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Perkins Michelle. - 500 Poses for Photographing Children: A Visual Sourcebook for Digital Portrait Photographers

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Perkins Michelle. 500 Poses for Photographing Children: A Visual Sourcebook for Digital Portrait Photographers
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500 Poses for Photographing Children: A Visual Sourcebook for Digital Portrait Photographers: summary, description and annotation

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Amherst Media, 2012. 356 . ISBN-13: 978-1-60895-483-4.Filled with images by accomplished portrait, fashion, and editorial photographers, this collection is designed to solve any issues associated with photographing young subjects. From newborns and toddlers through grade school students and high school seniors, this resource addresses many issues faced by portrait photographers, including replacing stale poses with fresh ideas, retaining the attention of infants, allowing a subjects individuality to show, capturing group portraits, and posing kids of different ages together. Organized in chronological order, this books accessibility is further enhanced by images that are arranged from head shots to full-length portraits for each age group. Providing inspiration for remaining creative on a daily basis, this work is the perfect resource for portrait photographers.

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My deepest thanks to the photographers whose work appears in this book. Their powerful images are truly inspiringas is their commitment to educating other professionals. If you have a chance to learn from them, whether at a workshop or through their writing, take it; you wont be disappointed.Thanks also to my husband, Ron, and to the good friends who allowed their childrens images to be included. Copyright 2012 by Michelle Perkins. All rights reserved. Front cover photographs by Christie Mumm. Back cover photograph by Brett Florens.

Published by: Amherst Media, Inc. P.O. Box 586 Buffalo, N.Y. 14226 Fax: 716-874-4508 www.AmherstMedia.com Publisher: Craig Alesse Senior Editor/Production Manager: Michelle Perkins Assistant Editor: Barbara A. Lynch-Johnt Editorial Assistance from: Chris Gallant, Sally Jarzab, John S. 10 9 8 7 6 5 4 3 2 1 No part of this publication may be reproduced, stored, or transmitted in any form or by any means, electronic, mechanical, photocopied, recorded or otherwise, without prior written consent from the publisher. 10 9 8 7 6 5 4 3 2 1 No part of this publication may be reproduced, stored, or transmitted in any form or by any means, electronic, mechanical, photocopied, recorded or otherwise, without prior written consent from the publisher.

Notice of Disclaimer: The information contained in this book is based on the authors experience and opinions. The author and publisher will not be held liable for the use or misuse of the information in this book. Check out Amherst Medias blogs at: http://portrait-photographer.blogspot.com/ http://weddingphotographer-amherstmedia.blogspot.com/

About This Book
D esigning outstanding portraits of childrenimages that go far beyond a mere snapshotrequires you to be part artist, part cheerleader, and part psychologist. It also requires patience and an ability to think on your feet. If youve set the stage wellestablished a trusting relationship with the child and engaged their interest in the sessiona great pose can be the icing on the cake. If the child is scared, bored, or just not feeling well, posing can be almost impossible.

In any case, posing children will almost always be a process that is ongoing throughout the shoot, as the child reacts to everything around him or her. While the traditional rules of posing are an important starting point, its important to remember that most kids arent great at holding any given pose. Fortunately, children do tend to fall into body positions that feel natural and reflect their personalitieswhich is, after all, what youre trying to capture. Therefore, even a pose that isnt exactly what you planned may turn out to be the right pose for that childor may be something you can refine to create the look you want. This collection is designed as a springboard for facing the many challenges of posing kids. Filled with images by accomplished professionals, it provides a resource for photographers seeking inspiration for their own work.

Stuck on what to do with a particular child or unsure how to use a given location? Flip through the sample portraits, pick something you like, then adapt it as needed to suit your tastes. Looking to freshen up your work with some new poses? Find a sample that appeals to you and look for ways to implement it (or some element of it) with your subject. For ease of use, the portraits are grouped according to how much of the subject is shown in the frame. Thus, the book begins with head-and-shoulders portraits, followed by portraits that introduce one or both hands into the head-and-shoulders look. Next are waist-up portraits, featuring images that include the head and shoulders, arms and hands, and at least some of the subjects torso. Moving on to three-quarter-length portraits, the examples feature kids shown from the head down to mid-thigh or mid-calf.

Next are full-length images, which include the entire body. (Note: Both the three-quarter- and full-length portraits are subdivided into poses designed for standing subjects and ones for seated or reclining subjects.) The last portion of the book provides ideas for posing small groups of childrentaking the posing challenge to the next level! It can be difficult to remain creative day after day, year after year, but sometimes all you need to break through a slump is a little spark. In this book, youll find a plethora of images designed to provide just that.

Contents
PLATE 1 Photograph by Christie Mumm PLATE 2 Photograph by Hernan - photo 1 PLATE 1. Photograph by Christie Mumm. PLATE 2 Photograph by Hernan Rodriguez PLATE 3 Photograph by Christie - photo 2 PLATE 2.

Photograph by Hernan Rodriguez. PLATE 3 Photograph by Christie Mumm PLATE 4 Photograph by Christie Mumm - photo 3 PLATE 3. Photograph by Christie Mumm. PLATE 4 Photograph by Christie Mumm PLATE 5 Photograph by Tracy Dorr - photo 4 PLATE 4. Photograph by Christie Mumm. PLATE 5 Photograph by Tracy Dorr PLATE 6 Photograph by Brett Florens - photo 5 PLATE 5.

Photograph by Tracy Dorr. PLATE 6 Photograph by Brett Florens PLATE 7 Photograph by Brett Florens - photo 6 PLATE 6. Photograph by Brett Florens. PLATE 7 Photograph by Brett Florens PLATE 8 Photograph by Christie Mumm - photo 7 PLATE 7. Photograph by Brett Florens. PLATE 8 Photograph by Christie Mumm PLATE 9 Photograph by Mimika Cooney - photo 8 PLATE 8.

Photograph by Christie Mumm. PLATE 9 Photograph by Mimika Cooney PLATE 10 Photograph by Christie Mumm - photo 9 PLATE 9. Photograph by Mimika Cooney. PLATE 10 Photograph by Christie Mumm PLATE 11 Photograph by Brett - photo 10 PLATE 10. Photograph by Christie Mumm. PLATE 11 Photograph by Brett Florens PLATE 12 Photograph by Brett - photo 11 PLATE 11.

Photograph by Brett Florens. PLATE 12 Photograph by Brett Florens PLATE 13 Photograph by Brett - photo 12 PLATE 12. Photograph by Brett Florens. PLATE 13 Photograph by Brett Florens PLATE 14 Photograph by Brett - photo 13 PLATE 13. Photograph by Brett Florens. PLATE 14 Photograph by Brett Florens PLATE 15 Photograph by Michelle - photo 14 PLATE 14.

Photograph by Brett Florens. PLATE 15 Photograph by Michelle Perkins PLATE 16 Photograph by Christie - photo 15 PLATE 15. Photograph by Michelle Perkins PLATE 16 Photograph by Christie Mumm PLATE 17 Photograph by Hernan - photo 16 PLATE 16. Photograph by Christie Mumm. PLATE 17 Photograph by Hernan Rodriguez PLATE 18 Photograph by Christie - photo 17 PLATE 17. PLATE 18 Photograph by Christie Mumm PLATE 19 Photograph by Brett - photo 18

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