All photographs are by the author unless otherwise credited. Many people and organizations were extremely supportive of the writing of this book, and I thank them all. But I would like to single out Dave Rowlands: a very long-standing friend who has been such a force for good to garden railways, and who has also had to suffer many years of being a sounding-board for the fruits of my fevered brain. I should like to thank Eric Lloyd, Terry Collins, Alan Craney, Brian Spring, Dave Lomas, Don Jones, Ron Brown, Marty Cozad, Alan Millichamp and Phil Beckey for their garden railways, illustrations of which appear in this book. Phil, in particular, provided some excellent photographs of the sort of railway I would like to build if I were not devoted to my narrow gauge. I am grateful too for the kind assistance of Marc Horovitz, Bill Basey, Tag Gorton and Gareth Jones. Further thanks are due to Andrew Pullen of Aster UK for generous permission to use official drawings and photographs. The various scale societies were most helpful and, in this regard, I thank Geoff Calver, Paul Cooper, Ian Turner and John Evans. Special thanks must go to Manfred Meliset for generously allowing me to use photographs from Die Gartenbahn magazine. Judy Jones should be warmly thanked for her lovely traditional draughtsmanship and also for putting up with being Mrs Jones all these years. Denys Bassett-Jones produced the diagrams in the book, and I offer my grateful thanks. Any omissions from this list are my fault entirely and I apologize for them. The way that everyone rallied round to help me was a testament to the camaraderie of this hobby.
It may be useful to acknowledge some of the influences from the past that shaped my thinking.The book Railway Adventure by L.T.C. Rolt inspired in me a lifetime of enthusiasm; and Curly Lawrence, who, under his pen name of LBSC, wrote in such a friendly and encouraging way about model engineering that he made people, myself included, believe that they could accomplish much. I hope he would have approved of the unstuffy tone of this book. Whilst I was brought up on a diet of the old model-railway writers like Beal, Wickham and Carter, it was John Ahern who really shaped the way I interpreted railways in model form. His Madder Valley railway, part of which holds a special place of honour at Pendon Museum in Oxfordshire, was the indoor equivalent of what I always wanted my garden railway to be.
APPENDIX II Groups and Associations
In Europe and the USA, there is a tendency for groups to be based around a particular product or magazine, LGB being a good example. There are many groups devoted to particular prototypes in different countries, some of which have modelling subsections. But in the UK, there are some strong associations devoted to a particular scale, often appropriate to the garden railway. There are also plenty of spin-off e-groups relating to specific areas. I will restrict myself to giving website addresses only. Check the model press for postal addresses and phone numbers.
The Gauge 0 Guild www.gauge0guild.com is a very popular group. There is a predominant leaning towards indoor modelling, much of it of very high quality, but there is much here of value to the garden railway enthusiast in this scale. The house magazine is very useful and the website has many valuable links.
The G-Scale Society www.g-scale-society.co.uk caters for both indoor and outdoor layouts and it is a good way into a world of easy garden railways, where much of the technicalities have been ironed out, enabling a complete novice to start his journey to a successful railway out of doors. The society also has an active exhibition and social calendar, details of which may be found on the website.
The 16mmAssociation www.16mm.org.uk is a large, well-run organization that seems to aim specifically at garden railways, without actually meaning to. There is an excellent bi-monthly house magazine and also a newsletter. This group represents a large resource of friendly help and advice, together with an active social scene.
The Gauge 1 Model Railway Association (GIMRA) www.gaugeone.org is the guardian of this historic scale. There is coverage of traditional engineering projects as well as a good reflection of what modern trade support is available.
The Gauge 3 Society www.gauge3.co.uk caters for this magnificent scale. Although small in number (and possibly because of this), it is a splendidly friendly and helpful group bonded by a love of the heroically sized models that they run.
For model engineered, passenger-hauling railways the technology is universal. So the clubs, which act as a focus for useful bodies of experience, are usually regional and based on club tracks.
APPENDIX III Further Study
A mainstream model railway magazine, such as Railway Modeller , will provide contact addresses for the various groups associated with particular scales of model railway. In particular, the G-Scale Society and the 16mm Association provide huge amounts of information, both in their glossy magazines and with online resources. In the UK there is a magazine devoted to garden railways called Garden Rail . In Germany there is the excellent Die Gartenbahn , which reflects the developing European approach to garden railways. But by far and away the biggest magazine is the US Garden Railways . It concentrates on US garden railway practice but is a tremendous source of reference (with a great deal of valuable information about miniature plants in particular) whatever your inclination may be. The USA is also the home of Steam in the Garden magazine. As its title suggests, it tends to concentrate on the technicalities of small-scale live steam.
There are also magazines for model engineers. In the UK, these are Model Engineer and Engineering in Miniature , whereas the title of note in the USA is Live Steam . With these, the emphasis is really on the technical engineering side, rather than on garden railways.
Books about garden railways have been limited. Some of these are quite old and dated, and some may be out of print. But here is a list of titles to look out for:
Boreham, D., Narrow Gauge Railway (MAP) c1970
Evans, M., Outdoor Model Railways (MAP) 1970
Freezer, C. J., The Garden Railway Manual (PSL) 1995
Gorton, T. (ed.), Garden Railways in Focus (Atlantic) 2005
Gorton, T., Steam in the Garden (Atlantic) 2005
Jackson-Stevens, E., Scale Model Electric Tramways (David & Charles) c1972
Jones, P., Garden Railway Guides Booklets (Brand-bright) c1990
Jones, P., Model Railway Constructor Special, Number 8 (Ian Allan) 1987
Neale, D., Railways in the Garden (Peco) 1978
Ray, J., A Lifetime with 0 Gauge (Atlantic) 1992
Kalmbach (www.trains.com) are a useful source of publications.
There are also some useful shows-you-how videos and DVDs available. But the best way to study the subject further is to talk to people. Have a look at various types of garden railways to gain a broad picture of the subject.
APPENDIX IV Garden Railway Photography
All the normal rules of good photography apply but there are several other things that you need to think about when trying to record the railway. The most important is to overcome the fact that your eyes have an ability to concentrate on the main things and ignore the rest. You dont see the dustbins behind the station or the knees next to a train. The camera does. Unless there is something momentous happening, never be tempted to randomly snap things. Take time, on your own, to think about every shot, and try to get right down to train level wherever possible. Quality photography does not demand expensive cameras: just a thoughtful photographer.
This applies even more to making videos. In all the excitement, good practice can go out the window and the result will be unsatisfactory. A couple of good minutes are so much better than an hour of painful viewing. Common practice is to adapt a flat wagon to carry a camera and this gives you a record of the drivers view. Set the camera on a wide angle, but even with this, there is a tendency for corners to suddenly loom up in the finished shot. Mounting the camera on a small turntable on the wagon can provide a more professional effect. An arm reaches out forward of this to a weighted bogie, some inches ahead of the vehicle (but not quite in shot). Thus the camera always turns slightly into curves before reaching them. The result is a much smoother transition.