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Fabio Toscano - The Secret Formula: How a Mathematical Duel Inflamed Renaissance Italy and Uncovered the Cubic Equation

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THE SECRET FORMULA THE SECRET FORMULA How a Mathematical Duel Inflamed - photo 1

THE SECRET
FORMULA

THE SECRET FORMULA

How a Mathematical Duel Inflamed Renaissance Italy and Uncovered the Cubic Equation

FABIO TOSCANO

TRANSLATED BY ARTURO SANGALLI

PRINCETON UNIVERSITY PRESS

PRINCETON AND OXFORD

Copyright 2020 by Princeton University Press

Originally published as La formula segreta Alpha Tst S.r.l., 2009

Requests for permission to reproduce material from this work should be sent to permissions@press.princeton.edu

Published by Princeton University Press

41 William Street, Princeton, New Jersey 08540

6 Oxford Street, Woodstock, Oxfordshire OX20 1TR

press.princeton.edu

All Rights Reserved

ISBN 978-0-691-18367-1

ISBN (e-book) 978-0-691-20032-3

Version 1.0

Library of Congress Control Number: 2020930672

British Library Cataloging-in-Publication Data is available

Editorial: Susannah Shoemaker

Production Editorial: Karen Carter

Text Design: Lorraine Doneker

Jacket/Cover Design: Carmina Alvarez

Production: Jacqueline Poirier

Publicity: Katie Lewis and Matthew Taylor

Copyeditor: Theresa Kornak

Jackert art: (left) Gerolamo Cardano, (right) Niccol Tartaglia

The translation of this work has been funded by
SEPS SEGRETARIATO EUROPEO PER LE PUBBLICAZIONI SCIENTIFICHE

Via Val dAposa 7 40123 Bologna Italy HYPERLINK mailtosepssepsit sepssepsit - photo 2

Via Val dAposa 7 40123 Bologna Italy HYPERLINK mailto:seps@seps.it seps@seps.it www.seps.it

CONTENTS
  1. vii
PREFACE

The modern era of mathematics began in the first half of the sixteenth century with the discoveries made by a handful of outstanding Italian scholars. Their crucial contributions led to the awakening of the great art, algebra, which had not experienced any significant progress in almost 3,000 years. These new results would soon be the source of numerous and fruitful developments in algebra, paving the way for the advance of the discipline and the important role it would play in mathematics and scientific knowledge in general.

It would be a mistake to assume that an event such as the reawakening and flourishing of algebra during the Italian Renaissance should be of interest only to experts in the field and historians of science. In fact, the incidents and situations related in this book not only represent a key period in the development of mathematics but also constitute a web of events remarkable enough to appeal to the general reader: situations rich in fictional flavorintrigues, secrets, passionate debatesfeaturing some fascinating personages, both brilliant and bizarre, capable of excelling as much by virtue of their superior intellect as by their all-too-human weaknesses.

At the center of the story is a pivotal moment in the history of mathematics: the discovery of the general formula for the solution of the cubic equation and the subsequent developments, together with the captivating intertwinement of the lives of the main actors, among whom the names Niccolo Tartaglia and Gerolamo Cardano stand out.

All the facts had already appeared in print elsewhere, but we felt that they deserved to be told in the context of a story that would do justice to the protagonists, to their ingenuity and shortcomings, and that would reflect the extent of the subject without, however, exhausting it. We sought to condense the story into a reasonable number of pages by focusing on its most significant, interesting, and suggestive aspects. Often, by resorting to quotations, we let the personages speak for themselves, when their own words are more effective and compelling than any paraphrase. Given that the book was designed and written for readers without any specific technical knowledge, we tried to illustrate the mathematical questions and formulas using a language as plain and clear as possible.

I would like to conclude this brief preface by expressing my heartfelt gratitude to Paola Borgonovo for her meticulous and excellent revision work, which resulted in a greatly improved and better flowing text and at the same time allowed me to correct some imperfections. My sincere thanks to Silvia Tagliaferri for the proofreading and to Andrea Morando for creating the beautiful cover design.

Finally, I am indebted to my friend Paola Rigon, from the Classense Library in Ravenna, for the impressive amount of documentary material she obtained for me through national and international interlibrary loans, and to Martha Fabbri, editor of the Galapagos Series, for encouraging the publication of this book and supporting every stage of its production with unfailing dedication and boundless patience.

Needless to say, the responsibility for possible oversights, omissions, or errors is entirely mine.

THE SECRET
FORMULA

CHAPTER 1
The Abbaco Master

The starless and ominous night came to an end. French troops surrounded the city ready to launch the attack, while the persistent tolling of the bells summoned the population to take up arms against the enemy. The date was February 19, 1512Fat Thursday, a time to celebrate Carnivaland Brescia was about to witness one of its most tragic days.

The city that would later be known as the Lioness of Italy had already fallen under the French yoke in May 1509, after having been ruled for more than eighty years by the Most Serene Republic of Venice. Under the wise and liberal Venetian administration Brescia had become one of the most prosperous cities in Lombardy, only to fall prey to the arrogant and oppressive French rule, an increasing source of popular discontent. Seeking to restore the previous political order, some prominent citizensCount Luigi Avogadro and other members of the local aristocracy among themhad thus begun to conspire against the French authorities, and later led the successful uprising of February 3, 1512. That day, with the help of Venetian soldiersand thanks to the fact that most of the French troops had been redeployed to the siege of BolognaBrescia chased away the foreign occupiers, forcing the remaining French soldiers to take refuge in the city fortress, known as the Castle. The joy of the Brescians would, alas, prove short-lived.

Called back from Bologna, the twenty-three-year-old French general Gaston de Foix promptly regained Lombardy, and on February 17 reached with his army the walls of Brescia. In no time, the foreign forces surrounded the city. De Foix called on the insurgents to surrender, promising them the clemency of Louis XII, king of France, but his offer was curtly rejected. In the night of February 18, the young commander, together with some 500 lancers and 6,000 infantrymen ready for action, entered the castle, where those French soldiers who had escaped the uprising were still barricaded. The order to attack was given as soon as day broke, and shortly after this the carnage began.

The French garrison coming out of the castle pierced the first Venetian lines, and after joining the other units commanded by de Foix pushed toward the city center. Brescian fighters and Venetian troops offered a desperate resistance, but the mismatch of forces and the superior organization of the French soon overcame all defense efforts and the attack ended in a bloodbath. By the time the sun set on that gory Fat Thursday Brescia was back in French hands, its streets scattered with corpses.

But it was not over yet: an exemplary punishment was handed down to the city by the French troops, in the form of widespread destruction of unheard of ferocity. They looted and burned down houses, slaughtered men and children, and raped women in a maddening spree that lasted almost two days. Many leaders of the revolt were publicly and cruelly executed, further adding to the horror. Count Avogadro, the soul of the insurrection, had his head savagely cut off and exhibited as a trophy on top of the Peoples Tower

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