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Peter Vronsky - Sons of Cain: A History of Serial Killers from the Stone Age to the Present

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Peter Vronsky Sons of Cain: A History of Serial Killers from the Stone Age to the Present
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Sons of Cain: A History of Serial Killers from the Stone Age to the Present: summary, description and annotation

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From the author of Serial Killers: The Method and Madness of Monsters comes an in-depth examination of sexual serial killers throughout human history, how they evolved, and why we are drawn to their horrifying crimes.
Before the term was coined in 1981, there were no serial killers. There were only monsters--killers society first understood as werewolves, vampires, ghouls and witches or, later, Hitchcockian psychos.
In Sons of Cain--a book that fills the gap between dry academic studies and sensationalized true crime--investigative historian Peter Vronsky examines our understanding of serial killing from its prehistoric anthropological evolutionary dimensions in the pre-civilization era (c. 15,000 BC) to today. Delving further back into human history and deeper into the human psyche than Serial Killers--Vronskys 2004 book, which has been called the definitive history of the phenomenon of serial murder--he focuses strictly on sexual serial killers: thrill killers who engage in murder, rape, torture, cannibalism and necrophilia, as opposed to for-profit serial killers, including hit men, or political serial killers, like terrorists or genocidal murderers.
These sexual serial killers differ from all other serial killers in their motives and their foundations. They are uniquely human and--as popular culture has demonstrated--uniquely fascinating.

Peter Vronsky: author's other books


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In memory of Dave Walker murdered at the Gate of Death in Angkor Wat - photo 1

In memory of Dave Walker, murdered at the Gate of Death in Angkor Wat, Cambodia, February 14, 2014.

_______________

I want a Tibetan sky funeral with flagellants beating themselves to the song.

ALSO BY PETER VRONSKY

Serial Killers

Female Serial Killers

BERKLEY An imprint of Penguin Random House LLC 375 Hudson Street New York New - photo 2

BERKLEY

An imprint of Penguin Random House LLC

375 Hudson Street, New York, New York 10014

Copyright 2018 by Peter Vronsky Penguin Random House supports copyright - photo 3

Copyright 2018 by Peter Vronsky

Penguin Random House supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin Random House to continue to publish books for every reader.

BERKLEY is a registered trademark and the B colophon is a trademark of Penguin Random House LLC.

Library of Congress Cataloging-in-Publication Data

Names: Vronsky, Peter, author.

Title: Sons of Cain: a history of serial killers from the stone age to the present/Peter Vronsky.

Description: New York : Berkley, [2018]

Identifiers: LCCN 2017046780 | ISBN 9780425276976 | ISBN 9780698176140 (e-book)

Subjects: LCSH: Serial murderersHistory.

Classification: LCC HV6505.V76 2018 | DDC 364.152/3209dc23

LC record available at https://lccn.loc.gov/2017046780

First Edition: August 2018

Cover images: Lycaon Transformed into a Wolf from Metamorphoses by Ovid, 1589, Hendrick Goltzius, Wikimedia Commons; Vlad epe, the Impaler, Prince of Wallachia, Wikimedia Commons; England, Whitby, fan in costume in archway on 100th anniversary of publication of Bram Stokers novel Dracula, 1997, Dod Miller/Photonica World/Getty Images; H. H. Holmes, Wikimedia Commons; Jack the Ripper Letter PA Images/Alamy Stock; Marie Becker, 1905, Wikimedia Commons; Myra Hindley, 1966 Keystone Pictures USA/Alamy Stock Photo; Serial Killer Andrei Chikatilo, Terry Smith/Contributor/The LIFE Images Collection/ Getty Images; David Berkowitz Everett Collection Historical/Alamy Stock Photo; Jeffrey Lionel Dahmer PA Images/Alamy Stock Photo

Cover design by Emily Osborne

While the author has made every effort to provide accurate telephone numbers, Internet addresses and other contact information at the time of publication, neither the publisher nor the author assumes any responsibility for errors, or for changes that occur after publication. Further, publisher does not have any control over and does not assume any responsibility for author or third-party Web sites or their content.

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CONTENTS

I LLUSTRATIONS

www.sonsofcainserialkillers.com

I
On the Origin of the Species: The Evolution of Serial Killers
ONE
Serial Killers: A Brief Introduction to the Species

In the beginning was the Word.

JOHN, 1:1

When I encountered my first serial killer in 1979, I did not know there was such a thing. The term serial killer did not exist except in the close-knit world of FBI behaviorists and homicide investigators who in the 1970s were dealing with a sudden surge of unsolved murders, across different jurisdictions, that appeared to be linked to single unknown perpetrators. Ted Bundy, who killed at least thirty-six college-aged women across six states, would emerge from that era as the prototypical postmodern serial killer. But in the movies, in true crime and fiction literature, in the news media, in popular culture, even in forensic psychiatry, there was no agreed-upon term for what Ted Bundy was, or for what I encountered, the way we have the word for it today: serial killer.

My brief chance encounter with onethe first of my three random encounters with different serial killers before they were identified and capturedoccurred on a December Sunday morning in New York. I was stranded in the city over a weekend and needed to find an inexpensive place to stay until Monday. I decided to try a hotel on the far west end of 42nd Street on the farthest fringe of the Times Square district.

Unlike the tourist- and family-friendly version today, in the 1970s the neighborhood around Times Square and 42nd Street (nicknamed Forty-Deuce or the Deuce) was very nasty, a teeming souk of hard-core porn adult bookstores, peep shows, grind house movie theaters, knife stores, massage parlors, strip joints, live sex acts, souvenir shops, hot dogs and hand jobs, street drugs, junkie bars, flophouse welfare hotels and prostitutes of every age, shape and gender. It was New Yorks neon-lit Whitechapel, with its own Ripper too, as I was about to find out.

There were forty thousand prostitutes working the streets and storefront parlors of New York in 1979, so many that the NYPD at one point had to put up barricades along the sidewalks of Eighth Avenue to keep the girls and their pimps from spilling over into the road and blocking traffic.

Unless you were briskly on your way to or from the Port Authority Bus Terminal, you were on the Deuce for one of four reasons: to buy, sell, be sold or be hunted if you were stupid or careless enough. There were 2,092 murders in New York in 1979 and 2,228 in the year after that. In 1990, murders would climb to a record high of 2,605.

As I approached the hotel that Sunday morning at daybreak, I thought I had a pretty good idea as to what I might be getting into. I had been to New York many times before on movie and documentary projects and shot all sorts of edgy things. Sometimes Id stayed in one of the fleabag hotels around Times Square but this was the first time I had ever wandered off the map as far as Tenth Avenue, into the adjoining neighborhood that since the 1880s had been called Hells Kitchen. Today its bursting with foodie fad restaurants and hip little bars and the neighborhood has been renamed a more upscale and condo-friendly Clinton. But in the 1970s it was definitely still Hells Kitchen. Between 1968 and 1986 the Westies, an Irish gang, killed between sixty and one hundred victims there, carving their corpses into pieces in the tenement house bathtubs where today all the cozy, cute little restaurants are.

I wasnt sure I wanted to stay the night there, but it was conveniently close to the film lab I needed to go to the next morning before catching my plane home, and it was cheap. So before committing myself by checking into this medium-sized five-story hotel, I decided to take a walk around the hallways and stairways, scout it out and see for myself just how bad it was and who or what might be lurking in the corridors.

As I waited in the small lobby for the elevator, it seemed to be stopped forever on an upper floor. It was annoying. I was young and impatient. When the elevator finally came down and the doors slid open, I took an extra-hard look at the jerkoff who had kept me waiting for what seemed like ages, although probably it wasnt longer than a minute.

He looked like... well, like anybody. Ordinary. Just another white guy in his early thirties. The only odd thing about him was that despite the cold he had a sheen of feverish perspiration on his forehead. As he got off the elevator he walked into me as if I was not therewalked through mebonking me on the knee and shin with a soft-sided bag that felt as if it had bowling balls in it: rounded, hard and heavy. He didnt say anything, apologize or even give me a glance back. He looked so ordinary that if I had been asked to describe him for a police composite sketch, I could not have. But as hed annoyed me, I did give him enough of a look to later recognize him if I saw him again, even if I couldnt describe him from scratch. My last glimpse of him was from inside the elevator as the door closed on me. His back was turned to me and he was strolling calmly toward the door to the street with his bag dangling at his side.

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