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Karin Tidbeck - Amatka

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A surreal and shockingly original debut novel set in a dystopian world shaped by language--literally.
Vanja, a government worker, leaves her home city of Essre for the austere, wintry colony of Amatka on a research assignment. It takes some adjusting: people act differently in Amatka, and citizens are monitored for signs of subversion.
Intending to stay just a short while, Vanja finds herself falling in love with her housemate, Nina, and decides to stick around. But when she stumbles on evidence of a growing threat to the colony and a cover-up by its administration, she begins an investigation that puts her at tremendous risk.
In Karin Tidbecks dystopic imagining, language has the power to shape reality. Unless objects, buildings, and the surrounding landscape are repeatedly named, and named properly, everything will fall apart. Trapped in the repressive colony, Vanja dreams of using language to break free, but her individualism may well threaten the very fabric of reality.Amatkais a beguiling and wholly original novel about freedom, love, and artistic creation by an idiosyncratic new voice.

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KARIN TIDBECK AMATKA Karin Tidbeck is originally from Stockholm Sweden She - photo 1
KARIN TIDBECK
AMATKA

Karin Tidbeck is originally from Stockholm, Sweden. She lives and works in Malm as a freelance writer, translator, and creative-writing teacher and writes fiction in Swedish and English. She debuted in 2010 with the Swedish short story collection Vem r Arvid Pekon? Her English debut, the 2012 collection Jagannath, was awarded the Crawford Award in 2013 and shortlisted for the World Fantasy Award. Amatka is her first novel.

ALSO BY KARIN TIDBECK

Jagannath

A VINTAGE BOOKS ORIGINAL JUNE 2017 English translation copyright 2017 by - photo 2A VINTAGE BOOKS ORIGINAL JUNE 2017 English translation copyright 2017 by - photo 3

A VINTAGE BOOKS ORIGINAL, JUNE 2017

English translation copyright 2017 by Karin Tidbeck

All rights reserved. Published in the United States by Vintage Books, a division of Penguin Random House LLC, New York, and distributed in Canada by Random House of Canada, a division of Penguin Random House Canada Limited, Toronto. Originally published in Sweden by Mix Frlag, Stockholm, in 2012. Copyright 2012 by Karin Tidbeck.

Vintage and colophon are registered trademarks of Penguin Random House LLC.

This is a work of fiction. Names, characters, places, and incidents either are the product of the authors imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

Library of Congress Cataloging-in-Publication Data

Names: Tidbeck, Karin, 1977 author.

Title: Amatka / Karin Tidbeck.

Other titles: Amatka. English

Description: New York : Vintage, 2017.

Identifiers: LCCN 2016043285 (print) | LCCN 2017002988 (ebook) | ISBN 9781101973950 (paperback) | ISBN 9781101973967 (ebook)

Subjects: LCSH: Language and languagesFiction. | BISAC: FICTION / Literary. | FICTION / Science Fiction / General. | FICTION / Visionary & Metaphysical. | GSAFD: Dystopian fiction.

Classification: LCC PT9877.3.I45 A6313 2017 (print) | LCC PT9877.3.I45 (ebook) | DDC 839.73/8dc23

LC record available at https://lccn.loc.gov/2016043285

Vintage Books Trade Paperback ISBN9781101973950

Ebook ISBN9781101973967

Cover design by Joan Wong

Cover images: city Algol/Shutterstock and smokestacks rsooll/Shutterstock

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Contents
THE TRAIN

B rilars Vanja Essre Two, information assistant with the Essre Hygiene Specialists, was the only passenger on the auto train bound for Amatka. As soon as she had climbed the steps, the door shut behind her and the train jerked into motion. Vanja took a new grip on her satchel and typewriter case and pushed the suitcase through the sliding door with her feet. On the other side, the darkness was complete. She fumbled along the wall and found a circuit breaker next to the door. The light that flickered on was weak and yellow.

The narrow space of the passenger car was bare except for the brown vinyl bunk couches that lined the walls and the luggage racks, stacked with blankets and thin pillows, which were wide enough to sleep on, too. It was built for migration, for transporting pioneers to new frontiers, and its capacity was pointless here.

Vanja left her bags by the door and sat on each of the couches. They were all equally rigid and uncomfortable. The upholstery looked slippery but felt unpleasantly rough to the touch. She chose the couch at the far right-hand corner, where shed be close to the common room and have a good view of the rest of the car. It was all vaguely reminiscent of the dormitory in Childrens House Two so long ago: the same vinyl mattresses under the sheets, the same lingering scent of bodies. But back then the room had been full of children and the sound of their voices.

She took a look at the tiny common room. The only window in the car was on the right wall, low and wide with rounded edges and a roll-down curtain. On closer inspection, the window turned out not to be an ordinary window, but a white screen that lit up at the press of a button. It was probably meant as a substitute for daylight. Under the screen, a table was bolted to the floor along with four chairs. One of the two high cabinets on the other side of the room held a tiny lavatory with a washbasin, the other a small pantry with preserves and fresh root vegetables. Everything was marked in large and comforting letters: WASHBASIN , PANTRY , TABLE . This area smelled vaguely of manure, either from the lavatory or from the containers that rode at the front of the train.

Vanja fetched her suitcase and undid the buckles. One of them looked like it was about to come loose. It had been a gift from someone, who had inherited it from someone else, and so on. In any case, it wasnt going to last long: the word SUITCASE was almost illegible. She could fill in the letters, of course, but the question was what would happen firstthat the bag simply fell apart from wear or that it dissolved when she put it away. She really ought to scrap it.

Suitcase, Vanja whispered, to keep it its shape just a little longer. Suitcase, suitcase.

She flipped the backrest to free up the lower bunk and made the bed with the set of sheets shed brought. They too would soon need new marking.

The preserves in the pantry were apparently meant to be eaten cold. Vanja found a spoon and pulled the lid off one of the cans. According to the ingredient list, it contained stew with a base of mycoprotein, which meant a smooth, bland paste that stuck to the roof of her mouth. Vanja forced down half of the cans contents and put it back in the pantry. The vegetables were fresh and tasted better. She cut a chunk of rutabaga into smaller pieces and slowly ate them one by one.

The train car swayed gently back and forth; a rhythmic pounding noise emerged through the floor, and though this must mean that the train was moving forward, it was impossible to tell at what speed. The window screen grew dim. Vanja looked at the clock on her wrist. The second indicator was stuck at one oclock, twitching. She had forgotten to follow instructions; she should have left it at home or handed it in at the station. Looking at it while on the train was a bad idea. Unless they were made from fine matter, mechanical things sometimes didnt behave like they should between the colonies. The train was safe, of course, but the little clock might not be. Vanja took it off and put it in her pocket.

She went back into the main car and changed into sleep clothes. They were getting too big for her, again. Her breasts dangled half-empty on her ribs; her belly no longer sagged from fat but from loose skin and flaccid musculature; her legs were no longer firm. She knew her face had thinned down in the same doughy manner, its warm bronze yellowed and fading into the shade of her dull eyes and hair in a nondescript spectrum of brown. She looked older than she was. Her supervisor, Illas ydis, had treated her with exaggerated care. This is an important mission, she had said, so take all the time you need. No need to hurry. It was an important mission, carried out with the committees blessing. She was, after all, the first of her kind.

Vanja left the ceiling light on and huddled under the blanket. Everyone knew that there was nothing out there except the empty steppe: billowing grass, some hillocks, and combes. The lack of windows was just a security measure. She tried to give in to the rocking of the train. The corner should have felt safe, but it didnt. The walls were too thin, a frail shell between her and the unseen landscape through which she was traveling.

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