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Cynthia J. MacKenzie - Concordance to the letters of Emily Dickinson

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This valuable resource for Dickinson scholars is based on the Thomas H. Johnson three-volume edition of the letters (published in 1958 and 1965) as well as the 1998 one-volume paperback edition. The primary importance of the concordance pertains to the poetic quality of the letters themselves. As editor of both the poems and the letters, T.H. Johnson recognizes this link when he writes: the letters both in style and rhythm begin to take on qualities that are so nearly the quality of her poems as on occasion to leave the reader in doubt where the letter leaves off and the poem begins. The similarities between the letters and the poems makes the typical concordance search for the poet?s thematically significant words and biographical references particularly relevant. Tracing Dickinson?s thoughts through her correspondence complements the ideas within her poetry and thus provides a more comprehensive insight into the poet?s personal and artistic development. The concordance will facilitate an understanding of words or concepts that may be obscure in the poetry by itself. Research into Dickinson?s problematic style, characterized by gaps, disjunctions, and ellipses, will be greatly enhanced. By listing Dickinson?s words together with their contexts and frequencies, the concordance provides the scholar with the ability to answer confidently questions of a statistical or stylistic nature. Finally, one of the most important functions of this concordance is to provide scholar, student, and general reader alike with endless opportunities to make exciting and unexpected discoveries by way of browsing.

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title Concordance to the Letters of Emily Dickinson author - photo 1

title:Concordance to the Letters of Emily Dickinson
author:MacKenzie, Cynthia J.; Gilbert, Penny.
publisher:University Press of Colorado
isbn10 | asin:0870815687
print isbn13:9780870815683
ebook isbn13:9780585358864
language:English
subjectDickinson, Emily,--1830-1886--Concordances, Dickinson, Emily,--1830-1886--Correspondence--Concordances, Poets, American--19th century--Correspondence--Concordances.
publication date:2000
lcc:PS1541.Z49M33 2000eb
ddc:811/.4
subject:Dickinson, Emily,--1830-1886--Concordances, Dickinson, Emily,--1830-1886--Correspondence--Concordances, Poets, American--19th century--Correspondence--Concordances.
Page iii
Concordance to the Letters of Emily Dickinson
by
Cynthia MacKenzie
University of Regina
Regina, Saskatchewan
with the assistance of
Penny Gilbert
Winnipeg, Manitoba
Page iv Copyright 2000 by the University Press of Colorado International - photo 2
Page iv
Copyright 2000 by the University Press of Colorado
International Standard Book Number 0-87081-568-7
Published by the University Press of Colorado
5589 Arapahoe Avenue, Suite 206C
Boulder, Colorado 80303
All rights reserved.
Printed in the United States of America.
The University Press of Colorado is a cooperative publishing enterprise supported, in part, by Adams State College, Colorado State University, Fort Lewis College, Mesa State College, Metropolitan State College of Denver, University of Colorado, University of Northern Colorado, University of Southern Colorado, and Western State College of Colorado.
The paper used in this publication meets the minimum requirements of the American National Standard for Information SciencesPermanence of Paper for Printed Library Materials. ANSI Z39.48-1984
Library of Congress Cataloging-in-Publication Data
MacKenzie, Cynthia J., 1948
A concordance to the letters of Emily Dickinson / by Cynthia MacKenzie ; with the assistance of Penny
Gilbert.
p.cm.
"...based on the three-volume Johnson edition of letters published by Belknap Press in both 1958 and
1965 as well as the 1998 one-volume edition"Pref.
ISBN 0-87081-568-7 (acid-free paper)
1. Dickinson, Emily, 18301886Concordances. 2. Dickinson, Emily, 18301886Correspondence
Concordances. 3. Poets, American19th centuryCorrespondenceConcordances. I. Gilbert, Penny.
II. Title.
PS1541.Z49 M33 2000
811'.4dc21
[B]
00-027174
09 08 07 06 05 04 03 02 01 00 10 9 8 7 6 5 4 3 2 1
Page v
to the members of the Emily Dickinson International Society
whose support and friendship became my prime motivation
Page vii
CONTENTS
Preface
ix
Concordance
3
List of Excluded Words
897

Page ix
PREFACE
Concordance to the Letters of Emily Dickinson is based on the three-volume Johnson edition of the letters published by Belknap Press in both 1958 and 1965 as well as the 1998 one-volume edition. Eagerly anticipated by Dickinson scholars, it will fulfill a significant gap as a valuable resource for Dickinson studies. The primary importance of the concordance pertains to the poetic quality of the letters themselves. As editor of both the poems and letters, T.H. Johnson recognizes the link between the two genres when he writes in the introduction to the three-volume 1958 edition: "the letters both in style and rhythm begin to take on qualities that are so nearly the quality of her poems as on occasion to leave the reader in doubt where the letter leaves off and the poems begin" (Ixv).
The link between the letters and the poems makes the typical concordance search for the poet's thematically significant words, biographical references, and biblical references particularly relevant. By listing Dickinson's words together with their contexts and frequencies, the concordance provides the scholar with the ability to answer confidentally questions of a stastistical or stylistic nature. Obscure meanings of Dickinson's words or images in the poetry can be illuminated by her use of them in the letters. Thematic, generic and stylistic affinities between the poems and letters, as well as a chronology of language usage patterns may now be attempted. Even the dating of the poems can be made more accurately as the date frequently depends on the letters which either accompanied or were included the poems. More importantly, the concordance will facilitate an exploration of the way in which Dickinson worked out the principles of her poetics as the letters operate as a supplement to what is obliquely stated in the poems. Tracing Dickinson's thoughts through her correspondence complements the thoughts within her poetry and provides a more comprehensive insight into the poet's personal and artistic development.
One of the most important functions of this concordance is to provide scholar, student, and general reader alike with endless opportunities to make exciting and unexpected "discoveries" by way of browsing. The abundant usages that the concordance will undoubtedly stimulate rests assuredly in the creative imaginations of the poet's many readers and critics.
The classification system is easy to use. Each headword, along with its frequency, appears in bold print under which all entries of that word appear followed by their context. Entries are arranged chronologically and are identified by year; Johnson letter number; volume number 1, 2, or 3 (where applicable); page and line number; in that order. The lines of the letter are determined from the top of the page and from the beginning of a letter. That is, if a letter spans pages, the first line on the second page will also be number one. Correspondence sent to Dickinson is included and identified in the index by the number plus an alphabetical tag. For example, the famous reply to letter 238 concerning the poem "Safe in their Alabaster Chambers" from Susan Gilbert is entered as 238a. Should there be any subsequent correspondence, it would be entered as 238b, 238c, etc. The letters that T. W. Higginson wrote to his wife following his visit with the poet are also included and identified in the same way as a reply; that is, 342a, 342b). The two-column format allows us to include the maximum amount of text possible, although, unfortunately, the magnitude of the concorded material necessitates many exclusions These words are conveniently listed with frequencies at the back of the concordance. The prose fragments included in the Johnson letters at the end of volume III (unless you are using the one-volume edition), are not included. Due to limitations on the already mammoth size of the concordance, these were excluded because I felt that words were relatively easy to find in the eighteen pages that make up their entirety. In the future, the publication of a complete text in CD-rom version by this Press will address these limitations.
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