Musical Inventions
DIY Instruments to Toot, Tap, Crank, Strum, Pluck, and Switch On
By Kathy Ceceri
Copyright 2017 Kathy Ceceri. All rights reserved.
Printed in Canada
Published by
Maker Media, Inc.,
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Editor: Patrick Di Justo
Copy Editor: Rebecca Rider, Happenstance Type-O-Rama
Proofreader: Elizabeth Welch, Happenstance Type-O-Rama
Interior Designer and Compositor: Maureen Forys, Happenstance Type-O-Rama
Cover Designer: Maureen Forys, Happenstance Type-O-Rama
Illustrator: Richard Sheppard, Happenstance Type-O-Rama
Indexer: Valerie Perry, Happenstance Type-O-Rama
April 2017: First Edition
Revision History for the First Edition
2017-04-26 First Release
See oreilly.com/catalog/errata.csp?isbn=9781680452334 for release details.
Make:, Maker Shed, and Maker Faire are registered trademarks of Maker Media, Inc. The Maker Media logo is a trademark of Maker Media, Inc. Musical Inventions and related trade dress are trademarks of Maker Media, Inc. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and Maker Media, Inc. was aware of a trademark claim, the designations have been printed in caps or initial caps. While the publisher and the author have used good faith efforts to ensure that the information and instructions contained in this work are accurate, the publisher and the author disclaim all responsibility for errors or omissions, including without limitation responsibility for damages resulting from the use of or reliance on this work. Use of the information and instructions contained in this work is at your own risk. If any code samples or other technology this work contains or describes is subject to open source licenses or the intellectual property rights of others, it is your responsibility to ensure that your use thereof complies with such licenses and/or rights.
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The following are attributions and photography credits for images included in this book:
Ben Franklins Glass Armonica Dean Shostaks Williamsburg VA 3384 via the Creative Commons () | Pierre Curie: Photo by Dujardin c 1906 entitled, Trait de radioactivit. edition, Paris: Gauthier, 1910 | Guglielmo Marconi: Copyright free, via the Library of Congress | Nikola Tesla: Copyright free, via Wikimedia
Acknowledgments
I would like to thank the following people for their help in the writing of Musical Inventions:
- Marilynn Beuhler and Mac Petrequin, for their advice and feedback
- Rebecca Angel Maxwell and Ayah and Thea Goldman for testing and modeling my projects
- Deborah Segel (violinsdirect.com) for demonstrating the use of the singing bowls
- Keith Handy (soundcloud.com/keithhandy, vimeo.com/keithhandy)
- Dave Barnes (youtube.com/user/FREAKENSPEAK)
- Balam Soto (balam.io)
- Hannah Perner-Wilson (mimugloves.com) for photos and information about Imogen Heaps mi.mu gloves
- Ayah Bdeir and Liza Stark (littlebits.cc) for help with the littleBits Synth glove
- Chuck Porter and Connie LaPorta for help and advice with the crystal radio
My thanks also go to the people at Maker Media and Happenstance Type-O-Rama who helped get the book from my work table to your hands:
- Patrick DiJusto
- Gretchen Giles
- Roger Stewart
- Maureen Forys
- Rebecca Rider
Preface:
Musical Inventors
T here is a long tradition of turning recycled items into homemade instruments. But creating new instruments is much more than an art form. It take science, technology, engineering, and math to build an instrument that sounds good, looks good, works well, and is enjoyable to play. And it takes a couple other thingsa love of music, and a sense of fun.
Figure P-1: Bluegrass musician, math teacher, and musical inventor Mac Petrequin makes banjos out of cookie tins in his basement workshop.
I wrote Musical Inventions because Im a Maker who loves to explore ways to turn everyday stuff into fun and useful objects. I get excited when I start to understand why things like musical instruments behave the way they do. Of course, I also like to play music: I studied the violin in school and later learned how to play the piano and the mandolin. But like most people, Im not an expert at playing or making musical instruments, so the projects in this book are all aimed at beginners. All the projects are kid-friendly as well, although some will require adult help and supervision.
Even though the projects are simple, many produce playable instruments that are good enough to let you pick out a tune. Others create interesting sounds that you can build upon to design your own kind of musical invention. The last chapter will explain how technology like the phonograph and the radio actually changed the kind of music people listened to and will show you how to make some simple versions of your own. All the projects will teach you about science and technology, as well as how new inventions make their way into popular culture.
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