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Cameron - Perfecting Your English Pronunciation

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    Perfecting Your English Pronunciation
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Developed by the author, a speech consultant and accent specialist, this book features her method, which focuses on the anatomical placement of sound and on the musculature used in articulation. Where other accent reduction/English pronunciation products rely on solely mimicking of audio sounds, this work focuses visually, audibly, and narratively on the physical ability to speak English, noting that many sounds of English may be difficult for the non-native English speaker because some tongue positions used in English may not be used in other languages. The 45-minute DVD introduces mouth and jaw exercises to prepare for English pronunciation, then demonstrates mouth formations and tongue placement using other nonnative speakers. The CDs feature audio exercises and correct pronunciations for ear training. Seeing and hearing how English sounds teaches how to become more and more comfortable conversing with native English speakers as the program progresses.

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Praise for Susan Cameron and Perfecting Your English Pronunciation Susan - photo 1

Praise for
Susan Cameron and
Perfecting Your English Pronunciation

Susan Cameron has provided us the ultimate toolbox in Perfecting Your English Pronunciation. Students are newly baptized with such clarity of language with her outstanding text. Highly recommended for any non-native speaker needing to reduce their accent.

James Calleri, CSA
Associate Professor and Head of Acting, Theatre MFA Program
Columbia University School of the Arts

Working with Susan and her book took my American accent to a new level and increased my confidence dramatically. It is an indispensable aid for anyone who is learning an American accent, and incredibly user-friendly

Charlie Cox
British actor, star of Netflix/Marvels Daredevil

Susan Cameron is one of the pre-eminent voice instructors in the county. Her transformative technique is smart, practical and essential.

Pippin Parker
Dean, New School of Drama, MFA Program
Associate Dean, College of Performing Arts
New School University

Susan worked with my two principal actresses in Snow Flower and the Secret Fan. She did accent reduction with them and helped them say their dialogue with more fluency. She was an experienced and creative coach.

Wayne Wang
Film director, The Joy Luck Club, Maid in Manhattan, and Smoke

Susan Camerons focus on difficult-to-speak sound combinations, extensive word lists highlighting English spelling patterns, and accompanying recordings which serve as a mini pronunciation dictionary, all make this book a must for speakers of English as a second language.

Patricia Fletcher
Associate Professor, New School for Drama
Author of Classically Speaking

In my experience, there is no one more insightful and profoundly gifted. Students under her tutelage are radically transformed and become significantly more competitive in their fields.

Robert Lupone
Former Director, MFA Program, New School for Drama
New School University

Susan sets a new standard for excellence in the field of ESL pronunciation. You wont find a better wealth of knowledge in a single source.

Dr. Pamelia Phillips
Author of Singing for Dummies

Copyright 2018 by Susan Cameron All rights reserved Except as permitted under - photo 2

Copyright 2018 by Susan Cameron. All rights reserved. Except as permitted under the United States Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.

ISBN: 978-1-26-011703-5
MHID: 1-26-011703-0

The material in this eBook also appears in the print version of this title: ISBN: 978-1-26-011702-8,
MHID: 1-26-011702-2.

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All trademarks are trademarks of their respective owners. Rather than put a trademark symbol after every occurrence of a trademarked name, we use names in an editorial fashion only, and to the benefit of the trademark owner, with no intention of infringement of the trademark. Where such designations appear in this book, they have been printed with initial caps.

McGraw-Hill Education eBooks are available at special quantity discounts to use as premiums and sales promotions or for use in corporate training programs. To contact a representative, please visit the Contact Us page at www.mhprofessional.com.

McGraw-Hill Education Language Lab App

Extensive audio recordings and videos are available to support your study of this book. Go to www.mhlanguagelab.com to access the web version of this application, or to locate links to the mobile app for iOS and Android devices. More details about the features of the app are available on the inside front cover.

TERMS OF USE

This is a copyrighted work and McGraw-Hill Education and its licensors reserve all rights in and to the work. Use of this work is subject to these terms. Except as permitted under the Copyright Act of 1976 and the right to store and retrieve one copy of the work, you may not decompile, disassemble, reverse engineer, reproduce, modify, create derivative works based upon, transmit, distribute, disseminate, sell, publish or sublicense the work or any part of it without McGraw-Hill Educations prior consent. You may use the work for your own noncommercial and personal use; any other use of the work is strictly prohibited. Your right to use the work may be terminated if you fail to comply with these terms.

THE WORK IS PROVIDED AS IS. McGRAW-HILL EDUCATION AND ITS LICENSORS MAKE NO GUARANTEES OR WARRANTIES AS TO THE ACCURACY, ADEQUACY OR COMPLETENESS OF OR RESULTS TO BE OBTAINED FROM USING THE WORK, INCLUDING ANY INFORMATION THAT CAN BE ACCESSED THROUGH THE WORK VIA HYPERLINK OR OTHERWISE, AND EXPRESSLY DISCLAIM ANY WARRANTY, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. McGraw-Hill Education and its licensors do not warrant or guarantee that the functions contained in the work will meet your requirements or that its operation will be uninterrupted or error free. Neither McGraw-Hill Education nor its licensors shall be liable to you or anyone else for any inaccuracy, error or omission, regardless of cause, in the work or for any damages resulting therefrom. McGraw-Hill Education has no responsibility for the content of any information accessed through the work. Under no circumstances shall McGraw-Hill Education and/or its licensors be liable for any indirect, incidental, special, punitive, consequential or similar damages that result from the use of or inability to use the work, even if any of them has been advised of the possibility of such damages. This limitation of liability shall apply to any claim or cause whatsoever whether such claim or cause arises in contract, tort or otherwise.

For all my students, past, present, and future,

and

in memory of my father, Harold T. MacDonald,

who instilled in me a passion for the English language

Contents
Acknowledgments

I would like to thank the many people who have made this book, video recording, and audio recording set a reality. I am indebted to McGraw-Hill Education, and especially to my wonderful editors Holly McGuire (original edition) and Christopher Brown (revised edition) for guiding me through the process of publication. I am eternally grateful to my colleagues, who have taught me so much and who continue to inspire me daily, especially Patricia Fletcher and Deborah Hecht.

For the text of the book, I thank Patricia Fletcher and Nick Cianfrogna for their editing suggestions and input. Thanks, too, to those who helped me in the early writing, especially Sara Wolski, literary consultant extraordinaire; my sister Meg MacDonald, for editing support; Keith Buhl, for lending me his IPA font; Diego Galan, for assistance with the business text in ; and Theodora P. Loukas, for compiling and typing the numerous word lists.

I am grateful to the talented people who helped create the video and audio recordings: Nick Cianfrogna for lending his terrific voice to the extensive word lists, and Mariah Cruz of Dubway Recording Studios for her impeccable sound engineering skills; Theodora P. Loukas, producer and director; Maggie Mei Lin, filmographer and editor; and Carlos Cano, Chih Hua Yeh, Wayne Liu, Dimitri Letsios, and Angelo Niakas. Special thanks to Anne Goulet, for the Fred artwork; Aaron Jodion, for the video music; and Eric Maltz, for editing and mixing the example sentence recordings. I am especially indebted to Theodora P. Loukas and Maggie Mei Lin for making the videos a reality.

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