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Evelyn Davidson White - Choral music by African-American composers: a selected, annotated bibliography

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Choral music by African-American composers: a selected, annotated bibliography: summary, description and annotation

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Lists and describes approximately 1,600 published and unpublished choral works by more than 100 African-American composers and arrangers, 600 more works than the first edition. Many of these works, representing all styles from simple four-part settings to avant-garde pieces, have not been performed before because of the difficulty in locating them. Whites bibliography provides a useful tool for busy conductors wishing to perform music by African-American composers, and serves as an incentive to choral conductors to program little-known composers as well as unknown works by established musicians. Arrangement is by composer. Entries list number of pages; voicing and solo requirements; vocal ranges; degree of difficulty; a cappella or type of accompaniment; publishers; and catalog number. Also included are a title index; a listing of selected collections of Negro spirituals; biographical sketches of African-American composers and arrangers; and three appendixes: selected source readings, selected discography, and addresses of publishers and composers.

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title:Choral Music By African American Composers : A Selected, Annotated Bibliography
author:White, Evelyn Davidson.
publisher:Scarecrow Press
isbn10 | asin:081083037X
print isbn13:9780810830370
ebook isbn13:9780585047126
language:English
subjectChoral music--Bibliography, African Americans--Music--Bibliography.
publication date:1996
lcc:ML128.C48W5 1996eb
ddc:016.7825/089/96073
subject:Choral music--Bibliography, African Americans--Music--Bibliography.
Page i Choral Music by African American Composers A Selected Annotated - photo 1
Page i
Choral Music by
African American Composers
A Selected, Annotated
Bibliography
Second Edition
compiled by
Evelyn Davidson White
The Scarecrow Press Inc Lanham Md London Page ii - photo 2
The Scarecrow Press, Inc.
Lanham, Md., & London
Page ii
SCARECROW PRESS, INC.
Published in the United States of America
by Scarecrow Press, Inc.
4720 Boston Way
Lanhain, Maryland 20706
4 Pleydell Gardens, Folkestone
Kent CT20 2DN, England
Copyright 1996 by Evelyn Davidson White
British Cataloguing-in-Publication Information Available
Library of Congress Cataloging-in-Publication Data
White, Evelyn Davidson
Choral music by African American composers: a selected, annotated
bibliography /by Evelyn Davidson White. 2nd edition
p. cm
Includes discography and bibliographical references.
1. Choral music Bibliography. 2. African AmericansMusic
Bibliography. I. Title.
ML128.C48W5 1996Picture 3016.7825'089'96073dc20Picture 495-31914Picture 5CIP MN
ISBN 0-8108-3037-X (cloth : alk. paper)
Picture 6The paper used in this publication meets the minimum requirements of American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI Z39.48-1984. Manufactured in the United States of America.
Page iii
Dedicated to the memory of
my devoted husband,
James Patrick White; my loving parents,
Rev. William H. Davidson and Florence Gidney Davidson; and my loving sister,
Mary Davidson Robinson.
Page v
Contents
Acknowledgments
vii
Introduction
1
List of Composers and Arrangers
9
Key to Abbreviations and Symbols
11
Annotated List of Compositions
13
Title Index
121
Selected Collections of Negro Spirituals
151
Selected Discography
177
Additional References
198
Biographical Sketches
199
Appendixes:
Picture 7
A. Selected Bibliography
Picture 8
I. Books
213
Picture 9
II. Articles
216
Picture 10
III. Dissertations and Theses
220
Picture 11
B. Addresses of Music Publishers and Composers of Unpublished Works
222
About the Author
227

Page vii
Acknowledgments
Warner Lawson, Sr. (1903197 1) served at Howard University, Washington, D.C., as Dean of the School of Music, Dean of the College of Fine Arts and distinguished Director of the Howard University Choir. The author had the privilege of serving with him for many years as Associate Director of the choir. I pay special tribute to Warner Lawson, Sr., who first encouraged me to pursue a career in music as choral conductor and teacher.
May I express my profound gratitude to Dr. James Thomas Holliday, Associate Professor of Music, Howard University, Washington, D.C., who gave unstintingly of his time as chief research assistant and who supervised the preparation of manuscripts for both the first (1981) and second editions. His unfaltering support, critical judgment and encouragement were essential to the completion of this research project.
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