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Nick Hornby - The Complete Polysyllabic Spree

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The Complete Polysyllabic Spree: summary, description and annotation

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The Complete Polysyllabic Spree is Nick Hornbys wickedly funny journey through reading. This is not a book of reviews. This not a book that sneers at other books. This is a book about reading - about enjoying books wherever and however you find them. Nick Hornby, author of the bestsellers About a Boy and Fever Pitch - takes us on a hilarious and perceptive tour through the books he bought, the books he read and his thoughts on literature. He is first and foremost a reader and he approaches books like the rest of us: hoping to pick up one he cant put down. The Complete Polysyllabic Spree is a diary of sorts, charting his reading life over two years. It is a celebration of why we read - its pleasures, its disappointments and its surprises. And above all, it is for you - the ever hopeful reader. For fans of Bill Bryson and Stephen Fry, and for bookworms everywhere, this witty, passionate book will make you cherish the world of letters anew. An engaged and engaging ramble around one readers mind. (The Times). Not only does it make you want to read more but, like all great books, its also terrific company. (Metro). For anyone whose idea of a good time is arguing with friends about their favourite books...amusing and contagiously enthusiastic. (Big Issue). Nick Hornby has captivated readers and achieved widespread critical acclaim for his comic, well-observed novels About a Boy, High Fidelity, How to be Good, A Long Way Down (shortlisted for the Whitbread Award), Slam and Juliet, and Naked. His two additional works of non-fiction, 31 Songs (shortlisted for the National Book Critics Circle Award) and Fever Pitch (winner of the William Hill Sports Book of the Year Award) are also available from Penguin.

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PENGUIN BOOKS

THE COMPLETE POLYSYLLABIC SPREE

A wonderful book lucid, funny, sharp, truthful, cheeky, erudite, surprise-crammed, and emanating a delicious tang of sophisticated amusement Lloyd Evans, Spectator

Delightful shot through with Hornbys dry humour and he is engagingly enthusiastic Mail on Sunday

ABOUT THE AUTHOR

Nick Hornby is the bestselling author of High Fidelity, About a Boy, How to Be Good and A Long Way Down (shortlisted for the 2005 Whitbread Novel of the Year Award), as well as the non-fiction Fever Pitch and 31 Songs. He is the recipient of the E. M. Forster Award, the W. H. Smith Award for Fiction and the Writers Writer Award at the Orange International Writers Festival. He lives in Highbury, North London.

THE COMPLETE
POLYSYLLABIC
SPREE

BY

NICK HORNBY

Picture 1

PENGUIN BOOKS

PENGUIN BOOKS

Published by the Penguin Group
Penguin Books Ltd, 80 Strand, London WC2R 0RL, England
Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3
(a division of Pearson Penguin Canada Inc.)
Penguin Ireland, 25 St Stephens Green, Dublin 2, Ireland (a division of Penguin Books Ltd)
Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia
(a division of Pearson Australia Group Pty Ltd) Penguin Books India Pvt Ltd,
11 Community Centre, Panchsheel Park, New Delhi 110 017, India
Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand
(a division of Pearson New Zealand Ltd)
Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank,
Johannesburg 2196, South Africa

Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England

www.penguin.com

First published by Viking 2006
Published in Penguin Books 2007
1

Copyright Nick Hornby, 2006
All rights reserved

The acknowledgements on p. 274 constitute an extension of this copyright page

The moral right of the author has been asserted

OPEN MARKET EDITION

EISBN: 9780141902739

For my wife

TABLE OF CONTENTS


Stocking up in Hay-on-Wye; polishing off an authors oeuvre in a week; a new thriller from the brother-in-law.


Bad football grammar; John McEnroe as Holden Caulfield; the Dickens-standard for the appropriate length of a literary biography.


Football season cripples the pace; the Larry DavidRichard Yates connection; plot-busting blurbs; literary hoaxaphilia.


Rescinding and refunding a previous recommendation; the impossibility of reading a Victorian novel in Los Angeles; a balanced fictional diet.


Charlotte Moore is frank about the hardships of raising autistic children, but shes still managed to write the funniest book of the year.


An edible poem; mandarin writers vs. vernacular ones; the futility of moving the pram from the hall.


Reconciling the holidays with a new agenda; reading vouchers; the Cultural Fantasy Boxing League.


The distaste of ones own cooking (and writing); Amazon reviewers; a non-fictional gangland less fun but more entertaining than the real one.


Following through on the Dickens promise; a retort to spareness; computer-animated classics; weedy young women.


This passage from Dickenss Hamlet extends well beyond its plot-function in order to hear more from a guy who shouts Goroo! a lot.


The benefits of peeking into tortured lives; bad literature parties vs. rocking gangster parties; contraception.


Heres a modern poem by Tony Hoagland which wont make you swear.


Reading begets reading in strange and unscientific ways; comics clash with classics; lascivious emails.


The good pop novel; suicidal authors of abstract works; vulgar narrative tendencies.


An unnamed literary novel; an unnamed literary biography; blockbusters; finger-steepling and sharks (in the same book!).


Sex with cousins; instant classics; the impossibility of reading it all.


Looking to fly from Dickens to Martin Amis with just one overnight stop? Patrick Hamilton is your man.


The insane capriciousness of the average critic; the well-stocked bookshelf finally pays off; when innovations stop looking like mistakes.


Useful advice and tough love from A. Chekhov.


The mystique (and apocalyptic imagination) of Bob Dylan; making a point about Philip Roth.

On not walking into a lamp-post but nevertheless enjoying a thriller; having a walk-on part in a friends book; and hanging out with the very old and the very young.


The author gets a history lesson from Sarah Vowell in Gramercy Park.


No more novels about literature please; the pleasures of spotting where you used to live in a novel; plaudits but no foreign sales for John Harris.


Different national tastes in bird books; true crime then (Capote) and now (Gourevitch); two books which really have the mucus.


Coming to terms with my limitations: I dont understand SF; my discovery of Adrian Mole; music as torture; this months Book by a Friend.


Are Martin Amis and Marilynne Robinson modern classics? My sister produces the greatest book ever written; reading for work; Walter Mosley disproves my theory about series and stand-alones.


Losing my appetite for books; the best bookshops in the world; the profound effect of literature on a life.


Vince helps out a call-girl, and has an interesting philosophical debate about blow-jobs with her client, in this terrific opening scene from Jess Walters novel.


Not recognizing much in Candide; reading about American lives.


Anthony Burgess proves right and wrong about Michael Frayn; the book of the film is a surprise; a bad recommendation from a friend.


Foul-mouthed Philip Larkin; is Robert Penn Warren better than the Odyssey? My new bible.


I might only read books about animals from now on; writing books for others; rereading William Cooper.


Jennie Erdal learns she has to write a love story, very requited and very sexy.


The definitive book on vile, abusive, misogynistic behaviour; three great recommendations from John Betjeman; The Office meets Kafka in a new novel.


Joshua Ferris manages to convey the mundaneness and the mystery of office life and make it funny too.


The convectional-rainfall theory of book-reading; walking on the moon and making a mess of the Earth; all thats good about graphic novels; can a book which misquotes the Bible be any good?


In her blocks of black-and-white graphics Marjane Satrapi shows the true colour of life in Iran.


Swapping books on tour; making narrative coherence out of awful accident; feeling smart when reading Freakonomics but whats it about?

INTRODUCTION

I began writing this column in the summer of 2003. I had just had the reading experience described at the beginning of this book, and it seemed to me that what I had chosen to read in those few weeks contained a narrative, of sorts that one book led to another, and thus themes and patterns emerged, patterns that might be worth looking at. And, of course, that was pretty much the last time my reading had any kind of logic or shape to it. Ever since then my choice of books has been haphazard, whimsical and entirely shapeless.

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