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André de Quadros - The Cambridge Companion to Choral Music

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Choral music is now undoubtedly the foremost genre of participatory music making, with more people singing in choirs than ever before. Written by a team of leading international practitioners and scholars, this Companion addresses the history of choral music, its emergence and growth worldwide and its professional practice. The volume sets out a historical survey of the genre and follows with a kaleidoscopic birds eye view of choral music from all over the world. Chapters vividly portray the emergence and growth of choral music from its Quranic antecedents in West and Central Asia to the baroque churches of Latin America, representing its global diversity. Uniquely, the book includes a pedagogical section where several leading choral musicians write about the voice and the inner workings of a choir and give their professional insights into choral practice. This Companion will appeal to choral scholars, directors and performers alike.

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The Cambridge Companion to Choral Music Choral music is now undoubtedly the - photo 1
The Cambridge Companion to Choral Music

Choral music is now undoubtedly the foremost genre of participatory music making, with more people singing in choirs than ever before. Written by a team of leading international practitioners and scholars, this Companion addresses the history of choral music, its emergence and growth worldwide, and its professional practice. The volume sets out a historical survey of the genre, and follows with a kaleidoscopic birds-eye view of choral music from all over the world. Chapters vividly portray the emergence and growth of choral music from its Quranic antecedents in West and Central Asia to the baroque churches of Latin America, representing its global diversity. Uniquely, the book includes a pedagogical section where several leading choral musicians write about the voice and the inner workings of a choir, and provide their professional insights into choral practice. The Companion will appeal to choral scholars, directors, and performers alike.

ANDR DE QUADROS , as a conductor, scholar, music educator, and human rights activist, has conducted and undertaken research in over forty countries. He is a professor of music at Boston University, where he also holds positions in African studies, Asian studies, and Muslim studies. He is the conductor of the Manado State University Choir (Indonesia) and artistic director of Aswatuna, Arab Choral Initiative, editor of Music of Asia and the Pacific and Salamu Aleikum: Choral Music of the Muslim World , and general editor of the Carmina Mundi series.

Cambridge Companions to Music

For a list of titles published in the series, please see .

The Cambridge Companion to Choral Music
Edited by
Andr de Quadros
Boston University
CAMBRIDGE UNIVERSITY PRESS
Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, So Paulo, Delhi, Mexico City
Cambridge University Press
The Edinburgh Building, Cambridge CB2 8RU, UK
Published in the United States of America by Cambridge University Press, New York
www.cambridge.org
Information on this title: www.cambridge.org/9780521128957
Cambridge University Press 2012
This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.
First published 2012
Printed in the United Kingdom at the University Press, Cambridge
A catalogue record for this publication is available from the British Library
Library of Congress Cataloguing in Publication data
The Cambridge companion to choral music / edited by Andr de Quadros.
p. cm.
Includes bibliographical references and index.
ISBN 978-0-521-12895-7
1. Choral music. I. De Quadros, Andr.
ML1500.C36 2012
782.5dc23
2012013422
ISBN 978-0-521-11173-7 Hardback
ISBN 978-0-521-12895-7 Paperback
Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.
Contents
John Rutter
Andr de Quadros
Andrew Parrott
Chester L. Alwes
Nick Strimple
Paul Hillier
Leo Samama
Patricia Abbott and Victoria Meredith
Kathy Saltzman Romey and Matthew Mehaffey
Mara Guinand
Jing Ling-Tam and Gene J. Cho
Andr de Quadros
Aida Huseynova
Karen Grylls
Rudolf de Beer and Wilson Shitandi
Francisco J. Nez
Mary Goetze, Cornelia Fales, and Wolodymyr Smishkewych
Doreen Rao
Mike Brewer and Liz Garnett
Ann Howard Jones
Simon Carrington
Illustrations
Contributors
Patricia Abbott is Artistic Director of CAMMAC (Canadian Amateur Musicians/Musiciens amateurs du Canada) and a lecturer in choral conducting at McGill University in Montreal, where she has worked as a conductor, singer, music educator and arts administrator for thirty years. For sixteen years, she served as Executive Director of the Association of Canadian Choral Communities (ACCC). Ms. Abbott has shared her passion for Canadian choral music, notably that of French Canada, in workshops, festivals, and conferences across Canada and the United States, as well as in Belgium, France, and Argentina.
Chester L. Alwes has an established reputation as a choral conductor, composer, editor, teacher, and author of A History of Western Choral Music . Dr. Alwes conducted choirs and taught graduate choral literature at the University of Illinois for nearly thirty years.
Mike Brewer OBE has a worldwide reputation as choral director and workshop clinician. Director of the National Youth Choirs of Great Britain since 1983, he is equally known as the author of a series of books for choral directors, including Kickstart Your Choir , Fine Tune Your Choir , and Warmups . His publications include arrangements for choirs (notably Hamba Lulu and Banuwa) and four volumes of Mike Brewers World Tour .
Simon Carrington professor emeritus of choral conducting at Yale University, has enjoyed a long and distinguished career in music, performing as singer, double bass player, and conductor. He was the co-founder and creative force for twenty-five years with the internationally acclaimed British vocal ensemble The Kings Singers . Carrington served as the director of choral activities at the University of Kansas and New England Conservatory in Boston before being appointed to Yale where he founded Yale Schola Cantorum and brought it to international prominence. He now maintains a busy schedule as a freelance conductor and choral clinician, leading workshops and masterclasses internationally.
Gene J. Cho is a professor of music at the University of North Texas and received his PhD from Northwestern University. His publications include The Replica of the Ark of the Covenant in Japan: The Mystery of Mi-fune-Shiro (2008), The Discovery of Musical Equal Temperament in China and Europe in the Sixteenth Century (2003), monographs, pedagogical manuals, and journal articles. His compositions and arrangements have been published and performed in the United States and overseas. He has been awarded honorary professorship appointments by Xinghai Conservatory, Yunnan Conservatory, Shandong Arts College, and Huanan University of Technology.
Rudolf de Beer is a South African conductor whose research is focused on choral music in sub-Saharan Africa. In addition to pursuing a career in conducting, he also arranges and composes choral music. He often receives international invitations to do presentations on African choral music. He received a masters degree from the University of Oslo, and completed a doctorate in choral conducting via a combined study at the Nelson Mandela Metropolitan University and the Norwegian State Academy of Music in Oslo.
Andr de Quadros as a conductor, scholar, music educator, and human rights activist, has conducted and undertaken research in over forty countries. He is a professor of music at Boston University, where he also holds positions in African studies, Asian studies, and Muslim studies. He is the conductor of the Manado State University Choir (Indonesia) and artistic director of Aswatuna, Arab Choral Initiative, editor of Music of Asia and the Pacific and Salamu Aleikum: Music of the Muslim World , and general editor of the Carmina Mundi series. www.andredequadros.com
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