Philips Peter - Networks of music and culture in the late sixteenth and early seventeenth centuries : a collection of essays in celebration of Peter Philipss 450th anniversary

NETWORKS OF MUSIC AND CULTURE IN THE LATE SIXTEENTH AND EARLY SEVENTEENTH CENTURIES

A Collection of Essays in Celebration of Peter Philipss 450th Anniversary

Edited by

DAVID J. SMITH
University of Aberdeen, UK

RACHELLE TAYLOR
McGill University, Canada

with the assistance of Julia R. Dokter

First published 2013 by Ashgate Publishing

Published 2016 by Routledge
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Copyright 2013 David J. Smith, Rachelle Taylor and the contributors

David J. Smith and Rachelle Taylor have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identified as the editors of this work.

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Notice:
Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library

The Library of Congress has cataloged the printed edition as follows:
Networks of music and culture in the late sixteenth and early seventeenth centuries : a collection of essays in celebration of Peter Philipss 450th anniversary / edited by David J. Smith and Rachelle Taylor.

pages cm

Includes bibliographical references and index.

ISBN 978-1-4724-1198-3 (hardcover) 1. Music16th centuryHistory and criticism. 2. Music17th centuryHistory and criticism. 3. MusicSocial aspects. 4. Philips, Peter, 15611628. I. Smith, David J. (David John), 1965 editor of compilation. II. Taylor, Rachelle, editor of compilation.

ML55.P515 2014
780.904dc23

2013020877

ISBN 9781472411983 (hbk)
ISBN 9781315597843 (ebk)

Bach musicological font developed by Yo Tomita

David J. Smith

David J. Smith

milie Corswarem

Anne Lyman

Naomi J. Barker

Rachelle Taylor and Frauke Jrgensen

Julia R. Dokter

David Schulenberg

Pieter Dirksen

Peter van Kranenburg and Johan Zoutendijk

John Bryan

Arne Spohr

Hector Sequera

Abigail Ballantyne

8.1 Peter Philips, Paget Pavan (PK 16a), (a) b. 4952 after Tr;
(b) b. 512 after D

8.3 Heronimo Ferrabosco, Toccata di Roma sexti toni, from Me,
(a) b. 458,
(b) b. 957

8.6 Toccata primi toni, alternate endings from (a) Ly
(b) Berlin, Staatsbibliothek, MS 40158

8.11 Subjects from (a) Palestrina, Vestiva i colli, opening
(C = cantus; A = altus; T = tenore; B = bassus);
(b) Bull, Fantasia I on Vestiva i colli (BuK 8), from Me, opening;
(c) same, b. 235;
(d) Fantazia 3a du Jan Bull, from Me, opening;
(e) Sweelinck, Toccata a1 (D. 29), b. 449

8.12 Parallels between Fantazia 3a, (a) b. 1923 and
(b) b. 756; Fantazia op de fuge van M.Jan Pieters (BuK 4),
(c) b. 4950 and
(d) b. 868;
(e) Sinfonia Pavan from Me, b. 1416;
(f) Den lustelijcken meij (BuK 52), from Me, b. 57 and
(g) Fantasia (BuK 5), b. 445

8.19 Marenzio, Deggio dunque partire, with intabulation: part 1,
(a) b. 1822,
(b) b. 4954

8.20 Marenzio, Tirsi morir volea, printed in his Primo libro de madrigali a cinque voci (Venice, 1580), with keyboard intabulation by Philips (PK 10) from Tr: (a) part 1, b. 16,
(b) part 2, b. 4551

8.22 Marenzio, Ecco laurora, printed in his Quarto libro de madrigali a cinque voci (Venice, 1584), with anonymous keyboard intabulation attributed to Philips (PK 6), from Ly: (a) b. 3944,
(b) b. 515

8.24 Unidiomatic passages in the intabulation of Ecco laurora,
(a) b. 710,
(b) b. 457

8.25 Fingerings in the intabulation of Ecco laurora, (a) b. 627,
(b) b. 7982

8.26 Marenzio, Liquide perle, from his Primo libro de madrigali a cinque voci (Venice, 1580), with anonymous keyboard intabulation from Vi2, (a) b. 467,
(b) b. 1317,
(c) b. 2832

8.27 Closing flourish with raised fourth scale degree, in (a) Liquide perle, intabulation, b. 568;
(b) Bull (?), Fantasia quinti toni, from Me, b. 89end;
(c) Sweelinck, Toccata G1, from Ly, b. 116end

8.28 Tremolos (see Example 8.27a), in (a) Sweelinck, Toccata a2 (numerous sources including Tr and Ly), b. 889,
(b) Bull (?), Why aske yee? (BuK 62), b. 614

8.30 Marenzio, Che fa oggi il mio sole?, with intabulation, (a) b. 2833,
(b) b. 1926

8.33 Anerio, Mio cor se vera sei, with intabulation by Scheidemann,
(a) b. 3942,
(b) b. 668