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Annette Wannamaker - Global Perspectives on Tarzan: From King of the Jungle to International Icon

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This collection seeks to understand the long-lasting and global appeal of Tarzan: Why is a story about a feral boy, who is raised by apes in the African jungle, so compelling and so adaptable to different cultural contexts and audiences? How is it that the same narrative serves as the basis for both childrens cartoons and lavish musical productions or as a vehicle for both nationalistic discourse and for light romantic fantasy? Considering a history of criticism that highlights the imperialistic, sexist, racist underpinnings of the original Tarzan narrative, why would this character and story appeal to so many readers and viewers around the world? The essays in this volume, written by scholars living and working in Australia, Canada, Israel, The Netherlands, Germany, France and the United States explore these questions using various critical lenses. Chapters include discussions of Tarzan novels, comics, television shows, toys, films, and performances produced or distributed in the U.S., Canada, Israel, Palestine, Britain, India, The Netherlands, Germany and France and consider such topics as imperialism, national identities, language acquisition, adaptation, gender constructions, Tarzans influence on child readers and Tarzans continued and broad influence on cultures around the world. What emerges, when these pieces are placed into dialogue with one another, is an immensely complex picture of an enduring, multi-faceted global pop culture icon.

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Global Perspectives on Tarzan Routledge Research in Cultural and Media Studies - photo 1
Global Perspectives on Tarzan
Routledge Research in Cultural and Media Studies
For a full list of titles in this series, please visit www.routledge.com
The New Communications Landscape
Demystifying Media Globalization
Edited by Georgette Wang, Jan Servaes, and Anura Goonasekera
Media and Migration
Constructions of Mobility and Difference
Edited by Russel King and Nancy Wood
Media Reform
Democratizing the Media, Democratizing the State
Edited by Monroe E. Price, Beata Rozumilowicz, and Stefaan G. Verhulst
Political Communication in a New Era
Edited by Gadi Wolfsfeld and Philippe Maarek
Writers Houses and the Making of Memory
Edited by Harald Hendrix
Autism and Representation
Edited by Mark Osteen
American Icons
The Genesis of a National Visual Language
Benedikt Feldges
The Practice of Public Art
Edited by Cameron Cartiere and Shelly Willis
Film and Television After DVD
Edited by James Bennett and Tom Brown
The Places and Spaces of Fashion, 18002007
Edited by John Potvin
Communicating in the Third Space
Edited by Karin Ikas and Gerhard Wagner
Deconstruction After 9/11
Martin McQuillan
The Contemporary Comic Book Superhero
Edited by Angela Ndalianis
Mobile Technologies
From Telecommunications to Media
Edited by Gerard Goggin and Larissa Hjorth
Dynamics and Performativity of Imagination
The Image between the Visible and the Invisible
Edited by Bernd Huppauf and Christoph Wulf
Cities, Citizens, and Technologies
Urban Life and Postmodernity
Paula Geyh
Trauma and Media
Theories, Histories, and Images
Allen Meek
Letters, Postcards, Email
Technologies of Presence
Esther Milne
International Journalism and Democracy
Civic Engagement Models from Around the World
Edited by Angela Romano
Aesthetic Practices and Politics in Media, Music, and Art
Performing Migration
Edited by Roco G. Davis, Dorothea Fischer-Hornung, and Johanna C. Kardux
Violence, Visual Culture, and the Black Male Body
Cassandra Jackson
Cognitive Poetics and Cultural Memory
Russian Literary Mnemonics
Mikhail Gronas
Landscapes of Holocaust Postmemory
Brett Ashley Kaplan
Emotion, Genre, and Justice in Film and Television
E. Deidre Pribram
Audiobooks, Literature, and Sound Studies
Matthew Rubery
The Adaptation Industry
The Cultural Economy of Literary Adaptation
Simone Murray
Branding Post-Communist Nations
Marketizing National Identities in the New Europe
Edited by Nadia Kaneva
Science Fiction Film, Television, and Adaptation
Across the Screens
Edited by J. P. Telotte and Gerald Duchovnay
Art Platforms and Cultural Production on the Internet
Olga Goriunova
Queer Representation, Visibility, and Race in American Film and Television
Melanie E. S. Kohnen
Artificial Culture
Identity, Technology, and Bodies
Tama Leaver
Global Perspectives on Tarzan
From King of the Jungle to International Icon
Edited by Annette Wannamaker and Michelle Ann Abate
First published 2012
by Routledge
711 Third Avenue, New York, NY 10017
Simultaneously published in the UK
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
Routledge is an imprint of the Taylor & Francis Group, an informa business
2012 Taylor & Francis
The right of the editor to be identified as the author of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
Library of Congress Cataloging-in-Publication Data
Global perspectives on Tarzan : from king of the jungle to international icon / edited by Annette Wannamaker and Michelle Ann Abate.
p. cm. -- (Routledge research in cultural and media studies; 38)
Includes bibliographical references and index.
1. Burroughs, Edgar Rice, 18751950CharactersTarzan.
2. Tarzan (Fictitious character) I. Wannamaker, Annette, 1964.
II. Abate, Michelle Ann, 1975
PS3503.U687Z676 2011
813.52dc23
2011041276
ISBN13: 978-0-415-89724-2 (hbk)
ISBN13: 978-0-203-12501-4 (ebk)
Typeset in Sabon
by IBT Global.
Contents

MICHELLE ANN ABATE AND ANNETTE WANNAMAKER
PART I
Tarzan as U.S. Cultural Export
MICHELLE ANN ABATE
ANNETTE WANNAMAKER
KEN CERNIGLIA
PART II
Global Contexts
JON C. STOTT
RICHARD IVAN JOBS
RONIE PARCIACK
ALON RAAB AND ELI ESHED
PART III
Global Issues
CLARE MULCAHY
MICHELLE J. SMITH
AARON CLAYTON
Acknowledgments
In one of the most memorable opening paragraphs of twentieth-century literature, Edgar Rice Burroughs begins Tarzan of the Apes with the lines: I had this story from one who had no business to tell it to me, or to any other. I may credit the seductive influence of an old vintage upon the narrator for the beginning of it, and my own skeptical incredulity during the days that followed for the balance of the strange tale.
It seems only appropriate, then, that we begin this volume by thanking the many colleagues, friends and family members whose seductive influence shaped us, along with these pages. Both of us would like to extend our appreciation to Bill Hillman for his expert assistance tracking down images of Tarzan books and films from around the globe. We are also grateful to Richard Ivan Jobs and Duke University Press for permission to reprint the chapter Tarzan under Attack: Youth, Comics and Cultural Reconstruction in Postwar France, which originally appeared in French Historical Studies 26.4 (Fall 2003): 687725. Similarly, we owe a great deal of thanks to our editors at RoutledgeErica Wetter and then Felisa Salvago-Keyesfor their support and encouragement. We are similarly indebted to the three outside readersAlex Vernon, Jason Haslam and Stanley Gallowayfor their many insightful suggestions. We would also like to thank our contributors for their hard work, dedication and for sharing their wonderful research.
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