• Complain

Mark Cave - Listening on the Edge: Oral History in the Aftermath of Crisis

Here you can read online Mark Cave - Listening on the Edge: Oral History in the Aftermath of Crisis full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2014, publisher: Oxford University Press, genre: Art. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover
  • Book:
    Listening on the Edge: Oral History in the Aftermath of Crisis
  • Author:
  • Publisher:
    Oxford University Press
  • Genre:
  • Year:
    2014
  • Rating:
    5 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 100
    • 1
    • 2
    • 3
    • 4
    • 5

Listening on the Edge: Oral History in the Aftermath of Crisis: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Listening on the Edge: Oral History in the Aftermath of Crisis" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

From the headlines of local newspapers to the coverage of major media outlets, scenes of war, natural disaster, political revolution and ethnic repression greet readers and viewers at every turn. What we often fail to grasp, however, despite numerous treatments of events is the deep meaning and broader significance of crisis and disaster. The complexity and texture of these situations are most evident in the broader personal stories of those whom the events impact most intimately. Oral history, with its focus on listening and collaborative creation with participants, has emerged as a forceful approach to exploring the human experience of crisis.
Despite the recent growth of crisis oral history fieldwork, there has been little formal discussion of the process and meaning of utilizing oral history in these environments. Oral history research takes on special dimensions when working in highly charged situations often in close proximity to traumatic events. The emergent inclination for oral historians to respond to document crisis calls for a shared conversation among scholars as to what we have learned from crisis work so far. This dialogue, at the heart of this collection of oral history excerpts and essays, reveals new layers of the work of the oral historian. From the perspective of crisis and disaster oral history, the book addresses both the ways in which we think about the craft of oral hsitory, and the manner in which we use it.
The book presents excerpts from oral histories done after twelve world crises, followed by critical analyses by the interviewers. Additional analytical chapters set the interviews in the contexts of pyschoanalysis and oral history methodology.

Mark Cave: author's other books


Who wrote Listening on the Edge: Oral History in the Aftermath of Crisis? Find out the surname, the name of the author of the book and a list of all author's works by series.

Listening on the Edge: Oral History in the Aftermath of Crisis — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Listening on the Edge: Oral History in the Aftermath of Crisis" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

Listening on the Edge

Listening on the Edge

Oral History in the Aftermath of Crisis

Edited by Mark Cave and Stephen M. Sloan

Listening on the Edge Oral History in the Aftermath of Crisis - image 1

Listening on the Edge Oral History in the Aftermath of Crisis - image 2

Oxford University Press is a department of the University of Oxford.
It furthers the Universitys objective of excellence in research, scholarship,
and education by publishing worldwide.

Oxford New York
Auckland Cape Town Dar es Salaam Hong Kong Karachi
Kuala Lumpur Madrid Melbourne Mexico City Nairobi
New Delhi Shanghai Taipei Toronto

With offices in
Argentina Austria Brazil Chile Czech Republic France Greece
Guatemala Hungary Italy Japan Poland Portugal Singapore
South Korea Switzerland Thailand Turkey Ukraine Vietnam

Oxford is a registered trademark of Oxford University Press
in the UK and certain other countries.

Published in the United States of America by
Oxford University Press
198 Madison Avenue, New York, NY 10016

Oxford University Press 2014

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above.

You must not circulate this work in any other form and you must impose this same condition on any acquirer.

Cataloging-in-Publication data is on file with the Library of Congress

ISBN: 9780199859306 (pbk)

ISBN: 9780199859313 (hbk)

9 8 7 6 5 4 3 2 1
Printed in the United States of America
on acid-free paper

To all of our narrators who have shared their experiences in the wake of catastrophe

Contents

This project began with a conversation I had with Don Ritchie on a riverboat cruise excursion at the 2008 Oral History Association meeting in Pittsburgh. We talked about the work that I was doing with the Historic New Orleans Collection to document the aftermath of Hurricane Katrina. He introduced me to fellow Oxford Oral History Series editor Rob Perks and to Oxford executive editor Nancy Toff. My initial intent was to focus the book entirely on the Hurricane Katrina project that I had been working on, devoting each chapter to a different lesson learned. Nancy and the series editors (who also included Todd Moye and Kathryn Nasstrom) wisely recommended a broader approach as it would give the reader insight into the varied nature of crises. Nancy and Todd put me in contact with Stephen Sloan, who at the time was the chairman of OHAs Emerging Crises Research Fund. I had known Stephen for a number of years and was thrilled with the opportunity to partner with him on this project. The experience of working with both Stephen and Nancy has been an enjoyable one from start to finish.

I want to thank in particular Mary Lou Christovich for her longtime support of my interest in oral history; Priscilla Lawrence, Alfred Lemmon, and John Lawrence for their unfailing kindness and patience; and Jessica Dorman, Aimee Everett, Sonia Tycko, and Max Richman for their invaluable expertise. I would also like to thank my family; my wonderful sister, Terri Potter; my parents, Gilbert and Kathleen Cave; and my constant companions Junior, Monkey, and Orange Cat.

Mark Cave

My interest in this project was spurred by my research documenting the experience of Mississippians after Hurricane Katrina while I was co-director of the Center for Oral History and Cultural Heritage at the University of Southern Mississippi. Mark Cave has been the ideal collaborator on the work, and Nancy Toffs encouragement and direction on this volume have been invaluable. Id like to thank Linda VanZandt, my tireless colleague at USM, and all the members of our stellar team here at Baylor Universitys Institute for Oral HistoryLois Myers, Elinor Maz, Becky Shulda, and Michelle Holland. Their passion and commitment to excellence in oral history are inspiring. Most importantly, Id like to thank my always supportive and encouraging family, Melissa, Jacob, and Riley. Sharing life with you is bliss.

Stephen M. Sloan

Crisis is a historical constant. In 2011 alone, we watched the television news in horror as the ocean swallowed coastal communities in Japan. We were touched by the sight of families digging through rubble after tornadoes in Missouri and Alabama and after earthquakes in Turkey and New Zealand. We were sickened by the senselessness of a school shooting in Brazil; angered by terrorist attacks in Russia and Norway; and inspired by revolution in Egypt, Tunisia, and Libya. Our attention to these events is held, but not for long. Our thoughts are consumed by daily routine or captured by the next headline. What remains when the cameras turn away, and reporters go home, are individuals and communities in the process of redefinition, forever changed by the event. Exploring the process of this change in a single life or the life of a community can tell us a great deal about who we are and who we are likely to become. Oral history as a methodology, with its patient, open-ended approach and emphasis on empathy, is well suited as a tool for this exploration.

Recording the experience of crisis is central to what the oral historian does, but most commonly such recollections have been captured long after events. In recent years, there has been a trend to conduct interviews soon after, or even in the midst of, crisis. This work presents unique possibilities, but also some significant concerns. Perhaps in reaction to the recent popularity of interviewing in the aftermath of crisis, many oral historians have expressed concerns regarding the psychological impact of the interview process on interviewees. Clinical psychologist and psychoanalyst Ghislaine Boulanger has been an important figure in recent years in bridging the gap between the psychology and oral history communities. She has taught at the Columbia Center for Oral History (CCOH) Summer Institute and worked with CCOHs Rule of Law Oral History Project. Boulanger suggests that if an interviewee is willing to talk about his or her experience, then it is generally safe to proceed with an interview. In fact, the process can serve to validate the individuals traumatic experience and help the survivor Oral historians are in a unique position to provide this validation since they are often seen by interviewees as agents of a communitys collective memory.

Boulanger first became involved with the oral history community as a narrator, interviewed by oral historian Mary Marshall Clark concerning Boulangers psychotherapy work following the September 11 terrorist attacks in New York City.

Dutch oral historian Selma Leydesdorff conducted life story interviews with women who survived the Bosnian genocide, and she has written and lectured extensively on the issue of trauma. Much of her work relates to the impact of traumatic experiences on memory. She notes how a traumatic experience can distort the recall of events, causing a chronological incoherence within narratives. For some, the traumatic event dominates their life story and colors the memories of their life both before and after the event. This obviously presents challenges for the oral historian. Interviewers need to be patient and empathic listeners and embrace the process of helping the interviewee create order in a chaotic memory.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Listening on the Edge: Oral History in the Aftermath of Crisis»

Look at similar books to Listening on the Edge: Oral History in the Aftermath of Crisis. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Listening on the Edge: Oral History in the Aftermath of Crisis»

Discussion, reviews of the book Listening on the Edge: Oral History in the Aftermath of Crisis and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.