Also by David Gessner
All the Wild That Remains
The Tarball Chronicles
My Green Manifesto
Soaring with Fidel
The Prophet of Dry Hill
Sick of Nature
Return of the Osprey
Under the Devils Thumb
A Wild, Rank Place
RIVERHEAD BOOKS
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Copyright 2017 by David Gessner
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The author gratefully acknowledges permission to quote from the following:
Excerpt from To My Twenties from The Collected Poems of Kenneth Koch by Kenneth Koch, copyright 2005 by the Kenneth Koch Literary Estate. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved.
Excerpt from East Coker from Four Quartets by T. S. Eliot. Copyright 1940 by T. S. Eliot. Copyright renewed 1968 by Esme Valerie Eliot. Reprinted in the United States by permission of Houghton Mifflin Harcourt Publishing Company. Reprinted outside the United States by permission of Faber and Faber Ltd. All rights reserved.
Lines from Brandy (Youre a Fine Girl). Words and music by Elliot Lurie 1971 (renewed) WB Music Corp. and Braided Chain Music in the United States. All rights outside the United States administered by Chappell & Co., Inc. All rights reserved. Used by permission of Alfred Publishing, LLC.
PHOTOG RAPH CREDITS
: Photo by Paul Andris/UltiPhotos.
Ebook ISBN 9780735210578
Some names and identifying characteristics have been changed to protect the privacy of the individuals involved.
Penguin is committed to publishing works of quality and integrity. In that spirit, we are proud to offer this book to our readers; however, the story, the experiences, and the words are the authors alone.
Version_1
To Jeff Sandler, Jim Levine, Paul Turner, Neal Lischner, Roger Gallagher, Steve Gustafson, David Barkan, Bill McAvoy, Craig MacNaughton, Matt Fogarty, Rasta Bill Newman, Steve Smith, Roger Geller, Adam Mada Phillips, Chris Phillips, Matt Williamson, Mike Becker, Ted Roach, Tommy Conlon, Bob Harding, Hank Miller, and Mark Honerkamp. In other words, to the Hostages.
CONTENTS
To the Reader
I first set out to write this book almost twenty years ago. It came close to being published, but in the end the editors and marketers didnt know what to make of this thing called Ultimate Frisbee. I was used to that. As you will see in these pages it isnt always easy to commit fully to something that many regard as ridiculous. Frustrated, I turned parts of the book into an essay called Ultimate Glory and focused my energies on writing other books. But, to my surprise, the essay found its way into the world on its own, with little help from its maker, and, in the end, insisted that I return to it. It is only now, all these years later, that I am reclaiming those sentences and returning them to their rightful place.
If you have never played the sport, consider this an invitation to a party, a wild party of course, and one where you can spend some time inside a world you never knew existed. As for my fellow Ultimate players, you will likely not find yourself in here. Or maybe you will, but not by name. My goal was never to write a comprehensive history of the sport. There is one of those already. Instead I wanted to tell the story of my oft-deluded youth, the story of a strange but tight community, and the story, most of all, of our shared obsession.
The following events are true, though a name or two have been changed.
The author, wallowing
Whoso would be a man must be a nonconformist.
Ralph Waldo Emerson
And the ultimate reward for their time, money, and effort? Nothing.
Howard Cosell
Ultimate Preamble
That Primal Feeling
I t is a hot November day in southern Florida in 1987 and Frisbees fill the air. People driving by the Miami Dade College athletic fields stare out their car windows, not quite able to figure out what is going on. At first glance the fields look like they have been taken over by an alien culture. Those drivers who remember the 60s slow down to scratch their heads and wonder if the Summer of Love has returned. The place does seem caught in a time warp: music occasionally blares from huge speakers, men wear longish hair and beards, and both men and women run around in strange bright-colored costumes. Groups cluster to smoke pot, others drink beer and urinate on trees, and, at one point, a half dozen young women sprint naked across the fields.
But while a carnival atmosphere pervades, it becomes clear, upon closer inspection, that this isnt exactly Woodstock. First, these hippies seem exceedingly fit. Second, they sport a surprising number of bloody knees and elbows, as if they had just emerged not from a love-in but from some primitive form of battle. What originally looked like costumes turn out to be uniforms. Tattered unconventional uniforms but uniforms all the same that, combined with all the blood, leave the men and women looking less like Deadheads than like extras from the movie Braveheart. Finally, there is what these ragged people are doing with all the Frisbees. They are throwing them, sure, but not in the way Uncle Joe throws Frisbees at your backyard barbecue. In fact, not in the way youve ever seen people throw anything. Plastic discs fly through the air, flicked with a rolling dice motion or thrown upside down like spears. These discs can travel over 80 yards, hovering, bending around objects, some slicing like knives, others describing absurd parabolas.
A curious woman, out for a stroll, walks over to one of these Frisbee people, a man who is sitting on the ground lacing up his cleats. Hes a young guy with thick veined legs and long, dark hair like Samsons. She asks him what exactly it is he is doing.
Playing Ultimate, he says.
She scrunches her face as if trying to place this. Then her eyes brighten with recognition.
Isnt that the thing you do with dogs? she asks.
The man smiles, resisting rolling his eyes, as if hes heard this question a hundred times before.
No, its played with human beings, he says in a patient if slightly put-upon voice. Its a serious field sport like soccer or football.
The woman takes a closer look out at the fields and begins to notice some order within the seeming chaos. She considers the possibility that the young man is not entirely wrong. Perhaps a serious sport