandy
Tapan Chaki
PEERLESS MINDS
An Arc of Achievement
AUTHOR
Interviewed by RODERICK MATTHEWS
I was writing to come out of solitude. Yet writing was driving me back into solitude.
Sir Vidiadhar Surajprasad Naipaul was a British writer of Indian descent, often described as one of the worlds greatest authors. He was born in 1932 in Chaguanas, Trinidad and Tobago, to Indian parents Seepersad and Droapatie. His grandparents migrated from India to work there as farm labourers. He won the Booker Prize, the Jerusalem Prize for the Freedom of the Individual in Society and, most famously, the Nobel Prize in 2001. He lived in England till his death and was interviewed there.
W ho is Sir Vidiadhar Surajprasad Naipaul? He is the bright boy, born in the Indian community in Trinidad in 1932, who decided, at the age of eleven, that he wanted to be a writer. With pencil and paper in hand, he then left home at eighteen for a scholarship at Oxford, hoping to find some metropolitan material along the way. The travelling and the searching started early, and has hardly stopped. The outsider has never entirely come in.
Long hailed as the greatest living writer of English prose, the variety and fluency of Sir Vidias output testifies to the truth of the accolade. Thirty books across the decadesmemoir, fiction, reportage, travelogue. He is effortlessly flexible, creating hybrid vehicles in which it is difficult to discern where fiction becomes fact, where memory and invention intersect. His dedication to the craft of writing has been exceptional; partly a quest, wholly a means of support. A full life, but he says that he really needed threeone for experience, one for writing and one for living.
His natural home is long-form prose, and in conversation he is not voluble. He speaks in sentences rather than paragraphs, preferring short, balanced phrases, well considered. Penetration is the key, coupled with economy; I dont think I heard him yield an um or an er. During a discussion about manipulation within families, his wife, Nadira, asked him whether she had ever been a pushover. Not for long, was the terse verdict. No one writes like Naipaul, but not even Naipaul speaks like Naipaul writes.
He exhibits no willingness to fill silences in the room and publicly has said little about himself, beyond what is in his books. This has inevitably encouraged the growth of myths, and a large amount of what I had gleaned about Sir Vidia from a distance turned out not to be true. For example, I was assured that he would never sign a book, because he refused to create extra value in which he would take no share. Not so. He is happy to sign.
In person, he is much more of a Victorian than I expected. He is courteous at all times, has no time for vulgarity and avoids profanity. This has an elevating effect in company, as everyone tries to lose the rather Georgian atmosphere of contemporary London with its ribaldry and raucousness. VS is a calming presence, a guarantee that higher standards still exist.