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Florece Hartley - The ladies hand book of fancy and ornamental work: directions and patterns from the Civil War era

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Florece Hartley The ladies hand book of fancy and ornamental work: directions and patterns from the Civil War era
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The ladies hand book of fancy and ornamental work: directions and patterns from the Civil War era: summary, description and annotation

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Note continued: Specimens of Berlin, or Canvas Work -- The Turkish Bag -- Sofa Pillow in Fluted or Ribbed Berlin Embroidery -- Note Case -- Porte Monnaie -- Ottoman in Orne Fluted Embroidery -- Carriage Cushion -- German Knitting Bag -- General Remarks on Berlin, or Canvas Work -- Varieties of Canvas, or Berlin Work -- Raised Berlin Work -- Straight Cross-Stitch -- Windsor-Stitch -- Pavilion-Stitch -- Willow-Stitch -- Berlin-Stitch -- Long Plait -- Josephine-Stitch -- Czar-Stitch -- Perspective-Stitch -- A Star -- Feather-Stitch -- Stitch A La Vandyck -- Point-Stitch -- Square Plait -- Double Star -- Crossed Long-Stitch -- Fancy-Stitch -- Darmstadt Pattern -- Palace Pattern -- Diamonds -- Princess-Stitch -- Cane Pattern -- Sutherland-Stitch -- Canvas Lace Work -- Chenille Work -- Glove Box in Chenille, Gold Cord, &c -- Chenille on Canvas -- Chain-Stitch -- Cloth-Work -- Card-Board, or perforated Card -- Cottons -- Cords -- Crochet -- Specimens of Crochet Work;Note continued: A Gentlemans Comforter. Double Knitting -- A Comfortable Comforter -- Double Knitted Shawl -- Double Knitted Shawl, with Colored Border -- Pincushion Cover. Leaf Pattern -- Knotting -- Lace-Work -- Muslin Work -- Marking in Embroidery, Ink, and Colored Cotton -- Specimens of Marking -- Netting -- Plain Netting -- Grecian Netting -- Plain Open Netting -- Diamond Netting -- Diamond Netting, of Five Stitches -- Netting with Beads -- Netted Curtain -- First Embroidered Stripe -- Second Embroidered Stripe -- Vandyke Edging -- Short Purse, in Netting -- Needles -- Patchwork -- Point Lace -- Collar in Spanish Rose Point -- Pineushion Cover in Point Lace -- Crochet Point Lace -- Handkerchief Border, in Antique Point Lace -- Point Collar in Crochet -- Perforated Card-Board -- Portfolios -- Pictures with Leaves -- Pine Cones -- Penwipers -- Point or Checked Paper -- Passementerie -- Potichomanie -- Quilting -- Rings -- Purse with Bars and Rings;Note continued: Lounging Cap -- Crochet Bead Work -- Purse, in Crochet Bead Work -- Embroidery -- Specimens of Muslin Embroidery -- Specimens of Silk Embroidery -- Fancy Flowers -- Fire Screen, of Pheasants Wings -- Flowers, in Wax, Shells, &c -- Fringes -- Guipure Work -- Specimens in Guipure Work -- Collar in Irish Guipure -- Herring-Bone -- A Babys First Shoe -- Hem-Stitch -- Honiton Lace in Crochet -- Honiton Lace Sprig -- Knitting -- Specimens of Knitting -- Book Cushion in Orne Knitting -- Explanation of Terms Used in Knitting, and Hints on Knitting -- Opera Cap -- Four Beautiful Patterns -- A Babys Sock -- Babys Socks. 1st Size -- Fringe. No. 1 -- Fringe. No. 2 -- Herring-Bone Purse -- A Strong Purse -- Porcupine Knitting for a Purse -- Spotted Purse -- Another Purse -- A Net Purse in Points -- Corkscrew Netting for a Purse -- DOyleys -- Save-All Bag -- Moss-Stitch, to Make a Thick Bag -- Double Knitting -- Double Blanket;Note continued: Lounging or Smoking Caps. No. 2 -- Smoking Cap -- General Directions for Braiding, and the Materials Used -- Button-Hole Stitches -- Bobbin Work -- Broderie Anglaise -- Specimens of Patterns Suitable for Broderie Anglaise -- Broderie En Lacet -- Apron in Broderie En Lacet -- Broderie A La Minute -- Berlin, or Canvas Work -- Silk Canvas -- Cotton Canvas -- Thread Canvas -- Penelope Canvas -- Flattened Canvas -- Woollen Canvas -- Bolting -- Implements Used in Berlin, or Canvas Work -- Needles -- Embroidery Frames -- Point Paper or Checked Paper -- To Dress a Frame for Cross Stitch -- To Dress a Frame for Cloth Work -- To Dress a Frame for Tent Stitch -- Colors -- Stitches for Berlin, or Canvas Work -- Tent Stitch -- Cross Stitch -- Gobelin, or Tapestry Stitch -- Irish Stitch -- German Stitch -- Wools and Silks Used in Canvas Work -- German Wool, or Zephyr Merino -- English Wool -- Worsted -- Silks Used for Canvas Work -- Traveling Bag;This Civil War-era guide to crafting and handwork features 262 engraved patterns, drawn from English, French, and German sources. Directions and patterns for decorating collars, hair ornaments, cushions, purses, and other items encompass several techniques, from beadwork and braiding to crochet, knitting, and many varieties of lace work, and tatting--;Note continued: A Note, or Card Case, in Covered Rings -- Scale Embroidery -- Elegant Sachet -- Perch Scale Embroidery -- Shades for Lamps -- Silks -- Tapestry -- Tatting or Frivolite -- Tatting Open Stitch -- Star Tatting -- Common Tatting Edging -- Trimming in Tatting or Frivolite -- Tape Work -- Transferring -- Tissue Paper -- Velvet Balls -- Wire Work -- Wheels -- Worsted Work -- Chess Table Covered in Worsted Work -- Cover for Table in Worsted Work -- Pattern for Worsted Work -- Worsted Work.;Machine generated contents note: Applique, or Application -- Slipper in Applique -- Bead Work -- Design for a Pendant Flower-Basket -- Bugle Pen-Wiper for a Table -- Hour Glass Candle stand, with Bead Fringe and Tassels -- Bead Book Markers -- Bead Collars -- Bead Hair Ornaments -- Bead-Net Head-Dress -- Mat in Bead Work and Crochet -- Infants Shoe, Ornamented with Beads -- Bead Purse -- Pole-Screen, in German Embroidery and Beads -- Bead Needle-Book -- Reticule -- Pattern for Reticule Enlarged -- Candlestick Ornament in Transparent Beads -- General Directions for Bead Work and the Materials Used -- Braiding -- Patterns for Braiding -- Braid Work -- Babys Shoe -- Patterns for Braid Work -- Brioche Cushion, Braided on Merino -- French Feather Fan -- Braiding for Dress or Skirt -- Braided Reticule -- Braiding for a Dress or Flannel Skirt -- Braiding Pattern for Slipper -- Slipper Pattern -- Pattern for Dress or Apron -- Lounging or Smoking Caps. No. 1

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EMBROIDERY Directions and Patterns from the Civil War Era Florece Hartley - photo 1

EMBROIDERY.

Directions and Patterns from the Civil War Era Florece Hartley DOVER - photo 2

Directions and Patterns from the Civil War Era

Florece Hartley

DOVER PUBLICATIONS, INC.

Mineola, New York

Bibliographical Note

This Dover edition, first published in 2016, is an unabridged republication of the work originally published by the Keystone Publishing Co., Philadelphia, Pa., in 1889 [first edition: 1859].

Library of Congress Cataloging-in-Publication Data

Names: Hartley, Florence, author.

Title: The ladies hand book of fancy and ornamental work: directions and patterns from the Civil War era / Florence Hartley.

Other titles: Ladies handbook of fancy and ornamental work

Description: Mineola, New York: Dover Publications, 2016. | Reprint. Originally published Philadelphia, Pennsylvania: Keystone Publishing Company, 1889. A first edition was published in 1859.

Identifiers: LCCN 2016018397| ISBN 9780486809113 (paperback) | ISBN 0486809110 (paperback)

Subjects: LCSH: Fancy work. | BISAC: CRAFTS & HOBBIES / Needlework / Embroidery. | CRAFTS & HOBBIES / Needlework / Lace & Tatting. | CRAFTS & HOBBIES / Beadwork. | CRAFTS & HOBBIES / Needlework / Crocheting. | CRAFTS & HOBBIES / Needlework / Knitting. | CRAFTS & HOBBIES / Papercrafts. | CRAFTS & HOBBIES / Needlework / Needlepoint.

Classification: LCC TT750.H33 2016 | DDC 746.4dc23 LC record

available at https://lccn.loc.gov/2016018397

Manufactured in the United States by RR Donnelley

80911001 2016

www.doverpublications.com

PREFACE.

I N the preparation of this work for the press, the writer has endeavored to furnish all that is essential to the proper understanding and practice of ornamental and fancy work, in the plainest language, without introducing unnecessary and irrelevant topics. Nearly all the patterns for needle work, and other parts of domestic adornment used in this country, are derived from English, French, and German sources; and of these the compiler has freely availed herself, adding to them such original patterns as were at her command.

For some of the directions given, she is indebted to Miss Lamberts Guide, and to several anonymous English, French, and German works; and she has adopted the alphabetical order in the arrangement of the subjects, as in Mrs. Pullans excellent Ladys Manual of Fancy Work. The compilers own experience and practice have enabled her to supply a large amount of original information in the several departments of the work. The large number of working patterns, of various descriptions, distributed throughout this book, she trusts will be recognized as a very important feature, and one which will greatly promote the main object which she has kept constantly in viewreal practical utility.

LADIES HAND BOOK

OF FANCY AND ORNAMENTAL WORK.

APPLIQU OR APPLICATION A PPLIQU or application is the laying of one kind - photo 3

APPLIQU, OR APPLICATION.

A PPLIQU , or application, is the laying of one kind of material over another. Pieces of different forms and colors are placed one over another, and secured at the edges by braids, cords, or embroidery. If neatly done and arranged with taste and ingenuity, it is exceedingly handsome. It has been applied very successfully to ladies cloaks, for some years past.

Appliqu may be used on any material, such as cloth, velvet, silk, leather, or muslin, and lace. In forming the pattern, it should be carefully drawn on the material intended for the appliqu, and a corresponding one on that intended for the ground, which may consist of the same or other material. Velvet can be beautifully arranged upon cloth, or satin upon velvet, or silk upon satin, muslin on lace, or lace upon muslin. If velvet, satin, or silk is used, it is necessary to paste a thin paper over the back, before the appliqu is cut, to render it firm and prevent its unraveling. The pieces, when cut, are to be carefully tacked down on the material, and the edges secured either by cord, braid, or satin-stitch embroidery, varying the colors according to taste. Where flowers are chosen, the color of the flowers or leaves is preferable. What are called Turkish designs are peculiarly suited for this kind of work. Vine leaves are also very handsome, and the tendrils can be formed by cord, chenille, &c.

For bags of various kinds, merino and cashmere can be used, making the appliqu of velvet and silk. This is also suitable for slippers, sofa-pillows, &c. It can be edged with gold cord, or braid, or chenille. Slippers of kid, with velvet appliqu, or velvet slippers with kid appliqu are very handsome.

A set pattern is much the handsomest for table covers, ottomans, or large pieces of work.

As appliqu requires stamping tools and machinery for any extensive piece of work, it can only be used by private persons, on a comparatively small scale; but when neatly done, for bags, slippers, ottomans, &c., it richly repays the trouble taken.

LADIES TRAVELING BAG The two sides of this beautiful traveling bag are made of - photo 4

LADIES TRAVELING BAG.

The two sides of this beautiful traveling bag are made of gray leather, or cashmere. The black pattern is cut from velvet, and fastened on with gum and a carefully sewn edgethe white spots are beadssteel beads to be preferred. The pattern may be drawn of any size desirable, on writing paper, and then traced with a sharp-pointed bodkin, through the paper on the leather.

SLIPPEK IN APPLIQU SLIPPER IN APPLIQU M ATERIALS Half a yard of the finest - photo 5

SLIPPEK IN APPLIQU.

SLIPPER, IN APPLIQU.

M ATERIALS .Half a yard of the finest black cloth; nearly the same quantity of scarlet or crimson velvet. Gold thread, of the finest quality, No. 3, two skeins; and fancy cord, of the color of the velvet.

SLIPPER Cut out of a sheet of foolscap paper the exact size required for the - photo 6

SLIPPER.

Cut out of a sheet of foolscap paper, the exact size required for the slipper; lay this on the cloth, and mark the outlines of the slipper with white thread. Then draw the pattern, enlarging it to the required size.

Draw only one-half of the slipper, and mark the other half from it. The parts engraved in white horizontal lines, are to be velvet, which is cut out in the proper shape, that for each slipper being in one entire piece.

Take a broad paint brush, and wash over the back of the velvet lightly with very thin glue; then lay it on the cloth, and tack it, to keep it in its place. Lay it, with the velvet side downwards, on a thickly folded cloth, and put some books on it as weights, until the velvet and cloth adhere. The velvet chosen should be of the best description, with a very short pile. If at all crushed, a warm iron may be held upright, and the back of the cloth passed lightly over it. This will raise the pile. The edges of the velvet are finished off with two lines of gold thread, between which the fancy cord is laid. They are respectively to be sewed over with silk of the same colors, and the ends drawn through the cloth. Quilted silk or satin should be used for lining these slippers.

BEAD WORK.

T HIS work is done in tent-stitch, on canvas, of silk or imitation silk. The beads must be very carefully adapted to the canvas, that each one may just cover the space allotted to it.

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