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Grimm Brothers - Brick Shakespeare: the Tragedies-Hamlet, Macbeth, Romeo and Juliet, and Julius Caesar

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Grimm Brothers Brick Shakespeare: the Tragedies-Hamlet, Macbeth, Romeo and Juliet, and Julius Caesar

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Front Cover; Title; Copyright; Contents; Acknowledgments; Introductiion; Hamlet; Macbeth; Romeo and Juliet; Julius Caesar; About the Authors;Enjoy four of Shakespeares tragedies told with LEGO bricks. Here are Hamlet, Macbeth, Romeo and Juliet, and Julius Caesar enacted scene by scene, captioned by excerpts from the plays. Flip through one thousand color photographs as you enjoy Shakespeares iconic poetry and marvel at what can be done with the worlds most popular childrens toy. Watch the brick Hamlet give his famous To be or not to be soliloquy, and feel brick Ophelias grief as she meets her watery end. Lady Macbeth in brick form brings new terror to Out, out, damn spot! and brick Romeo and Juliet are no less star-cross.

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BRICK SHAKESPEAREBRICK SHAKESPEARETHE TRAGEDIES-HAMLET, MACBETH,ROMEO AND JULIET, AND JULIUS CAESARAS TOLD AND ILLUSTRATED BYJOHN McCANN, MONICA SWEENEY,AND BECKY THOMASBrick Shakespeare the Tragedies-Hamlet Macbeth Romeo and Juliet and Julius Caesar - image 1 Skyhorse Publishing

Editors Note: The text that was used in this book is from http://shakespeare.mit.edu. Hamlet and Macbeth were edited against Four Tragedies, edited by David Bevington and David Scott Kastan, published by Bantam Dell as a Bantam Classic edition. Julius Caesar was also edited against a Bantam Classic edition of Julius Caesar, edited by David Bevington and David Scott Kastan. LEGO is a trademark of the LEGO Group of companies which does not sponsor, authorize, or endorse this book. Copyright 2013 by John McCann, Monica Sweeney, and Becky Thomas All Rights Reserved. No part of this book may be reproduced in any manner without the express written consent of the publisher, except in the case of brief excerpts in critical reviews or articles. All inquiries should be addressed to Skyhorse Publishing, 307 West 36th Street, 11th Floor, New York, NY 100018.

Skyhorse Publishing books may be purchased in bulk at special discounts for sales promotion, corporate gifts, fundraising, or educational purposes. Special editions can also be created to specifications. For details, contact the Special Sales Department, Skyhorse Publishing, 307 West 36th Street, 11th Floor,
New York, NY 10018 or info@skyhorsepublishing.com. Skyhorse and Skyhorse Publishing are registered trademarks of Skyhorse Publishing, Inc., a Delaware corporation. www.skyhorsepublishing.com 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data is available on file. ISBN: 978-62636-303-8 eISBN: 978-1-62873-443-0 Printed in China Editor: Kelsie Besaw Layout: Victoria Waters Production manager: Abigail Gehring

A CKNOWLEDGMENTS
We would like to extend our biggest thank-yous to Kelsie Besaw, our wonderful editor; to Bill Wolfsthal and Tony Lyons, who gave us this tremendous opportunity; and to everyone at Skyhorse who worked tirelessly to bring this book to market.

To Holly Schmidt and Allan Penn, who have continuously mentored us and have been confident that we can handle any project. And to our loving families, who probably stepped on a lot of LEGO bricks over the years.

I NTRODUCTION
William Shakespeare is the worlds most known and loved playwright. Almost four hundred years after his life and death, his plays are still widely read and viewed by theater goers, avid readers, students, and film buffs alike. While the world these plays were written for has substantially changed, the characters, their stories, and their most famous lines continue to influence and inspire contemporary arts and culture. Shakespeares works, being theatrical, lend themselves well to visual representation.

With a little imagination and a lot of LEGO Bricks, we have taken these classic stories, previously relegated to the page, screen, and stage, and made them into something new! Due to the length of Shakespeares works, each play is modestly abridged. We carefully combed through every line and handpicked the scenes that would be the most interesting in brick form and would maintain the integrity of Shakespeares original dramatic arc. This fun spin on Shakespeares four best-known tragedies presents the included scenes just as he wrote them, along with extra narrative descriptions to fill you in on what we have left out. Whether you are new to Shakespeare or an old friend, we now present The Bard in brick.

C ONTENTS
Hamlet
I NTRODUCTION TO H AMLET T here has never been an author so prolific as - photo 2
I NTRODUCTION TO H AMLET
T here has never been an author so prolific as William Shakespeare and never a work so ubiquitous as Hamlet. The play shadows the grief and vengeance of the Prince of Denmark, whose Uncle Claudius has murdered his father, usurped the throne, and taken the former kings widow as his new queen.

Likely first performed in or around 1600 and published into the First Quarto in 1603, Hamlet is one of the most adapted works of all time and continues to permeate modern storytelling through its use of powerful plot devices and transcendent characterization. As a departure from traditional dramatic works its senior, Hamlet uses soliloquies as existential portals to the characters thoughts and motives, rather than through dramatic action. Particularly true for the plays namesake, this spotlight on characterization gives the story infinite layering, from how it parallels Hamlets true madness against his feigned madness to how it uses metafictional ploys through The Mousetrap to draw out Claudiuss guilt. Hamlet is both a tortured victim of his fathers murder as well as a reluctant instrument of revenge. He spends much of the play toiling over whether to take action against his fratricidal uncle or himself, which causes a slow undoing of his own tether to sanity. While Hamlet caused a shift in dramatic perspective through its introspective characters, the Elizabethan audience was simultaneously coping with its own dramatic shift within the powers of the Church.

Not unlike other Shakespearean plays, Hamlet intertwines both Catholic doctrine and Protestant, specifically when focusing on the Ghost of King Hamlet and the death of Ophelia. Although Denmark and Shakespeares audience were historically Protestant, the subtle lacing of Catholic allusions suggests the remaining ties to the Catholic Church, if not in outward affiliation, then in lingering culture. Resultantly, Shakespeares audience would have empathized with Hamlets internal struggles with depression and guilt, establishing the play as a dark look into their own philosophical ambivalence. Hamlet tracks the gloom of a forlorn Prince as he looks death in the face as both a victim and a vigilante. Hamlets conflicts bridge worldly misfortune and existential woe through deep character development, clever plot devices, and the subtle weaving of religious significance.

D RAMATIS P ERSONAE
Brick Shakespeare the Tragedies-Hamlet Macbeth Romeo and Juliet and Julius Caesar - image 3 GHOST of King Hamlet, the former King of Denmark Brick Shakespeare the Tragedies-Hamlet Macbeth Romeo and Juliet and Julius Caesar - image 4 CLAUDIUS, King of Denmark, the former Kings brother Brick Shakespeare the Tragedies-Hamlet Macbeth Romeo and Juliet and Julius Caesar - image 5 GERTRUDE, Queen of Denmark, widow of the former King and now wife of Claudius Brick Shakespeare the Tragedies-Hamlet Macbeth Romeo and Juliet and Julius Caesar - image 6 HAMLET, Prince of Denmark, son of the late King and of Queen Gertrude Brick Shakespeare the Tragedies-Hamlet Macbeth Romeo and Juliet and Julius Caesar - image 7 HORATIO, Hamlets friend and fellow student Brick Shakespeare the Tragedies-Hamlet Macbeth Romeo and Juliet and Julius Caesar - image 8 POLONIUS, councillor to the King Brick Shakespeare the Tragedies-Hamlet Macbeth Romeo and Juliet and Julius Caesar - image 9
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