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New York Public Library - Handbook of the New York Public Library

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.** [C:UsersMicrosoftDocumentsCalibre Library]

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The Project Gutenberg EBook of Handbook of The New York Public Library, by
New York Public Library
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
Title: Handbook of The New York Public Library
Author: New York Public Library
Release Date: January 31, 2009 [EBook #27954]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK HANDBOOK--NEW YORK PUBLIC LIBRARY ***
Produced by Carla Foust, and The Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive/American Libraries.)
Transcriber's note

Minor punctuation errors have been changed without notice. In this version on pages are diagrams of floor plans. Clicking on these images will show you larger versions.

CENTRAL BUILDING THE NEW YORK PUBLIC LIBRARY HANDBOOK of THE NEW YORK PUBLIC - photo 1 CENTRAL BUILDING
THE NEW YORK PUBLIC LIBRARY
HANDBOOK
of
THE NEW YORK PUBLIC
LIBRARY

1916


Copyright, 1916, by
The New York Public Library


CONTENTS
The Central Building:PAGE
Exterior
Sculpture
The rear of the Building

FIRST FLOOR

Entrances
Elevators
Exhibition Room
Current Periodicals Room
Business Offices
Technology Division
Patents Room
The Library for the Blind

SECOND FLOOR

Oriental Division
Jewish Division
Slavonic Division
Science Division
Economics Division
Business Offices

THIRD FLOOR

Public Catalogue Room
Information Desk
Application for Books
The Main Reading Room
The Library's Books
Use of Books
Stack
Genealogy Room
American History Division
Reserve Books
Prints Room
Art and Architecture
Map Room
Stuart Gallery
General Gallery
Prints Gallery
Manuscript Division
Music Division

BASEMENT

Newspaper Room
Central Circulation Branch
Children's Room
Library School
Public Telephones
Business Offices
Travelling Libraries Office
Circulation Department (branches):
Circulation of Books
Special Collections
Interbranch Loan
Reading Rooms
Library for the Blind
Travelling Libraries
Work with Children
Lectures and Meetings
Historical Sketch of the Library:
The Astor Library
The Lenox Library
The Tilden Trust
Consolidation
New York Free Circulating Library
Other Circulating Libraries
Carnegie Branches
Management
Benefactors
Work of the Library

Floor Plans, Central Building
Trustees and Officers of the Library
Directory of Branch Libraries
Publications of the Library
The Croton Reservoir

NOTE

Although the purpose of this Handbook is to tell the principal facts about the Library as an institution, its chief use is likely to be that of a guide to the Central Building. The section about the Central Building is therefore given first place. Any visitor who cares to take the trouble, before beginning his tour of the Building, to read the brief historical sketch (on pages ) will have a better understanding of the organization and work of the Library, and see the reasons for a number of things which might not otherwise be clear.


THE CENTRAL BUILDING

Open: Week days, including holidays, 9 A.M. to 10 P.M. Sundays, 1 P.M. to 10 P.M.

(Except where otherwise noted these are the hours of the special reading rooms.)


THE CENTRAL BUILDING

The Central Building of The New York Public Library is on the western side of Fifth Avenue, occupying the two blocks between 40th and 42nd Streets. It stands on part of the site of the old Croton distributing reservoir, and it was built by the City of New York at a cost of about nine million dollars.

Competitions to choose the architect for the building were held in 1897, two years after The New York Public Library was incorporated. The result of the competition was the selection of Messrs. Carrre and Hastings, of New York, as architects. In 1899 the work of removing the old reservoir began. Various legal difficulties and labor troubles delayed beginning the construction of the building, but by November 10, 1902, the work had progressed so far that the cornerstone was laid. The building was opened to the public May 23, 1911, in the presence of the President of the United States, the Governor of the State of New York, the Mayor of New York, and an audience of about six hundred persons.

Exterior. The material of the building is largely Vermont marble, and the style that of the modern Renaissance, somewhat in the manner of the period of Louis XVI, with certain modifications to suit the conditions of to-day. It is rectangular in shape, 390 feet long and 270 feet deep, built around two inner courts. It has a cellar, basement or ground floor, and three upper floors.

MAIN ENTRANCE The Library wrote Mr A C David in the Architectural - photo 2 MAIN ENTRANCE

"The Library," wrote Mr. A. C. David, in the Architectural Record[1], "is undeniably popular. It has already taken its place in the public mind as a building of which every New Yorker may be proud, and this opinion of the building is shared by the architectural profession of the country. Of course, it does not please everybody; but if American architects in good standing were asked to name the one building which embodied most of what was good in contemporary American architecture, The New York Public Library would be the choice of a handsome majority."

Mr. David continued: "The Library is not, then, intended to be a great monumental building, which would look almost as well from one point of view as another, and which would be fundamentally an example of pure architectural form. It is designed rather to face on the avenue of a city, and not to seem out of place on such a site. It is essentially and frankly an instance of street architecture; and as an instance of street architecture it is distinguished in its appearance rather than imposing. Not, indeed, that it is lacking in dignity. The faade on Fifth Avenue has poise, as well as distinction; character, as well as good manners. But still it does not insist upon its own peculiar importance, as every monumental building must do. It is content with a somewhat humbler rle, but one which is probably more appropriate. It looks ingratiating rather than imposing, and that is probably one reason for its popularity. It is intended for popular rather than for official use, and the building issues to the people an invitation to enter rather than a command....

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