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Laurie Graham - Singing the City : The Bonds of Home in an Industrial Landscape

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    Singing the City : The Bonds of Home in an Industrial Landscape
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Singing the City : The Bonds of Home in an Industrial Landscape: summary, description and annotation

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Singing the City is an eloquent tribute to a way of life largely disappearing in America, using Pittsburgh as a lens. Graham is not blind to the damage industry has doneboth to people and to the environment, but she shows us that there is also a rich human story that has gone largely untold, one that reveals, in all its ambiguities, the place of the industrial landscape in the heart. Singing the City is a celebration of a landscape that through most of its history has been unabashedly industrial. Convinced that industrial landscapes are too little understood and appreciated, Graham set out to investigate the citys landscape, past and present, and to learn the lessons she sensed were there about living a good life. The result, told in both her voice and the distinctive voices of the people she meets, is a powerful contribution to the literature of place. Graham begins by showing the city as an outgrowth of its geography and its geologythe factors that led to its becoming an industrial place. She describes the human investment in the area: the floods of immigrants who came to work in the mills in the late nineteenth and early twentieth centuries, their struggles within the domains of Andrew Carnegie and Henry Clay Frick. She evokes the superhuman aura of making steel by taking the reader to still functioning mills and uncovers for us a richness of tradition in ethnic neighborhoods that survives to this day.

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Page iii
title Singing the City The Bonds of Home in an Industrial Landscape - photo 1

title:Singing the City : The Bonds of Home in an Industrial Landscape
author:Graham, Laurie.
publisher:University of Pittsburgh Press
isbn10 | asin:0822940760
print isbn13:9780822940760
ebook isbn13:9780585099125
language:English
subjectPittsburgh (Pa.)--History, Pittsburgh (Pa.)--Social life and customs, Steel industry and trade--Pennsylvania--Pittsburgh--History, Graham, Laurie--Homes and haunts--Pennsylvania--Pittsburgh.
publication date:1998
lcc:F159.P657G73 1998eb
ddc:974.8/86
subject:Pittsburgh (Pa.)--History, Pittsburgh (Pa.)--Social life and customs, Steel industry and trade--Pennsylvania--Pittsburgh--History, Graham, Laurie--Homes and haunts--Pennsylvania--Pittsburgh.
Singing the City
The bonds of home in an industrial landscape
Laurie Graham
University of Pittsburgh Press
Page iv
Published by the University of Pittsburgh Press, Pittsburgh, Pa. 15261
Copyright 1998, Laurie Graham
All rights reserved
Manufactured in the United States of America
Printed on acid-free paper
10 9 8 7 6 5 4 3 2 1
Library of Congress Cataloging-in-Publication Data
Graham, Laurie.
Singing the city: the bonds of home in an industrial landscape
/Laurie Graham.
p. cm.
Includes bibliographic references (p. ) and index.
ISBN 0-8229-4076-0 (acid-free paper)
1. Pittsburgh (Pa.)History. 2. Pittsburgh (Pa.)Social life
and customs. 3. Steel industry and tradePennsylvania
PittsburghHistory. 4. Graham, LaurieHomes and haunts
PennsylvaniaPittsburgh. I. Title.
F159.P657G73 1998
974.8'86ddc21Picture 2Picture 3Picture 4Picture 598-19735
A CIP catalog record for this book is available from the British Library.
Page v
Picture 6
"When I was a small boy I thought all rivers were yellow and all nights had yellow lights. It was a peculiar drama, and it all seemed very reasonable. I knew that when the sky was not yellow at night, my dad was not working and it was bad. When we went to Indiana to visit relatives, I felt sorry for those children. Their nights were only black and without magic."
DUANE MICHALS, I Remember Pittsburgh
Page vii
Contents
August 24, 1995. 5:40 A.M.
1
Prologue
5
Out of This Land
14
Vessels of Fire
34
The Contours of Home
68
The Loss of the Mills
101
People and Work
132
The Sublime and the Beautiful
154
Notes
167
Acknowledgments
173
Index
175
Page 1
August 24, 1995. 5:40 A.M.
I pull out of the garage and head down the hill past the lights and dark forms of downtown. The earliness of the hour makes me lightheaded and, conscious of the feel of my hands on the wheel, I warn myself to drive carefully as I try to force myself awake. I am a little anxious, afraid some quirk of fate may prevent me from witnessing what I am on my way to see. At 6:30 A.M. Engineered Demolitions of Minneapolis is scheduled to blow up an ore bridge at the now-defunct Duquesne Works of U.S. Steel.
Headlights bear down behind me out of the darkness, approach with surprising speed to face me on the two-lane road that winds tight between the hill, like a canyon wall, to my right and the railroad tracks and river to my left. Across the river, a coke works is eerily luminescent, buildings highlighted by steam glowing in the plant's concatenation of lights. The news broadcast on the radio urges commuters to find an alternate route; the road past the mill will be closed before detonation of the blast. I ask myself why I didn't leave earlier. What if they close the road before I can get through? Seven miles from the city, I enter the town of Homestead, with the single line of stacks behind the buildings on Eighth Avenue, the old pump house at the Pinkerton landing site, virtually all that remains on a vast tract of land, of what was once the most famous steel mill in the world. So much of this steelmaking valley has been blasted, torched, and hauled away. I don't want to miss the demolition of the ore bridge. It is a way to bear witness and to pay my respects, a way to say good-bye.
My heart begins to beat faster as I approach Duquesne
Page 2
and what remains of the nearly mile-long stretch of decaying plant sheds that precede the blast furnaces and the ore bridge. I am so nearly there, but can see in my mind's eye the police officer who may materialize before me to block my way. I draw reassurance from the fact that the traffic still moves smoothly toward me from up ahead. Finally, the blast furnaces, the stoves and stacks, the ore bridge emerge, silhouetted against the gray of the lightening sky. No one stops me, and, relieved, I pull into a shopping mall and park.
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