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Gary Provost - How to Write & Sell True Crime

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Gary Provost How to Write & Sell True Crime
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It all starts with a newspaper article depiciting an unthinkable crime in a local community. From these headlines, a skilled writer can weave a full-length book - developing the characters, determining the motives, reporting on the judgment. That writer could be you.

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How to Write & Sell True Crime

By Gary Provost

Digital Edition published by Crossroad Press Copyright 2013 by the Estate of - photo 1

Digital Edition published by Crossroad Press

Copyright 2013 by the Estate of Gary Provost

Represented by: Gail Provost Stockwell

Copy-edited by: Anita Lorene Smith

LICENSE NOTES

This eBook is licensed for your personal enjoyment only. This eBook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each person you share it with. If youre reading this book and did not purchase it, or it was not purchased for your use only, then you should return to the vendor of your choice and purchase your own copy. Thank you for respecting the hard work of this author.

Meet the Author

G ary Provost is the author of eighteen fiction and nonfiction books, including Fatal Dosage: The True Story of a Nurse on Trial for Murder ; Without Mercy: A True Story of Obsession and Murder Under the Influence ; and Make Your Words Work . He has written thousands of stories, articles and columns for national, regional and local publications; humorous columns for more than 100 newspapers; and celebrity profiles for a dozen magazines. He is a popular speaker around the country and also conducts several writing seminars and workshops a year. He lives in Massachusetts.

Book List

The Dorchester Gas Tank

Make Every Word Count

The Pork Chop War

The Freelance Writers Handbook

Share the Dream (as Marion Chase)

Good If It Goes (with Gail Levine-Freidus)

One Hundred Ways to Improve Your Writing

Popcorn (with Gail Levine-Provost)

Fatal Dosage

Finder (with Marilyn Greene)

Beyond Style

David and Max (with Gail Provost)

Across the Border

Without Mercy

Make Your Words Work

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FOR THEIR HELP AND SUPPORT I WANT TO THANK

JOHN BRADY

BRIAN DEFIORE

NAN DIBBLE

KEN ENGLADE

JEAN FREDETTE

RUSS GALEN

TODD HARRIS

JACK OLSEN

CHARLES SPICER

AND

LISA WAGER


In October of 1988 three of the keenest minds of our time concocted The Bristol Plan, in Bristol, Connecticut. The plan is nothing less than a cure for almost all of societys ills. Since its most discussed feature is a complete overhaul of the criminal justice system in America, I thought it appropriate to mention it here. Because of their wisdom, their compassion, and their unquenchable thirst for justice, this book is dedicated to

Frank Strunk and Keith Wilson


CONTENTS:

EDITORS NOTE:

This book was first published in 1991. Many of the references to editorial addresses and other resources may be dated, and should be checked for accuracy before use.

INTRODUCTION

A week before Christmas 1982, I got a phone call from Pat Piscitelli, an attorney in my home state of Massachusetts. He had gotten my name from a mutual friend. Piscitelli had been the lawyer for Anne Capute, a nurse who, in 1980, had been accused of deliberately overdosing a patient with morphine, and had been tried for first-degree murder. The case had gotten reams of local publicity and a fair amount of national notice, so attorney Piscitelli was confident that someone would publish a book about it. He wanted me to write that book.

At the time I was something less than the perfect person to write a true crime book. I had written books for children, books for writers, and a romance. I had also published about a thousand shorter piecesarticles, columns and stories. I had written about roller skating, glass painting, music making and igloo building, but not a word about criminals, police, courts, trials, lawyers, prisons, convicts, violence or bloodshed.

So I did the only sensible thingI agreed to write the book. I reasoned that nobody has experience at anything until he does it for the first time. And, more to the point, Ive always felt that a good writer can write well about anything that excites him. And I had gotten excited when Piscitelli told me about the Capute case. I saw that it had many of the elements of a compelling novel. There was a sympathetic central character in Anne, the lowly LPN who was being crucified by the hospital and the legal establishment. There was a knight in shining armor, in Piscitelli, the well-known lawyer who embraced the case even though Anne couldnt possibly pay his fee. There was formidable opposition in the cool and competent nursing supervisor who accused Anne; and in the cunning and ambitious district attorney who prosecuted her. There was domestic strife because Annes husband was less supportive than she would have liked, and Annes teenaged daughters were emotionally wounded in the crossfire of publicity about their mother, the murderer. There were side stories, like the friend who shot himself dead in Annes house during the trial while Annes daughter slept in another room. And there was a happy ending, because Anne was acquitted of the charges.

Okay, so I had never written a true crime before. It didnt matter. I recognized a good story when I saw one.

So I wrote the book, Fatal Dosage, and it was published by Bantam Books in 1985. Later, I sold the movie rights to a producer named Jack Farren, and in October 1988, I was able to gather with fifty friends and, for the first time, watch something Id written come to life on the screen. My book had become the CBS television movie, Fatal Judgment, starring Patty Duke and Tom Conti. Without any special training in true crime writing I had become a true crime writer.

I hadnt switched careers. And I hadnt abandoned the other kinds of writing that I love. Since Fatal Dosage I have written more childrens books, more books for writers, a sports book, and more magazine articles.

But I have also written three more true crime books, and Ill give you a quick rundown on them, as well as my current true crime project, now, because Ill be referring to them often in this book.

Finder: The True Story of a Private Investigator (with Marilyn Greene, Crown hardcover, 1988; Pocket Books softcover, 1990) is the true story of Marilyn Greene of Schenectady, New York, a private eye who specializes in missing persons cases. In fact, she is the nations leading finder of missing persons. I wrote this book about her career and her life in the first person, from Marilyns point of view. Ninety percent of my research for the book was interviews with Marilyn Greene.

Across the Border: The True Story of the Satanic Cult Killings in Matamoros, Mexico (Pocket Books softcover, 1989) begins with the disappearance of Mark Kilroy. Mark was a college student on spring break in Brownsville, Texas. He went to Matamoros, Mexico, across the border, where he was kidnapped, ritually murdered, and mutilated by a satanic drug cult led by Adolfo Constanzo. When Marks body was discovered, so were the bodies of twelve other victims. My book covers the investigation.

Without Mercy: The True Story of the First Woman From South Florida to Be Sentenced to the Electric Chair (Pocket, 1990) is the story of Dee Casteel. Dee, an alcoholic who was regarded by some as the nicest person you could ever want to meet, worked as a waitress at a south Florida pancake house. She helped arrange for the murder of the restaurants owner and his mother. For this, she and three men were sentenced to die in the electric chair.

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