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Sara Pesce - The Politics of Ephemeral Digital Media: Permanence and Obsolescence in Paratexts

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In the age of complex Tv, of social networking and massive consumption of transmedia narratives, a myriad short-lived phenomena surround films and TV programs raising questions about the endurance of a fictional world and other mediatized discourse over a long arc of time. The life of media products can change direction depending on the variability of paratextual materials and activities such as online commentaries and forums, promos and trailers, disposable merchandise and gadgets, grassroots video production, archives, and gaming. This book examines the tension between permanence and obsolescence in the production and experience of media byproducts analysing the affections and meanings they convey and uncovering the machineries of their persistence or disposal. Paratexts, which have long been considered only ancillary to a central text, interfere instead with textual politics by influencing the viewers fidelity (or infidelity) to a product and affecting a fictional worlds life expectancy. Scholars in the fields of film studies, media studies, memory and cultural studies are here called to observe these byproducts temporalities (their short form and/or long temporal extention, their nostalgic politics or future projections) and assess their increasing influence on our use of the past and present, on our temporal experience, and, consequently, on our social and political self-positioning through the media.

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The Politics of Ephemeral Digital Media
In the age of complex TV, of social networking and massive consumption of transmedia narratives, myriad short-lived phenomena surround films and TV programs raising questions about the endurance of a fictional world and other mediatized discourse over a long arc of time. The life of media products can change direction depending on the variability of paratextual materials and activities such as online commentaries and forums, promos and trailers, disposable merchandise and gadgets, grassroots video production, archives, and gaming. This book examines the tension between permanence and obsolescence in the production and experience of media by-products, analyzing the affections and meanings they convey and uncovering the machineries of their persistence or disposal. Paratexts, which have long been considered only ancillary to a central text, interfere instead with textual politics by influencing the viewers fidelity (or infidelity) to a product and affecting a fictional worlds life expectancy. Scholars in the fields of film studies, media studies, memory and cultural studies are here called to observe these by-products temporalities (their short form and/or long temporal extension, their nostalgic politics or future projections) and assess their increasing influence on our use of the past and present, on our temporal experience, and, consequently, on our social and political self-positioning through the media.
Sara Pesce teaches Film History and Performance Studies at the University of Bologna. She has published works on the historical roots of Hollywood, cultural memory, and performance. Among the subjects of her books are Hollywood Jewish founders (Dietro lo schermo, 2005), World War II memory in Italian film (Memoria e Immaginario, 2008), and Laurence Olivier (Laurence Olivier nei film, 2012).
Paolo Noto is Lecturer in film history at the University of Bologna. He is one of the editors in chief of Lavventura. Internation Journal of Italian Film and Media Landscapes and the secretary of the open access journal SERIES (series.unibo.it). He has authored two books, dedicated to the Italian neorealism (Il cinema neorealista, with Francesco Pitassio, 2010) and to the application of genre theory to the Italian post-war cinema (Dal bozzetto ai generi, 2011).
Routledge Studies in New Media and Cyberculture
For a full list of titles in this series, please visit www.routledge.com.
3 Racing Cyberculture
Minoritarian Art and Cultural Politics on the Internet
Christopher L. McGahan
4 Decoding Liberation
The Promise of Free and Open Source Software
Samir Chopra and Scott D. Dexter
5 Gaming Cultures and Place in Asia-Pacific
Edited by Larissa Hjorth and Dean Chan
6 Virtual English
Queer Internets and Digital Creolization
Jillana B. Enteen
7 Disability and New Media
Katie Ellis and Mike Kent
8 Creating Second Lives
Community, Identity and Spatiality as Constructions of the Virtual
Edited by Astrid Ensslin and Eben Muse
9 Mobile Technology and Place
Edited by Rowan Wilken and Gerard Goggin
10 Wordplay and the Discourse of Video Games
Analyzing Words, Design, and Play
Christopher A. Paul
11 Latin American Identity in Online Cultural Production
Claire Taylor and Thea Pitman
12 Mobile Media Practices, Presence and Politics
The Challenge of Being Seamlessly Mobile
Edited by Kathleen M. Cumiskey and Larissa Hjorth
13 The Public Space of Social Media
Connected Cultures of the Network Society
Thrse F. Tierney
14 Researching Virtual Worlds
Methodologies for Studying Emergent Practices
Edited by Ursula Plesner & Louise Phillips
15 Digital Gaming Re-imagines the Middle Ages
Edited by Daniel T. Kline
16 Social Media, Social Genres
Making Sense of the Ordinary
Stine Lomborg
17 The Culture of Digital Fighting Games
Performances and Practice
Todd Harper
18 Cyberactivism on the Participatory Web
Edited by Martha McCaughey
19 Policy and Marketing Strategies for Digital Media
Edited by Yu-li Liu and Robert G. Picard
20 Place and Politics in Latin American Digital Culture
Location and Latin American Net Art
Claire Taylor
21 Online Games, Social Narratives
Esther MacCallum-Stewart
22 Locative Media
Edited by Rowan Wilken and Gerard Goggin
23 Online Evaluation of Creativity and the Arts
Edited by Hiesun Cecilia Suhr
24 Theories of the Mobile Internet
Materialities and Imaginaries
Edited by Andrew Herman, Jan Hadlaw, and Thom Swiss
25 The Ubiquitous Internet
User and Industry Perspectives
Edited by Anja Bechmann and Stine Lomborg
26 The Promiscuity of Network Culture
Queer Theory and Digital Media
Robert Payne
27 Global Media, Biopolitics, and Affect
Politicizing Bodily Vulnerability
Britta Timm Knudsen and Carsten Stage
28 Digital Audiobooks
New Media, Users, and Experiences
Iben Have and Birgitte Stougaard Pedersen
29 Locating Emerging Media
Edited by Germaine R. Halegoua and Ben Aslinger
30 Girls Feminist Blogging in a Postfeminist Age
Jessalynn Keller
31 Indigenous People and Mobile Technologies
Edited by Laurel Evelyn Dyson, Stephen Grant, and Max Hendriks
32 Citizen Participation and Political Communication in a Digital World
Edited by Alex Frame and Gilles Brachotte
33 Feminism, Labour and Digital Media
The Digital Housewife
Kylie Jarrett
34 The Politics of Ephemeral Digital Media
Permanence and Obsolescence in Paratexts
Edited by Sara Pesce and Paolo Noto
First published 2016
by Routledge
711 Third Avenue, New York, NY 10017
and by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
Routledge is an imprint of the Taylor & Francis Group, an informa business
2016 Taylor & Francis
The right of the editors to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
Library of Congress Cataloging-in-Publication Data
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