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Adrienne Gruber - Buoyancy Control

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Buoyancy Control, the latest collection of poems from Vancouverite Adrienne Gruber, explores themes of sexuality, sexual identity, and queerness, while confronting the feelings of loss and longing found in relationships, and the chance glimpse into a new life, while still recovering from a painfully failed connection.Metaphors of oceans, lakes, and other bodies of water, as well as the creatures that inhabit those spaces, swim and swirl their way through Grubers languid poems, which are divided into two evocative sections. Though distinguished by their own prologue poems, both sections reveal details of the narrators examination of life, but from two different perspectives: Section 1, Terra Firma, is an exploration of place, of what we consider solid and secure, and how solidity can betray us. In contrast, Section 2, A mari usque ad maria, brings the reader into themes of water and the fluidity of identity, particularly sexual identity and queerness.This is an honest, at times humorous, and revealing look inside the mind and body of a woman manoeuvring through experiences of longing, loss, and the fluidity of sexual identity, only to come out on the other side a more forgiving being from the journey.Fans of Karen Solies powerfully feminist and unapologetic poetic voice, as well as the playful sarcasm and grit of Alison Calders Wolf Tree, will glory in Grubers fascinating culmination of land and sea, mind and body, in Buoyancy Control.

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Buoyancy Control Adrienne Gruber BookThug 2016 FIRST EDITION copyright - photo 1
Buoyancy Control
Adrienne Gruber
BookThug 2016
FIRST EDITION
copyright 2016 by Adrienne Gruber ALL RIGHTS RESERVED No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without permission in writing from the publisher. The production of this book was made possible through the generous assistance - photo 2 The production of this book was made possible through the generous assistance of the Canada Council for the Arts and the Ontario Arts Council. BookThug also acknowledges the support of the Government of Canada through the Canada Book Fund and the Government of Ontario through the Ontario Book Publishing Tax Credit and the Ontario Book Fund. LIBRARY AND ARCHIVES CANADA CATALOGUING IN PUBLICATION Gruber, Adrienne, 1980, author
Buoyancy control / Adrienne Gruber. First edition. TITLE. TITLE.

PS8613.R79B86 2016 C811.6 C2016-900582-8
C2016-900583-6

For Edith and Salvador, pa que sepas.
CONTENTS
Terra Firma A mari usque ad maria
Prologue
Blend of heat and colour. Bougainvillea bloom in January, cacti buds are sunsets. Scrub dishes, stoke the fire, bring in wood, play a game of dominoes, help Salvador wash his car. Walk in the groves with the dogs, throw them pieces of orange. Occupy restless hands. Salvador makes perfume.

Fingers measure and pour the alcohol. The bottles smell like candy. Twice a week the shrill siren of a tortilla truck passes through El Llano. Dogs have flies around their mouths. Women in television commercials are whiter than you are. Learn to say caf con leche; this is what a womans skin looks like.

Think of a man once loved, planned a life with. Bike down a gravel switchback, launch head first over the handlebars. The bike on top, the sun, a frying pan branded to back. On Saturdays, the market in Montemorelos. Boiled corn mixed with salsa and crema fresca. Kids sell toy cars and Spiderman dolls, cowboy belt buckles.

Silver purses and pink lipsticks. A scruffy one-eared dog trots by, nipples dragging like udders. Whoever sucks her dry gets a mouthful of dust. Fifty-cent bottles of beer are sweeter than milk. A man lifts iron birdcages out of a truck, glint of green-tipped wingspalomas; their muffled throated coos. At the market, look for a mortar and pestle to grind chilies.

On New Years Eve in Monterrey, eat pale cow intestines in gunpowder broth. Shots are heard all evening; children set off firecrackers and twirl sparklers. The neighbours play mariachi until six a.m. A car alarm runs for hours before the battery gives out. Even in rain, no decisions are made. The dogs stay inside, except the ones at the baseball field, digging through wet leaves at the foot of the bleachers.

Leave a beer bottle on the pitchers mound, a bundle of roadside azaleas. Back at the house,
cookbooks exasperate. No recipe for meatloaf. The rain pounding on the roof is worse than the hail of pecans let loose by the night wind. The cold and its contagion. Water moves toward a bed of cement into a pool, the way mercury slides along kitchen tile, thermometer in shards.

Stick hands in the meat, raw and slippery. Lupita, next door, calls Adrianna and gives little cakes to take home. Enriques roosters claw the dirt. Always a cockroach beside the shoes, an exoskeleton. In the kitchen, a fire in a small dark corner. Hold hands over until they blister.

Outside the dogs carry oranges like softballs in their mouths. There isnt anything to do but pass the time. Dangle feet in the irrigation water. Bougainvillea, hibiscus, buttered sunflowers. Dogs follow to the river. One finds a turtle and bats it around.

I cant hold on to anything.

Terra Firma
The Hanged Woman
If Tarot were to read itself while driving through Kansas, boxes crammed to the roof, salt streaking the car, it would turn up the hanged woman. Indecision. Twelfth trump card. The traitor. I need a clear road scraped of debris.

The sun doctors the land pristine, like the white gold on mothers wedding band, or the sugar bowl with its blueberry handle. Even clichs of bone or glass are less predictable in this light. Their protrusions shrill as teeth. My friend says she believes in the sublime as a religion. The word muddy on the brain as we make the drive south. She speaks of mercury molecules, the split of threaded cells that fall to the floor, skim the linoleum as silver balls.

The highway glimmers. Soon well cross the border.

Sunday in Nebraska theres nothing on the radio but Jesus. The sun against snow is blinding. Every sin is sexual. Child sings off-key about the morning star.

Banjos and mandolins play Handels Messiah. At the Rockport gas station you can buy Betty Boop alarm clocks, snow globes holding churches. In Nebraska every gas station is proud of its kitsch. A room at the end of the hall is filled with dolls and blank stares. Toddlers with fuchsia cheeks, missing pupils, white curls. One sleeps on her side, goldfish lips, pink eyelids and half-closed mouth.

A still, open shell.

Cross the border at three a.m. Mother refuses to leave the car, protects my sisters wedding dress. Everywhere babies and cars with furniture tied to the roof. First glimpse of Mexico. Circling the gates, searching for the way in.

Drive through Monterrey early morning streets slick. Dad strains his eyes. Location signs lie. km to El Llano, then km. Pick an orange at sunrise when the stars are bright. Suckle the fruit.

Juice slips from lips as sweat gathers at the small of my back.

bellinis the tiny windows on planes her lips on the dance floor jellyfish acid grip stench of old pennies pulling into the ditch to masturbate the small blond boy who eats rice and beans while watching Ms. Packman a seahorse liquid that breaks and gushes as amniotic fluid swell of the tide when a puffer fish is troubled a hand on your thigh the streets between two and four a.m. balconies rain surging from the sky old typewriters habits that should break the word lynx the Neptune fountain at the Macro Plaza in Monterrey the marbled woman water glazing her breasts
Each grain of sand is the earth if you let it. What hatches in your palm without knowing. The leather seats bake your groin.

Drive into the city where tar melts the streets. Stop at Tortas Alex for a sandwich. A sticky ball of baby spiders nests against your corduroy purse. They spill onto your lap and spring into the world writhe against your thighs. You jump from the car, swear, swipe at your crotch.

Proposal
Lets make babies, something solid that slips with its own mucus trap, screaming at the world betrayal with its first breath.
Proposal
Lets make babies, something solid that slips with its own mucus trap, screaming at the world betrayal with its first breath.

This has nothing to do with love. Its basic sorcery. What you can do for me. We climb out of caskets once sawed in half. Birth magicians like breath. Like the sticky remains on the Trans-Canada, the deer whose legs I ran over in the middle of the night.

The substance we are after, all colour, a freshly painted room where the smell silences those first few brain cells. A man pushes two fingers inside me and groans. The liquid phase. You taste tart, he says and lowers his mouth. Remember the truck stop cherry pie I ate the night we couldnt get to Oklahoma. The quiver of fruit membrane on my tongue; how a jellyfish dissolves on hot sand.

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