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Simon Cooper - The Otters’ Tale

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Simon Cooper The Otters’ Tale
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Shortlisted for THE WAINWRIGHT PRIZE 2017`The best popular account of the lives of otters written so far Richard Shelton, Times Literary SupplementWhen Simon Cooper bought an abandoned water mill that straddles a small chalkstream in southern England, little did he know that he would come to share the mill with a family of wild otters. Yet move in they did, allowing him to begin to observe them, soon immersing himself in their daily routines and movements. He developed an extraordinary close relationship with the family, which in turn gave him a unique insight into the life of these fascinating creatures.Cooper interweaves the personal story of the female otter, Kuschta, with the natural history of the otter in the British Isles, only recently brought back from the brink of extinction through tireless conservation efforts. Following in the footsteps of Henry Williamsons classic 1920s tale Tarka the Otter, readers are taken on a journey through the calendar year, learning the most intimate detail of this most beautiful of British mammals. Cooper brings these beloved animals to life in all their wondrous complexity, revealing the previously hidden secrets of their lives in this beautifully told tale of the otter.

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The Otters Tale - image 1

The Otters Tale - image 2

William Collins An imprint of HarperCollinsPublishers 1 London Bridge Street - photo 3

William Collins

An imprint of HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

WilliamCollinsBooks.com

This eBook first published in Great Britain by William Collins in 2017

Copyright Simon Cooper 2017

Cover illustration Curious Otter, 2003 (w/c on paper), Adlington, Mark/Private Collection/Bridgeman Images

Simon Cooper asserts the moral right to be identified as the author of this work.

A catalogue record for this book is available from the British Library.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008189716

Ebook Edition March 2017 ISBN: 9780008189723

Version: 2017-02-24

To Mary and Minnie muses both.

Itll be all right, my fine fellow, said the Otter (to Ratty). Im coming along with you, and I know every path blindfold; and if theres a head that needs to be punched, you can confidently rely upon me to punch it.

Kenneth Grahame, The Wind in the Willows

Contents

Looking back on it I was something of a fool the signs had been there for - photo 4

Looking back on it, I was something of a fool; the signs had been there for years but it took a fall of January snow finally to reveal what I should have known all along. As night turned into day, the virgin snow around the lake was anything but virgin, the peninsula that divided the lake from the river crisscrossed with seemingly a thousand footprints or more. From river to lake, lake to river and back again, the night-time visitors had clearly been busy, the five clawed paw prints exposing the green grass beneath the broken snow. This animal runway was as churned up as any busy city-centre pavement, but with particularities that told its own unique tale.

The river bank spoke of great effort, the snow ground into mud. Deep impressions in the turf atop the bank were clearly purchase points, the lower bank a mess of icy earth where the creatures had scrabbled to haul themselves from the water. Where the track marks met the lake was a different story. An icy slide, which looked as fun as that of any water park, was worn smooth with regular use, forming the connection between land and water. At the approach a patch of snow, maybe the size of a large door mat, was crushed flat smooth evidence, to my mind at least, of someone or something lying and rolling in the snow.

In the dull light of pre-dawn one corner of battered snow beneath the tall alder caught my eye. It looked different to the rest and, sure enough, as I approached I could see the mottled snow was flecked with blood, with a bright red patch at its centre. Little bright silvery grey specks, at first unfamiliar, decorated this collage of nature. I stooped down, licked my finger and dabbed at one. A fish scale, shining like translucent mother-of-pearl, glinted back at me. The cogs in my head were gradually clicking into alignment.

A raspy, wheezy cough cut through the silence, and there, at the base of the alder, on the roots that formed a sinewy platform at the lake edge, sat the otter that I would one day know as Kuschta. In truth, she seemed calmer about our accidental meeting than I was. In that fraction of a second in which our eyes locked she assessed me, dismissed me as irrelevant and then turned, in one fluid movement pouring herself into the lake. I, on the other hand, stood rooted to the spot, uncertain what to say or do. I mean really, how daft is that what could you ever say to an otter? Or do? Well, I did nothing. She, clearly the more evolved one in this particular situation, surfaced a few yards out from the bank before heading for the island that sits in the middle of the lake. On reaching its edge she emitted a single eek, which was echoed a moment later by a short symphony of eeks that soon took form as four dark shapes plopped from the island into the water to join her.

From my rooted spot I could easily track the progress of the swimming party across the lake as they set course for the outflow where it joined the river at the waterfall created by the weir. The five flat, domed heads glistened against the inky blackness of the water. They were hurried rather than panicked, with the young otters swimming in a rough V formation behind their mother. As they scrambled over the weir I lost sight of each in turn, but it was a long time before I knew they were completely gone. For a while as they headed downstream I could hear them cavorting and splashing as they went, eeking to each other every few seconds in that otterly way that says, Dont worry, Im fine, Im still with you.

But eventually all I had was silence and the red sky of dawn. Somewhere downstream, in the water meadows and woods that border the river, the otters would seek refuge from the day, curling up in the warm, dry comfort of a rotten tree trunk until dark. Id lost them for now but somehow I knew they would return.

Two years earlier

As dusk started to fall Kuschta gradually uncoiled her body stretching away - photo 5

As dusk started to fall, Kuschta gradually uncoiled her body, stretching away the stiffness of a day spent asleep. Sniffing the air, she could tell the holt was empty without even opening her eyes. There was nothing unusual in that, but she was comforted by the slight warmth radiating from the indentation left by her mother in the soft bed of the rotten willow trunk which they shared. She was clearly not long gone. Kuschta weighed up her options. She guessed her mother would not be far, probably down at the weir pool diving for eels easy pickings, as they gathered in great numbers before their summer migration to the sea.

In truth, Kuschta had options, but only of the no-win kind. On that fateful evening the outcome was to be the same, whatever her decision. Whether she stayed in the holt or went in search of her mother she was destined to greet the following dawn alone. But knowing none of that, Kuschta assumed her mother would return as she had done every day of her fourteen-month life. Maybe with a tasty eel that they would share? So oblivious to the future, Kuschta chose to stay put, recoiled herself, buried her nose in the crook of her hind leg, closed her eyes and was instantly asleep.

You could walk close by the spot where Kuschta slept and not give it a second glance. In fact, Id hazard that even if you stopped and stared you might not be much the wiser. Otters are not like badgers, which dig elaborate setts, creating multiple cave-like entrances with the spoil of their digging spread around for all to see. In their choice of home otters are pragmatists, moving between holts, which are usually tunnels amidst the roots of trees beside the river, and couches, well-concealed resting places above ground. Neither is particularly easy to spot because they are so much a part of the landscape, used by generation after generation of otters. Twenty, thirty, forty years of continuous use is not uncommon even a century has been recorded. This we know from otter hunts that combed every inch of bank until they were banned in the 1970s. A diligent huntsman would know every hover, as some called them, returning time and again to seek out their prey and record the locations for future hunts.

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