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Charlie Leduff - Sh*tshow!: The Country’s Collapsing ... And the Ratings Are Great

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Charlie Leduff Sh*tshow!: The Country’s Collapsing ... And the Ratings Are Great
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A daring, firsthand, and utterly-unscripted account of crisis in America, from Ferguson to Flint to Cliven Bundys ranch to Donald Trumps unstoppable campaign for President--at every turn, Pulitzer-prize winner and bestselling author of Detroit: An American Autopsy, Charlie LeDuff was thereIn the Fall of 2013, long before any sane person had seriously considered the possibility of a Trump presidency, Charlie LeDuff sat in the office of then-Fox News CEO Roger Ailes, and made a simple but prophetic claim: The whole country is bankrupt and on high boil. Its a shitshow out there. No one in the bubbles of Washington, DC., New York, or Los Angles was talking about it--least of all the media. LeDuff wanted to go to the heart of the country to report what was really going on. Ailes baulked. Could the hard-living and straight-shooting LeDuff be controlled? But, then, perhaps on a whim, he agreed. And so LeDuff set out to record a TV series called, The Americans, and, along the way, ended up bearing witness to the ever-quickening unraveling of The American Dream.For three years, LeDuff travelled the width and breadth of the country with his team of production irregulars, ending up on the Mexican border crossing the Rio Grande on a yellow rubber kayak alongside undocumented immigrants; in the middle of Ferguson as the city burned; and watching the children of Flint get sick from undrinkable water. Racial, political, social, and economic tensions were escalating by the day. The inexorable effects of technological change and globalization were being felt more and more acutely, at the same time as wages stagnated and the price of housing, education, and healthcare went through the roof. The American people felt defeated and abandoned by their politicians, and those politicians seemed incapable of rising to the occasion. The old way of life was slipping away, replaced only by social media, part-time work, and opioid addiction.Shtshow!* is that true, tragic, and distinctively American story, told from the parts of the country hurting the most. A soul-baring, irreverent, and iconoclastic writer, LeDuff speaks the language of everyday Americans, and is unafraid of getting his hands dirty. He scrambles the tired-old political, social, and racial categories, taking no sides--or prisoners. Old-school, gonzo-style reporting, this is both a necessary confrontation with the darkest parts of the American psyche and a desperately-needed reminder of the countrys best instincts.Pulitzer Prizewinning journalist LeDuff delivers a crackling critique of American culture using vignettes from his years traveling across the country and talking to everyday Americans. . . . This timely portrait of America is a superb example of contemporary gonzo journalism. Publishers WeeklyCharlie LeDuff is a Pulitzer Prize-winning journalist, formerly at the New York Times and the Detroit News, and Detroits Fox 2 News. The author of Detroit, US Guys, and Work and Other Sins, he lives near Detroit.

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ALSO BY CHARLIE L E DUFF

Detroit

US Guys

Work and Other Sins

PENGUIN PRESS An imprint of Penguin Random House LLC 375 Hudson Street New - photo 1

PENGUIN PRESS

An imprint of Penguin Random House LLC

375 Hudson Street

New York, New York 10014

penguin.com

Copyright 2018 by Charles LeDuff

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

Portions of this book appeared in different form in Mother Jones, The New York Times, and Vice News.

ISBN 9780525522027 (hardcover)

ISBN 9780525522034 (ebook)

Version_1

Ma Contents 2013 Red White Rog NEW YORK CITY AUTUMN 2013 Id arrived - photo 2

Ma

Contents
2013
Red, White & Rog
NEW YORK CITY (AUTUMN 2013)

Id arrived full of piss and tonic, ready to pitch Roger Ailes my idea for a national TV news segment called The Americans, but the morguelike atmosphere dampened my enthusiasm. The Fox News offices in Manhattan were a warren of cubicles with shitty fluorescent lighting and drab, yellowing paint. People were cowed and hollow-eyed behind their cheap modular desks, tap-tap-tapping numbly on their keyboards. Bill OReilly scuttled through the lobby, scowling and distracted. He looked like hell without makeup, saggy bottomed, squeezed like an old dishrag.

Papa Bear! I shouted to him, fist in the air, fight-the-power-like.

He threw a sour, dismissive wave and shambled on toward the elevator bank. There he went: No Spin Bill, carrying the weight of the countrys number one cable news show on those seductive, sloping shoulders. Give em hell, Papa Bear!

Roger Ailes, the president of Fox News, had a nice office, his door kept sentinel by a young bombshell with black stockings and skirt and a tight sweater, put together like the bevy of other young bombshells with black stockings and ample cleavage who populated this Fox News mother ship, tap-tap-tapping. Who created this Plasticine paradise? Who was the genius who came up with the concept to marry family values with unquenched geriatric libido?

I was escorted into Ailess inner sanctum, chaperoned by two senior Fox executives.

This Ailes, by the look of things, he knew how. A large, understated office. A window facing uptown. A couch. A private toilet. A desk with absolutely no paper on it. Nothing. No schedules. No contracts. No tissue. No disposable cup. No lint.

Its all done right here, said The Rog, pinched and slightly rotund, tapping his pale, bald skull with an index finger. The map of the kingdom was carried in his head.

Roger is a genius, explained one of the executives who brought me to meet the Exalted. He built this from scratch and he keeps the recipe to himself.

My stars dont like it, Rog said, but I go by instinct. How are my stars? They dont like the new schedule?

Stars, I thought. He called his commentators stars.

Well, Im a local TV reporter for your Fox station in Detroit, I said.

I know, he responded, pointing to his magical skull. You wrote a book.

Yes, well, like I said in the book, Mr. Ailes, Detroit is not its own little freak show. The whole country is bankrupt and on high boil. Its a shitshow out there. What Id like to do is a series of dispatches for your local television group [Fox directly owned eighteen local stations in Americas biggest markets, usually one with an NFL team]. Go across America with a camera, show whats really going on between L.A. and New York. Get in touch with the real people. Theyre missing from your airwaves, you know. And the elections coming sooner than you think.

Rog looked at his executives and asked: Can we control him?

What the fuck is that supposed to mean? I asked him just like that because Rog was no shrinking violet. He was battle-tested. Hed been around the barracks with that upper-plate smile, crooked and dangerous, his eyes glazed, unhealthy, and bulbous. You just knew you could talk to Rog, the man who created the Richard Nixon Show and then went on to create bullshit right-wing TV news. Rog was the man who realized there was a tremendous audience of people out there who were tired of the decades of bullshit left-wing news they were being fed. So Rog was a genius.

Now, I was proposing something down-up and right down the middle, something showcasing everyday people who were trying to get by as the country and their way of life disintegrated around them.

I dont want you going off and doing stories on Rupert Murdochs charities, he said gravely.

What the wizard was telling me was that he didnt want stories that would cost him money or advertisers or instigate phone calls from the country club or from The Boss himself. These were the same concerns of liberal media executives. In the end, news isnt really about keeping the public informed or holding the powerful to account. Its about cash money. The First Amendment is a fine thing, but the Founding Fathers didnt think to leave the media a revenue stream. Thats why the industry pushes as many stories as it does about doped-up starlets, foil-hat crackpots, and cats, so many catsrunaway cats, talking cats, ghost cats, cats on the toilet, amputee cats in wheelchairs. Money made the twenty-four-hour news cycle spin round. Id learned that much in my years as a newspaperman.

And frankly, what did I care about Ruperts charities? I mean, Im no collaborator, no corporate lap dog. Im not a tool or an organ or a megaphone for the ruling class. I dont do drinks or retreats or White House Correspondents Dinners. Proximity to power does nothing for me. I dont even call myself a journalist. Reporter, straight up. But I cant imagine anything as arcane as Ruperts charities. Ill leave that to the chattering chimps and op-ed writers. I just wanted to get into the dirt of American life.

All right, he said straight from his famous gut. Well give it a shot.

To his credit, Rog was straight up about it. There was no turn around and let me get a look at you. No feeling up my pectorals or biceps. No invitation to a boozy luncheon at a high-end hotel. None of the alleged harassment that three years later would lead to Ailess ouster from the network he had built. Its much easier to get hired in TV newsespecially if you have a limited intellectual skill setif youre primped and powdered and physically possessed. Bad hair and yellow teeth dont get you very far. But Rog saw beyond it. Ailes said yes to me and the show, and I owe him much gratitude for that.


What you have in your hands is a chronology of those stories charting three years I traveled the country as a TV reporter for a segment on The Americans that aired across the country; three years of significant change to the American political, racial, and economic landscape. From the obvious and not-so-obvious effects of the new globalism to the growing strife between black and white, between the people and a government they feel has abandoned and cheated them. I did my damnedest to get up close and personal, to understand people and their very real anxieties and desperation. The American dream was slipping away, I knew that. Mortgaged down the river. But what, besides social media, part-time work, and prescription medication, was replacing it?

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