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Diana Evans - Ordinary People

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Diana Evans, author of the prize-winning26a, returns with an intimate portrait of London, an exploration of modern relationships and black identity, and that mid-life moment when a gap emerges between who we think we are and who we are becoming.
Melissa and Michael, a couple of thirteen years, have taken up residence in a crooked house in the south of the city, a new baby making them a family of four. Feeling defined solely by motherhood, Melissas need to reclaim her identity is spilling into resentment at her partner and a growing fear that something unnatural is living in their home. Her solace in her Nigerian mothers stews and spells only infuriates Michael, who desperately misses the excitement of their lives before children.
Further south, in the suburbs, Damian and Stephanie enter a year of marital disquiet. Damians Trinidadian political activist father has died, and he finds himself adrift and hungering for the city--just as his admiration for Stephanies wholesome aspirations and white middle class upbringing begin to feel more like a trap than an escape. With the election of Barack Obama posing a distant perfection to which modern couples might aspire, these two ordinary partnerships collide and conjoin in a building chaos born from their extraordinary desires.
Ordinary Peopleis an intimate, immersive study of identity and parenthood, sex and grief, friendship and aging, and the fragile architecture of love. With its distinctive prose and addictive soundtrack, it is the story of our lives, and those moments that threaten to unravel us.

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Contents
BY THE SAME AUTHOR 26a The Wonder Copyright 2018 Diana Evans All rights - photo 1

BY THE SAME AUTHOR

26a

The Wonder

Copyright 2018 Diana Evans All rights reserved The use of any part of this - photo 2

Copyright 2018 Diana Evans

All rights reserved. The use of any part of this publication, reproduced, transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise, or stored in a retrieval system without the prior written consent of the publisheror in the case of photocopying or other reprographic copying, license from the Canadian Copyright Licensing agencyis an infringement of the copyright law.

Bond Street Books and colophon are registered trademarks of
Penguin Random House Canada Limited

Library and Archives Canada Cataloguing in Publication

Evans, Diana, 1971-, author

Ordinary people / Diana Evans.

Issued in print and electronic formats.

ISBN 9780385692120 (softcover).ISBN 9780385692137 (EPUB)

I. Title.

PR6105.V36O73 2018823.92C2017-907582-9

C2017-907583-7

This book is a work of fiction. Names, characters, places, events and incidents are either the product of the authors imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

Cover design: Kelly Hill

Cover image: ShustrikS / Shutterstock.com

Published in Canada by Bond Street Books,
a division of Penguin Random House Canada Limited

www.penguinrandomhouse.ca

v531 a I built myself a house of glass It took me years to make it And I - photo 3

v5.3.1

a

I built myself a house of glass:

It took me years to make it:

And I was proud. But now, alas,

Would God someone would break it.

But it looks too magnificent.

No neighbour casts a stone

From where he dwells, in tenement

Or palace of glass, alone.

Edward Thomas

CONTENTS

M&M

To celebrate Obamas election, the Wiley brothers threw a party at their house in Crystal Palace. They lived near the park, where the transmitting tower loomed up towards the heavens like a lesser Eiffel, stern and metallic by day, red and lit up by night, overlooking the surrounding London boroughs and the home counties beyond, and harbouring in the green land at its feet the remains of the former glass kingdom the lake, the maze, the broken Greek statues, the eroded stone lions, and the dinosaurs made of old science.

The Wileys were originally from north of the river and had moved to the south for its creative energy and the charisma of its poverty (they were conscious of their privilege and wanted to be seen as having survived it spiritually). Bruce, the older, was a well-known photographer, his studio a labyrinth of lights and darkness at the rear of the house. Gabriele was an economist. They were opposites in all things Bruce was large, Gabriele was thin, Bruce drank, Gabriele did not, Bruce did not own a suit, Gabriele was a suit but they threw a party with shared commitment and singular intent. First they decided on their guest list, which featured all the important, successful and beautiful people they knew, such as lawyers, journalists, actors and politicians. Depending on the size of the event, less eminent guests were chosen on a sliding scale according to rank, connections, looks and personality, which the brothers went through in their conservatory where they had most of their evening discussions. On this occasion they invited more people than usual, as they wanted it to be bombastic. When the list was finalised Gabriele sent round a text.

Next they arranged for the three essential ingredients, drinks, food and music. The party was scheduled for the Saturday immediately following the election so they didnt have much time. They bought bottles of champagne and macadamias and chicken wings and pimento olives, all the while going over the highlights of their sleepless Tuesday night when they had watched the blue states eating up the red states and Jesse Jacksons tears in Grant Park and the four Obamas strolling out victorious on to the bullet-proofed stage then the weather the next day, so bright and blue for November, and people, strangers, open and smiling and saying good morning to one another, in London! They imagined, as they planned their playlist to pass on to the DJ, Jill Scott, Al Green, Jay Z, wafting out of the windows of the White House. For the purposes of insulation and protection, they covered the metallic bookshelves in the living room with sheets of chipboard and laid disused mats over the walnut floors. They left the Chris Ofili on the centre wall, a sofa below and some scattered cushions, but most of the furniture was removed. Gabriele placed a note on the bathroom mirror asking people to respect that this was someones house and not a nightclub.

Then the people came. They came from all over, from the towns across the river and the blocks off the A205, from the outer suburbs and the neighbouring streets. They came wearing faux fur coats with skinny jeans, shiny glinting Oxford Circus sandals and flashy shirts. They too had stayed up on Tuesday night watching blue eat red, and the Obama daughters walking on to the stage in their small, well-tailored dresses and their excited shoes had reminded many of them of the four little girls bombed forty-five years before in the church in Alabama by the Ku Klux Klan. That, perhaps, was what made Jesse Jackson cry, that they walked in their flames, and it was impossible to look at this new advancement of history without also seeing the older, more terrible one, and thus the celebration was at the same time a mighty lament. There were parties all over the city that night, in Dalston, Kilburn, Brixton and Bow. Traffic sped back and forth over the Thames so that from far above the river was blackness crossed by dashing streams of light. Afros were glossed and goatees were snipped. Diminishing clouds of body spray and hairspray hung deserted near bedroom ceilings as they came, as they parked their cars in the shadows of the tower, slammed their Oyster cards through the Crystal Palace ticket barriers and meandered to the house, bearing bottles of Malbec, Merlot, whiskey and rum, which Gabriele, in the spotlit hive of the kitchen, accepted with both his slender hands. It was Bruces job to keep the door, which he did until giving himself to the joys of drink. They kept on coming, men in good moods and just-so trainers, women with varying degrees of fake hair, their curls, their tresses, their long straight manes trailing down their backs as they walked into the music, like so many Beyoncs.

Among them were a couple, Melissa and Michael, who arrived in a red Toyota saloon. They were acquaintances of the brothers, from the media crowd, Michael had known Bruce at SOAS. He was tall and broad, with a thin, stubbled jaw and pretty eyes, the hair shaved close to the skull so as to almost disappear was naturally thick and glossy given to a distant trace of India in his ancestry. He wore loose black jeans with a sleek grey shirt, a pair of smart trainers whose white soles came and went as he walked with a hint of a skip, and a leather jacket the colour of chestnuts. Melissa was wearing a mauve silk dress with flashing boho hem, lime-green lattice wedge sandals, a black corduroy coat with a flyaway collar, and her afro was arranged in a sequence of diagonal cornrows at the front with the rest left free though tamed with a palmful of S-Curl gel. Framed within this her expression was childlike, a high forehead and slyly vulnerable eyes. Together they displayed an ordinary, transient beauty they were a pair to turn a head, though in close proximity their faces revealed shadows, dulled, imperfect teeth and the first lines. They were on the far side of youth, at a moment in their lives when the gradual descent into age was beginning to appear, the quickening of time, the mounting of the years. They were insisting on their youth. They were carrying it with both hands.

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