Diana Wynne Jones - Fire and Hemlock

CODA

scherzando

PART ONE

NEW HERO

allegro vivace

PART THREE

WHERE NOW?

allegro confuoco

Fire and Hemlock

Diana Wynne Jones

BY THE SAME AUTHOR

Archer's Goon

Witch Week

The Time of the Ghost

The Homeward Bounders

The Magicians of Caprona

The Spellcoats

Charmed Life

Drowned Ammet

Power of Three

Dogsbody

Cart and Cwidder

Eight Days of Luke The Ogre Downstairs Wilkins' Tooth

Copyright 1985 by Diana Wynne Jones.

All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without permission in writing from the publisher, Greenwillow Books, a division of William Morrow & Company, Inc., 105 Madison Avenue, New York, N.Y. 10016.

Printed in the United States of America First Edition Library of Congress Cataloging in Publication Data Jones, Diana Wynne. Fire and hemlock

Summary: At nineteen, Polly has two sets of sometimes overlapping, sometimes conflicting memories, the real-life ones ol school days and her parents' divorce, and the heroic adventure ones that began the day she accidentally gate-crashed a funeral and met the cellist Thomas Lynn.

[1. Fantasy] I. Title.

PZ7.J684Fi 1984 | Fic] 84-4084

ISBN 0-688-03942-1

TO LAURA

A dead sleep came over me

And from my horse I fell

T A M L I N

Polly sighed and laid her book face down on her bed. She rather thought she had read it after all, some time ago. Before she swung her feet across to get on with her packing, she looked up at the picture above the bed. She sighed again. There had been a time, some years back, when she had gazed at that picture and thought it marvelous. Dark figures had seemed to materialize out of its dark centerstrong, running dark figuresalways at least four of them, racing to beat out the flames in the foreground. There had been times when you could see the figures quite clearly. Other times, they had been shrouded in the rising smoke. There had even been a horse in it sometimes. Not now.

Here, now, she could see it was simply a large color photograph, three feet by two feet, taken at dusk, of some hay bales burning in a field. The fire must have been spreading, since there was smoke in the air, and more smoke enveloping the high hemlock plant in the front, but there were no people in it. The shapes she used to take for people were only too clearly dark clumps of the dark hedge behind the blaze. The only person in that field must have been the photographer. Polly had to admit that he had been both clever and lucky. It was a haunting picture. It was called Fire and Hemlock . She sighed again as she swung her feet to the floor. The penalty of being grown up was that you saw things like this photograph as they really were. And Granny would be in any minute to point out that Mr. Perks and Fiona were not going to wait while she did her

packing tomorrow morningand Granny would have things to say about feet on the bedspread. Polly just wished she felt happier at the thought of another year of college.

Her hand knocked the book. Polly did not get up after all. And books put down on their faces, spoiling them, Granny would say. It's only a paperback, Granny. It was called Times out of Mind , editor L. Perry, and it was a collection of supernatural stories. Polly had been attracted to it a couple of years back, largely because the picture on the cover was not unlike the Fire and Hemlock photographdusky smoke, with a dark blue umbrella-like plant against the smoke. And, now Polly remembered, she had read the stories through then, and none of them were much good. Yethere was an odd thing. She could have sworn the book had been called something different when she first bought it. And, surely, hadn't one of the stories actually been called "Fire and Hemlock" too?

Polly picked the book up, with her finger in it to keep the place in the story she was reading. "Two-timer," it was called, and it was about someone who went back in time to his own childhood and changed things, so that his life ran differently the second time. She remembered the ending now. The man finished by having two sets of memories, and the story wasn't worked out at all well. Polly did not worry when she lost her place in it as she leafed through looking for the one she thought had been called "Fire and Hemlock." Odd. It wasn't there. Had she dreamed it, then? She did often dream the most likely-seeming things. Odder still. Half the stories she thought she remembered reading in this book were not thereand yet she did, very clearly, remember reading all the stories which seemed to be in the book now. For a moment she almost felt like the man in "Two-timer," with his double set of memories. What a madly detailed dream she must have had. Polly found her place in the story again, largely because the pages were spread apart there, and stopped in the act of putting the book face down on her rumpled bedspread.

Was it Granny who minded you putting books down like this? Granny didn't read much anyway.

"And why should I feel so worried about it?" Polly asked aloud. "And where's my other photothe one I stole?"

A frantic sense of loss came upon her, so strong that for a moment she could have cried. Why should she suddenly have memories that did not seem to correspond with the facts?

"Suppose they were once facts," Polly said to herself, with her hand still resting on the book. Ever since she was a small girl, she had liked supposing things. And the habit died hard, even at the age of nineteen. "Suppose," she said, "I really am like the man in the story, and something happened to change my past."

It was intended simply as a soothing daydream, to bury the strange, pointless worry that seemed to be growing in her. But suddenly, out of it leaped a white flash of conviction. It was just like the way those fouror morefigures used to leap into being behind the fire in that photograph. Polly glanced up at it, almost expecting to see them again. There were only men-shaped clumps of hedge. The flash of conviction had gone too. But it left Polly with a dreary, nagging suspicion in its place: that something had been different in the past, and if it had, it was because of something dreadful she had done herself.

But there seemed no way to discover what was different. Polly's past seemed a smooth string of normal, half-forgotten things: school and home, happiness and miseries, fun and friends, and, for some reason, a memory of eating toasted buns for tea, dripping butter. Apart from this odd memory about the book, there seemed no foothold for anything unusual.

"If nothing happened, then there's nothing to remember," she told herself, trying to sound philosophical. "Of course there's nowhere to start." For some reason, that appalled her. She crouched, with her hand growing damp on the book, forgetting her grimy shoes tangling in the bedspread and the suitcases open on the floor, staring into her appallingly normal memories: a Cotswold town, London, a shopping precinct somewhere, a horse"That's absurd. I don't know any horses!" she said. "It's no good. I'll have to go back to the time before it all started, or didn't start, and get in from that end." That was when she was how old? Ten? What was she doing then? What friends had she?

Friends. That did it. From nine years ago came swimming the shape of Polly's once-dear friend Nina. Fat, silly Nina. Granny used to call Nina a ripe banana. And Polly was so attached to Nina that Granny had agreed to have Nina along with Polly, that first time Polly came to stay with Granny. That would be back around the time there was first a question of divorce between Polly's parents. Back too to when Polly's favorite reading was a fat book called Heroes that had once been Granny's.