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Wassily Kandinsky - Point and Line to Plane

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Wassily Kandinsky Point and Line to Plane

Point and Line to Plane: summary, description and annotation

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I had the impression that here painting itself comes to the foreground; I wondered if it would not be possible to go further in this direction.Thus did the young Russian painter Wassily Kandinsky (18661944) react to his first viewing of Monets Haystack, included in an 1895 Moscow exhibit of French Impressionists. It was his first perception of the dematerialization of an object and presaged the later development of his influential theories of non-objective art.During study and travel in Europe, the young artist breathed the heady atmosphere of artistic experimentation. Fauvism, Cubism, Symbolism, and other movements played an important role in the development of his own revolutionary approach to painting. Decrying literal representation, Kandinsky emphasized instead the importance of form, color, rhythm, and the artists inner need in expressing reality.In Point and Line to Plane, one of the most influential books in 20th-century art, Kandinsky presents a detailed exposition of the inner dynamics of non-objective painting. Relying on his own unique terminology, he develops the idea of point as the proto-element of painting, the role of point in nature, music, and other art, and the combination of point and line that results in a unique visual language. He then turns to an absorbing discussion of line the influence of force on line, lyric and dramatic qualities, and the translation of various phenomena into forms of linear expression. With profound artistic insight, Kandinsky points out the organic relationship of the elements of painting, touching on the role of texture, the element of time, and the relationship of all these elements to the basic material plane called upon to receive the content of a work of art.Originally published in 1926, this essay represents the mature flowering of ideas first expressed in Kandinskys earlier seminal book, Concerning the Spiritual in Art. As an influential member of the Bauhaus school and a leading theoretician of abstract expressionism, Kandinsky helped formulate the modern artistic temperament. This book amply demonstrates the importance of his contribution and its profound effect on 20th-century art.

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Table of Contents APPENDIX Diagram 1 Point Cool tension toward the - photo 1
Table of Contents

APPENDIX
Diagram 1 Point Cool tension toward the center Diagram 2 Point - photo 2

Diagram 1
Point
Cool tension toward the center

Diagram 2 Point Dissolution in progress suggested diagonal d-a - photo 3

Diagram 2
Point
Dissolution in progress (suggested diagonal d-a)

Diagram 3 Point 9 points in ascent emphasis upon the diagonal d-a through - photo 4

Diagram 3
Point
9 points in ascent (emphasis upon the diagonal d-a through
weight)

Diagram 4 Point Horizontal-vertical-diagonal point pattern for a free line - photo 5

Diagram 4
Point
Horizontal-vertical-diagonal point pattern for a free line
construction

Diagram 5 Point The black and white points as elementary colour values - photo 6

Diagram 5
Point
The black and white points as elementary colour values

Diagram 6 Line The same in linear form Diagram 7 Line With a point - photo 7

Diagram 6
Line
The same in linear form

Diagram 7 Line With a point on the edge of the plane Diagram 8 Line - photo 8

Diagram 7
Line
With a point on the edge of the plane

Diagram 8 Line Emphasized weights in black and white Diagram 9 Line - photo 9

Diagram 8
Line
Emphasized weights in black and white

Diagram 9 Line The thin lines hold their own in the presence of the heavy - photo 10

Diagram 9
Line
The thin lines hold their own in the presence of the heavy point

Diagram 10 Line Graphic structure of a part of Composition 4 1911 - photo 11

Diagram 10
Line
Graphic structure of a part of Composition 4 (1911)

Diagram 11 Line Linear structure of Composition 4vertical-diagonal ascent - photo 12

Diagram 11
Line
Linear structure of Composition 4vertical-diagonal ascent

Diagram 12 Line Eccentric structure in which the eccentricity is emphasized - photo 13

Diagram 12
Line
Eccentric structure in which the eccentricity is emphasized
by the developing plane

Diagram 13 Line Two curved lines to one straight line Diagram 14 Line - photo 14

Diagram 13
Line
Two curved lines to one straight line

Diagram 14 Line The horizontal format favors the total tension of individual - photo 15

Diagram 14
Line
The horizontal format favors the total tension of individual
forms in slight tension

Diagram 15 Line Free curve to the pointaccompanying sound of geometric - photo 16

Diagram 15
Line
Free curve to the pointaccompanying sound of geometric
curves

Diagram 16 Line Free wave-like line with accenthorizontal position - photo 17

Diagram 16
Line
Free wave-like line with accenthorizontal position

Diagram 17 Line The same wave-like line accompanied by geometric lines - photo 18

Diagram 17
Line
The same wave-like line accompanied by geometric lines

Diagram 18 Line Simple and unified complex of several free lines - photo 19

Diagram 18
Line
Simple and unified complex of several free lines

Diagram 19 Line The same complex complicated by free spirals Diagram - photo 20

Diagram 19
Line
The same complex complicated by free spirals

Diagram 20 Line Diagonal tensions and counter-tensions with a point which - photo 21

Diagram 20
Line
Diagonal tensions and counter-tensions with a point which
brings an external construction to inner pulsation

Diagram 21 Line Double soundcold tension of the straight lines warm ten- - photo 22

Diagram 21
Line
Double soundcold tension of the straight lines, warm ten-
sion of the curved lines, the rigid to the loose, the yielding to
the compact

Diagram 22 Line Colour vibration attained in essence through a minimum of - photo 23

Diagram 22
Line
Colour vibration attained in essence through a minimum of
colour (black)

Diagram 23 Line Inner relation of a complex of straight lines to a curve - photo 24

Diagram 23
Line
Inner relation of a complex of straight lines to a curve (left-
right) from the picture Black Triangle (1925)

Diagram 24 Line Horizontal-vertical structure with contrasting diagonal and - photo 25

Diagram 24
Line
Horizontal-vertical structure with contrasting diagonal and
point tensionsscheme for picture Intimate Communication
(1925)

Diagram 25 Line Linear structure of the picture Little Dream in Red 1925 - photo 26

Diagram 25
Line
Linear structure of the picture Little Dream in Red (1925)
(cover)

POINT

The Geometric Point

The geometric point is an invisible thing. Therefore, it must be defined as an incorporeal thing. Considered in terms of substance, it equals zero.

Hidden in this zero, however, are various attributes which are human in nature. We think of this zerothe geometric pointin relation to the greatest possible brevity, i.e., to the highest degree of restraint which, nevertheless, speaks.

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