Patricia Abbott is Artistic Director of CAMMAC (Canadian Amateur Musicians/Musiciens amateurs du Canada) and a lecturer in choral conducting at McGill University in Montreal, where she has worked as a conductor, singer, music educator and arts administrator for thirty years. For sixteen years, she served as Executive Director of the Association of Canadian Choral Communities (ACCC). Ms. Abbott has shared her passion for Canadian choral music, notably that of French Canada, in workshops, festivals, and conferences across Canada and the United States, as well as in Belgium, France, and Argentina.
Chester L. Alwes has an established reputation as a choral conductor, composer, editor, teacher, and author of A History of Western Choral Music . Dr. Alwes conducted choirs and taught graduate choral literature at the University of Illinois for nearly thirty years.
Mike Brewer OBE has a worldwide reputation as choral director and workshop clinician. Director of the National Youth Choirs of Great Britain since 1983, he is equally known as the author of a series of books for choral directors, including Kickstart Your Choir , Fine Tune Your Choir , and Warmups . His publications include arrangements for choirs (notably Hamba Lulu and Banuwa) and four volumes of Mike Brewers World Tour .
Simon Carrington professor emeritus of choral conducting at Yale University, has enjoyed a long and distinguished career in music, performing as singer, double bass player, and conductor. He was the co-founder and creative force for twenty-five years with the internationally acclaimed British vocal ensemble The Kings Singers . Carrington served as the director of choral activities at the University of Kansas and New England Conservatory in Boston before being appointed to Yale where he founded Yale Schola Cantorum and brought it to international prominence. He now maintains a busy schedule as a freelance conductor and choral clinician, leading workshops and masterclasses internationally.
Gene J. Cho is a professor of music at the University of North Texas and received his PhD from Northwestern University. His publications include The Replica of the Ark of the Covenant in Japan: The Mystery of Mi-fune-Shiro (2008), The Discovery of Musical Equal Temperament in China and Europe in the Sixteenth Century (2003), monographs, pedagogical manuals, and journal articles. His compositions and arrangements have been published and performed in the United States and overseas. He has been awarded honorary professorship appointments by Xinghai Conservatory, Yunnan Conservatory, Shandong Arts College, and Huanan University of Technology.
Rudolf de Beer is a South African conductor whose research is focused on choral music in sub-Saharan Africa. In addition to pursuing a career in conducting, he also arranges and composes choral music. He often receives international invitations to do presentations on African choral music. He received a masters degree from the University of Oslo, and completed a doctorate in choral conducting via a combined study at the Nelson Mandela Metropolitan University and the Norwegian State Academy of Music in Oslo.
Andr de Quadros as a conductor, scholar, music educator, and human rights activist, has conducted and undertaken research in over forty countries. He is a professor of music at Boston University, where he also holds positions in African studies, Asian studies, and Muslim studies. He is the conductor of the Manado State University Choir (Indonesia) and artistic director of Aswatuna, Arab Choral Initiative, editor of Music of Asia and the Pacific and Salamu Aleikum: Music of the Muslim World , and general editor of the Carmina Mundi series. www.andredequadros.com