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Nigel Thrift - Killer Cities

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Killer Cities Theory Culture Society Theory Culture Society ii ii - photo 1
Killer Cities
Theory, Culture & Society
Theory, Culture & Society
ii
ii
Theory, Culture & Society
Theory, Culture & Society caters for the resurgence of interest in culture within contemporary social science and the humanities. Building on the heritage of classical social theory, the book series examines ways in which this tradition has been reshaped by a new generation of theorists. It also publishes theoretically informed analyses of everyday life, popular culture, and new intellectual movements.
EDITOR: Mike Featherstone, Goldsmiths, University of London
Series Editorial Board
David Beer, University of York
Nicholas Gane, University of Warwick
Scott Lash, University of Oxford
The Theory, Culture & Society book series, the journals Theory, Culture & Society and Body & Society, the TCS website and related conferences, workshops, and other activities now operate from Goldsmiths, University of London. For further details please contact:
e-mail: tcs@sagepub.co.uk
web: http://tcs.sagepub.com/
Recent volumes include:
    • From Being to Living: a Euro-Chinese Lexicon of Thought
    • Michael Richardson & Krzysztof Fijalkowski
    • After Capital
    • Couze Venn
    • Understanding the Chinese City
    • Li Shiqiao
    • French Post-War Social Theory
    • Derek Robbins
    • The Body and Social Theory, Third Edition
    • Chris Shilling
    • The Tourist Gaze 3.0
    • John Urry and Jonas Larsen
    • Consumer Culture and Postmodernism, Second Edition
    • Mike Featherstone
    • The Body and Society, Third Edition
    • Bryan S. Turner
    • Formations of Class & Gender
    • Beverley Skeggs
    • The Consumer Society, Revised Edition
    • Jean Baudrillard
Killer Cities
  • Nigel Thrift
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  • Los Angeles
  • London
  • New Delhi
  • Singapore
  • Washington DC
  • Melbourne
SAGE Publications Ltd 1 Olivers Yard 55 City Road London EC1Y 1SP SAGE - photo 3
SAGE Publications Ltd
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Editor: Natalie Aguilera
Assistant editor: Eve Williams
Production editor: Katherine Haw
Proofreader: Camille Bramall
Indexer: Charmian Parkin
Marketing manager: George Kimble
Cover design: Wendy Scott
Typeset by: KnowledgeWorks Global Ltd.
Printed in the UK
At SAGE we take sustainability seriously. Most of our products are printed in the UK using FSC papers and boards. When we print overseas we ensure sustainable papers are used as measured by the PREPS grading system. We undertake an annual audit to monitor our sustainability.
Nigel Thrift 2021
First published 2021
Apart from any fair dealing for the purposes of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act, 1988, this publication may not be reproduced, stored or transmitted in any form, or by any means, without the prior permission in writing of the publisher, or in the case of reprographic reproduction, in accordance with the terms of licences issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside those terms should be sent to the publisher.
Library of Congress Control Number: 2020940187
British Library Cataloguing in Publication data
A catalogue record for this book is available from the British Library
ISBN 978-1-5297-5182-6
ISBN 978-1-5297-5183-3 (pbk)
For Fagan
  • The glacier knocks in the cupboard,
  • The desert sighs in the bed,
  • And the crack in the tea-cup opens
  • A lane to the land of the dead.
W.H. Auden (1937) As I Walked Out One Evening'
About the Author
Nigel Thriftis the Chair of the UK Committee on Radioactive Waste Management as well as a Visiting Professor at Oxford University and Tsinghua University and an Emeritus Professor at the University of Bristol. He was the Executive Director of Schwarzman Scholars. Before he held that position, he was the Vice-Chancellor of the University of Warwick and before that a Pro-Vice-Chancellor of the University of Oxford. He has also held positions at Bristol University, ANU, Leeds University and Cambridge University as well as visiting positions at NUS, the University of Vienna, Macquarie University, and Institutes of Advanced Study in Sweden and the Netherlands. His research spans a broad range of interests, including international finance; cities and political life; non-representational theory and performance; affective politics; repair and maintenance; digital life; and the history of timekeeping.
Preface and Acknowledgements
Cities are often considered to be one of the high points of human civilization. I am not so sure. It might be better to think of them as an amalgam, containing both hope and despair. Rather like Mir, who chose two very different works of art, Velsquez's Las Meninas and Goya's Dog, as the works he most admired in the Prado, so we might argue that cities currently contain spaces glowing with an easy power and privilege, like Las Meninas, mixed with spaces which seem to announce both a premonition of doom and a final burst of defiance, so brilliantly marked out by Goya as a dog facing the imminent prospect of inundation by forces unknown1. But neither depiction, however extraordinary it may be, inspires much confidence in our collective future. So we have to find another way. No wonder that Picasso wanted to refigure Las Meninas2. Heaven knows what he would have done with Goya's dog: perhaps it is there somewhere in the sufferings of the horse in Guernica.
Cities are often depicted as the safe havens of human civilization, as the places where the best outweighs the worst. They are certainly where much that can be counted as positive about the human endeavour has flourished. But against that record of success needs to be set a rather different reckoning. Cities have also been the scenes of the most extraordinary levels of violence and barbarity. Not surprisingly, given the different ways in which statistics on violence are gathered, it is not possible to give any kind of exact accounting. But the evidence is there in the historical record, however approximate it might sometimes be. Furthermore, as societies have become more urbanized, so more and more violence has tended to occur within city bounds rather than without.
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